{"id":267657,"date":"2023-12-21T10:14:23","date_gmt":"2023-12-21T15:14:23","guid":{"rendered":"https:\/\/sftarticles.wpenginepowered.com\/es\/?p=321915"},"modified":"2025-07-01T17:21:36","modified_gmt":"2025-07-02T00:21:36","slug":"a-cult-classic-from-2011-arrives-in-remastered-form-on-switch","status":"publish","type":"post","link":"https:\/\/cms-articles.softonic.io\/en\/a-cult-classic-from-2011-arrives-in-remastered-form-on-switch\/","title":{"rendered":"A cult classic from 2011 arrives in remastered form on Switch"},"content":{"rendered":"\n

Some games don’t try to connect with the audience. They don’t care about being misunderstood, rejected or repudiated by the masses. They know what they want to do and they know that there is an audience out there that will fall in love with their proposals if they are able to reach them<\/strong>. That kind of games tend to become cult games. And not without good reasons.<\/p>\n\n\n

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El Shaddai: Ascension of the Metatron is one of those games. Originally released in 2011 for Xbox 360 and PlayStation 3, it received a lukewarm reception from critics and the public due to its mix of platforming, hack and slash, and extremely unique art<\/strong>. A combination that sounds good, and is good, but that didn’t remotely fit the standards of the time, which were more inclined towards cinematic games like God of War or Dante’s Inferno than to an almost experimental game. Even if its clearest reference was the first Devil May Cry.<\/p>\n\n\n\n

That doesn’t mean that, over the years, it has become a cult classic. One of those games that is not talked about much, but has made history within the medium as one of the most unique games within it<\/strong>.<\/p>\n\n\n\n

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