{"id":239533,"date":"2023-07-12T10:47:49","date_gmt":"2023-07-12T14:47:49","guid":{"rendered":"https:\/\/sftarticles.wpenginepowered.com\/es\/?p=297744"},"modified":"2025-07-01T18:42:48","modified_gmt":"2025-07-02T01:42:48","slug":"godzilla-returns-in-his-darker-version-with-an-incredible-trailer","status":"publish","type":"post","link":"https:\/\/cms-articles.softonic.io\/en\/godzilla-returns-in-his-darker-version-with-an-incredible-trailer\/","title":{"rendered":"Godzilla Rises: The Darkest Version Yet Unleashes in Jaw-Dropping Trailer"},"content":{"rendered":"\n

Some things never change. The sun rises in the east. Water is wet. Fire burns. Godzilla destroys Japan. Even when protecting it from other monsters, Godzilla still destroys. It’s a well-known fact, just like November 3rd being Godzilla Day, and this coming November 3rd, Godzilla will celebrate a whopping seventy years<\/strong>. That’s why, on this special occasion, it should come as no surprise that Toho has decided to celebrate in style with a new film, Godzilla Minus One, for which we now have the first teaser.<\/p>\n\n\n\n

Co-produced by Robot Communication and Toho Studios, this is the thirty-seventh Godzilla film, but only the fifth of the Reiwa era, which is known for presenting a much darker Godzilla and focusing on politically charged themes<\/strong>. It seems that Godzilla Minus One will be no exception, as the film is set in post-war Japan, featuring a particularly violent and feral Godzilla. This aligns with the overarching concept seen in the movies of this new era: Godzilla is no longer portrayed as a pet, as was the case in much of the Showa era, or as the king of monsters, as in the Heisei era. Instead, Godzilla is depicted as an entity beyond human comprehension, much like in the original 1954 film. We can witness this through Pluto TV’s dedicated channel for Japanese Godzilla movies, providing us with a glimpse into the fascinating world of Godzilla<\/a>.<\/p>\n\n\n\n

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