{"id":269727,"date":"2024-01-07T07:15:27","date_gmt":"2024-01-07T12:15:27","guid":{"rendered":"https:\/\/sftarticles.wpenginepowered.com\/es\/?p=323619"},"modified":"2025-07-01T17:16:33","modified_gmt":"2025-07-02T00:16:33","slug":"the-most-important-directors-in-the-world-choose-their-favorite-movies-of-2023","status":"publish","type":"post","link":"https:\/\/cms-articles.softonic.io\/en\/the-most-important-directors-in-the-world-choose-their-favorite-movies-of-2023\/","title":{"rendered":"The most important directors in the world choose their favorite movies of 2023"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>The year 2023 has been very fruitful for the film industry<\/strong>. Although the strikes by screenwriters and actors have hindered the industry quite a bit, that hasn&#8217;t stopped us from having gems of all kinds of genres, from craziness like <strong>Godzilla: Minus One<\/strong> to unexpected blockbusters like <strong><a href=\"https:\/\/en.softonic.com\/articles\/barbie-breaks-another-record-more-and-there-are-several\" target=\"_blank\" rel=\"noopener\" title=\"\">Barbie <\/a><\/strong>and <strong>Oppenheimer<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But it is very difficult to catalog the best that is done every year worldwide, so from <strong><a href=\"https:\/\/www.indiewire.com\/gallery\/directors-best-movies-tv-2023-bill-hader-lulu-wang-robert-eggers\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Indie Wire<\/a><\/strong> they have asked some of the most important directors in the industry to say what their favorite movies of the year have been. <strong>The list includes names like Paul Schrader, Lulu Wang, Daniel Schenihert, Andrew Haigh, Ira Sachs or Sean Baker<\/strong>. Below, we leave you with their rankings, which also include some series.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Allison Anders, director of Mi vida loca and Four Rooms<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Barbie<\/li>\n\n\n\n<li>Past Lives<\/li>\n\n\n\n<li>You Hurt My Feelings<\/li>\n\n\n\n<li>The Pigeon Tunnel<\/li>\n\n\n\n<li>I Am A Noise<\/li>\n\n\n\n<li>The Crown<\/li>\n\n\n\n<li>Reservation Dogs<\/li>\n\n\n\n<li>Origin<\/li>\n\n\n\n<li>Rock Hudson: All That Heaven Allowed<\/li>\n\n\n\n<li>Drive Away Dolls<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>The Zone of Interest<\/li>\n\n\n\n<li>Perfect Days<\/li>\n\n\n\n<li>D.O.A.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/articles-img.sftcdn.net\/sft\/articles\/auto-mapping-folder\/sites\/2\/2024\/01\/anatomy-of-a-fall-1024x576.jpg\" alt=\"\" class=\"wp-image-323647\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Sean Baker, director of The Florida Project and Red Rocket<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Vera<\/li>\n\n\n\n<li>Joy Ride<\/li>\n\n\n\n<li>Miami Wati<\/li>\n\n\n\n<li>Rimini<\/li>\n\n\n\n<li>The Sensual World of Black Emanuelle<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Maggie Betts, director of Novitiate and The Burial<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Anatomy of a fall<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Justin Chon, director of Pachinko<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Anatomy of a fall<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Jamie Dack, Director of Palm Trees and Power Lines<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Passages<\/li>\n\n\n\n<li>How To with John Wilson<\/li>\n\n\n\n<li>Dream Scenario<\/li>\n\n\n\n<li>Telemarketers<\/li>\n\n\n\n<li>Poor Creatures<\/li>\n\n\n\n<li>Beef<\/li>\n\n\n\n<li>Stop Making Sense<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>Swarm<\/li>\n\n\n\n<li>Paul T. Goldman<\/li>\n\n\n\n<li>The Zone of Interest<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Joe Dante, director of Gremlins and The Howling<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Poor Creatures<\/li>\n\n\n\n<li>Oppenheimer<\/li>\n\n\n\n<li>Barbie<\/li>\n\n\n\n<li>The Count<\/li>\n\n\n\n<li>The Last Voyage of the Demeter<\/li>\n\n\n\n<li>Dream Scenario<\/li>\n\n\n\n<li>Godzilla Minus One<\/li>\n\n\n\n<li>M3gan<\/li>\n\n\n\n<li>Sisu<\/li>\n\n\n\n<li>Mission: Impossible &#8211; Deadly Sentence. Part 1<\/li>\n\n\n\n<li>Indiana Jones and the Dial of Destiny<\/li>\n\n\n\n<li>The Moon Assassins<\/li>\n\n\n\n<li>Those Who Stay<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/articles-img.sftcdn.net\/sft\/articles\/auto-mapping-folder\/sites\/2\/2023\/09\/poor-things-cover-1024x576.jpg\" alt=\"\" class=\"wp-image-306066\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Josephine Decker, director of Shirley and The Sky is Everywhere<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Todos nosotros extra\u00f1os<\/li>\n\n\n\n<li>La versi\u00f3n persa<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Chloe Domont, director of Fair Play and Uncertain terms<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Poor creatures<\/li>\n\n\n\n<li>Anatomy of a fall<\/li>\n\n\n\n<li>Dream Scenario<\/li>\n\n\n\n<li>Passages<\/li>\n\n\n\n<li>Maestro<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Sara Dosa, director of Fire of Love and Audrie &amp; Daisy<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Chimera<\/li>\n\n\n\n<li>Milisuthando<\/li>\n\n\n\n<li>Smoke Sauna Sisterhood<\/li>\n\n\n\n<li>You Were My First Boyfriend<\/li>\n\n\n\n<li>How to Carry Water<\/li>\n\n\n\n<li>Four Daughters<\/li>\n\n\n\n<li>Irani Bag<\/li>\n\n\n\n<li>All Dirt Roads Taste of Salt<\/li>\n\n\n\n<li>To Kill a Tiger<\/li>\n\n\n\n<li>32 Sounds<\/li>\n\n\n\n<li>King Cool<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Carlos L\u00f3pez Estrada, director of Raya and the Last Dragon and Summertime<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Boy and the Heron<\/li>\n\n\n\n<li>Spider-Man: Crossing the Multiverse<\/li>\n\n\n\n<li>Suzume<\/li>\n\n\n\n<li>Elemental<\/li>\n\n\n\n<li>Ninja Turtles: Mutant Chaos<\/li>\n\n\n\n<li>Leo<\/li>\n\n\n\n<li>The First Slam Dunk<\/li>\n\n\n\n<li>Wish<\/li>\n\n\n\n<li>Asteroid City<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/articles-img.sftcdn.net\/sft\/articles\/auto-mapping-folder\/sites\/2\/2023\/05\/asteroid-city-2-1024x768.jpg\" alt=\"\" class=\"wp-image-288569\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Robert Eggers, director of The Lighthouse and The Witch<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Beasts<\/li>\n\n\n\n<li>Beau is afraid<\/li>\n\n\n\n<li>Warth Mama<\/li>\n\n\n\n<li>Godland<\/li>\n\n\n\n<li>The Moon Assassins<\/li>\n\n\n\n<li>May December<\/li>\n\n\n\n<li>Poor Creatures<\/li>\n\n\n\n<li>R.M.N.<\/li>\n\n\n\n<li>The Interest Zone<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>Asteroid City<\/li>\n\n\n\n<li>Those Who Stay<\/li>\n\n\n\n<li>Infinite Pool<\/li>\n\n\n\n<li>The Iron Claw<\/li>\n\n\n\n<li>Saltburn<\/li>\n\n\n\n<li>Talk to me<\/li>\n\n\n\n<li>When Evil Lurks<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Paul Feig, director of Ghostbusters and A Simple Favor<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Equalizer 3<\/li>\n\n\n\n<li>Sisu<\/li>\n\n\n\n<li>Talk to Me<\/li>\n\n\n\n<li>Police Society<\/li>\n\n\n\n<li>Blackberry<\/li>\n\n\n\n<li>M3gan<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">John Patton Ford, director of Emily the scammer<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Palm Trees and Power Lines<\/li>\n\n\n\n<li>All That Breathes<\/li>\n\n\n\n<li>Crows Are White<\/li>\n\n\n\n<li>How To With John Wilson<\/li>\n\n\n\n<li>Jury Duty<\/li>\n\n\n\n<li>Beau is Afraid<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/articles-img.sftcdn.net\/sft\/articles\/auto-mapping-folder\/sites\/2\/2023\/11\/beau-is-afraid-1024x683.jpg\" alt=\"\" class=\"wp-image-318361\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Kitty Green, director of Servant and The Royal Hotel<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Showing Up<\/li>\n\n\n\n<li>Poor Creatures<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>May December<\/li>\n\n\n\n<li>Earth Mama<\/li>\n\n\n\n<li>Reality<\/li>\n\n\n\n<li>Four Daughters<\/li>\n\n\n\n<li>In The Rearview<\/li>\n\n\n\n<li>Smoke Sauna Sisterhood<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Reinaldo Marcus Green, director of One Love and The Williams Method<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>Spider-Man: Crossing the Multiverse<\/li>\n\n\n\n<li>Oppenheimer<\/li>\n\n\n\n<li>Past Lives<\/li>\n\n\n\n<li>Napoleon<\/li>\n\n\n\n<li>Air<\/li>\n\n\n\n<li>Beckham<\/li>\n\n\n\n<li>A Thousand And One<\/li>\n\n\n\n<li>The Zone of Interest<\/li>\n\n\n\n<li>The Moon&#8217;s Assassins<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Ciro Guerra, director of Embrace of the Serpent and Waiting for the Barbarians<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Eureka<\/li>\n\n\n\n<li>Close Your Eyes<\/li>\n\n\n\n<li>Godland<\/li>\n\n\n\n<li>Fallen Leaves<\/li>\n\n\n\n<li>The Human Surge 3<\/li>\n\n\n\n<li>Harvest Moon<\/li>\n\n\n\n<li>The Killer<\/li>\n\n\n\n<li>The Burdened<\/li>\n\n\n\n<li>Do Not Expect Too Much From the End of the World<\/li>\n\n\n\n<li>Beau is Afraid<\/li>\n\n\n\n<li>The Boy and the Heron<\/li>\n\n\n\n<li>Aurora&#8217;s Sunrise<\/li>\n\n\n\n<li>Four Souls of Coyote<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Bill Hader, director of Barry<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>All the Beauty and the Bloodshed<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>Beau is Afraid<\/li>\n\n\n\n<li>The Boy and the Heron<\/li>\n\n\n\n<li>The Count<\/li>\n\n\n\n<li>Evil Dead: The Awakening<\/li>\n\n\n\n<li>Fallen Leaves<\/li>\n\n\n\n<li>The Moon&#8217;s Assassins<\/li>\n\n\n\n<li>Showing Up<\/li>\n\n\n\n<li>Talk to Me<\/li>\n\n\n\n<li>The Zone of Interest<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/articles-img.sftcdn.net\/sft\/articles\/auto-mapping-folder\/sites\/2\/2023\/05\/robert-deniro-killers.jpg\" alt=\"\" class=\"wp-image-290155\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Andrew Haigh, director of All of Us Strangers and Weekend<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>About Dry Grasses<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>Godland<\/li>\n\n\n\n<li>Fingernails<\/li>\n\n\n\n<li>Passages<\/li>\n\n\n\n<li>Past Lives<\/li>\n\n\n\n<li>Rotting in the Sun<\/li>\n\n\n\n<li>The Beasts<\/li>\n\n\n\n<li>The Killer<\/li>\n\n\n\n<li>The Zone of Interest<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Chad Hartigan, director of Room 104<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Oppenheimer<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Don Hertzfeldt, director of It&#8217;s Such a Beautiful Day and World of Tomorrow<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The area of interest<\/li>\n\n\n\n<li>Anatomy of a fall<\/li>\n\n\n\n<li>Oppenheimer<\/li>\n\n\n\n<li>No one will save you<\/li>\n\n\n\n<li>May December<\/li>\n\n\n\n<li>Beau is afraid<\/li>\n\n\n\n<li>Beyond Utopia<\/li>\n\n\n\n<li>Maestro<\/li>\n\n\n\n<li>All of Us Strangers<\/li>\n\n\n\n<li>Past lives<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Nicole Holofcener, director of You Hurt My Feelings<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Teachers Lounge<\/li>\n\n\n\n<li>Memory<\/li>\n\n\n\n<li>The Phone Call<\/li>\n\n\n\n<li>The Disappearance of Shere Hite<\/li>\n\n\n\n<li>Beyond Utopia<\/li>\n\n\n\n<li>The Eternal Memory<\/li>\n\n\n\n<li>Every Body<\/li>\n\n\n\n<li>Rye Lane<\/li>\n\n\n\n<li>Great Photo Lovely Life<\/li>\n\n\n\n<li>Close<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Matt Johnson, BlackBerry director<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dream scenario<\/li>\n\n\n\n<li>Poor creatures<\/li>\n\n\n\n<li>The Iron Claw<\/li>\n\n\n\n<li>The Curse<\/li>\n\n\n\n<li>Those who stay<\/li>\n\n\n\n<li>Oppenheimer<\/li>\n\n\n\n<li>Dungeons &amp; Dragons: Honor among thieves<\/li>\n\n\n\n<li>The Sweet East<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Zoe Lister-Jones, director of Slip and The Craft: Legacy<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>You Resemble Me<\/li>\n\n\n\n<li>War Pony<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>The Zone of Interest<\/li>\n\n\n\n<li>Passages<\/li>\n\n\n\n<li>All of Us Strangers<\/li>\n\n\n\n<li>Beau is Afraid<\/li>\n\n\n\n<li>Past Lives<\/li>\n\n\n\n<li>Rotting in the Sun<\/li>\n\n\n\n<li>Poor Creatures<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/articles-img.sftcdn.net\/sft\/articles\/auto-mapping-folder\/sites\/2\/2023\/12\/vidas-pasadas-1024x576.jpg\" alt=\"\" class=\"wp-image-322368\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Karyn Kusama, director of Yellowjackets and Jennifer&#8217;s Body<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The area of interest<\/li>\n\n\n\n<li>El Conde<\/li>\n\n\n\n<li>All of Us Strangers<\/li>\n\n\n\n<li>Perfect Days<\/li>\n\n\n\n<li>The Taste of Things<\/li>\n\n\n\n<li>Dream Scenario<\/li>\n\n\n\n<li>Blaga&#8217;s Lessons<\/li>\n\n\n\n<li>I, Captain<\/li>\n\n\n\n<li>Bottoms<\/li>\n\n\n\n<li>Showing Up<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">David Lowery, director of A Ghost Story and Green Knight<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Saint Omer<\/li>\n\n\n\n<li>One Fine Morning<\/li>\n\n\n\n<li>Our Father, The Devil<\/li>\n\n\n\n<li>Godland<\/li>\n\n\n\n<li>Sabotage<\/li>\n\n\n\n<li>Sanctuary<\/li>\n\n\n\n<li>De Humani Corporis Fabrica<\/li>\n\n\n\n<li>The Count<\/li>\n\n\n\n<li>Birth\/Rebirth<\/li>\n\n\n\n<li>Showing Up<\/li>\n\n\n\n<li>Bottoms<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Raine Allen-Miller, director of Rye Lane and Jerk<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Oppenheimer<\/li>\n\n\n\n<li>Scrapper<\/li>\n\n\n\n<li>The Ones Who Stay<\/li>\n\n\n\n<li>Earth Mama<\/li>\n\n\n\n<li>Sabotage<\/li>\n\n\n\n<li>Bottoms<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Rachel Morrison, director of The Mandalorian<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>All of Us Strangers<\/li>\n\n\n\n<li>Those Who Stay<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>A Thousand and One<\/li>\n\n\n\n<li>Origin<\/li>\n\n\n\n<li>How to Have Sex<\/li>\n\n\n\n<li>Barbie<\/li>\n\n\n\n<li>American Fiction<\/li>\n\n\n\n<li>All Roads Taste of Salt<\/li>\n\n\n\n<li>Passages<\/li>\n\n\n\n<li>The Boy and the Heron<\/li>\n\n\n\n<li>Perfect Days<\/li>\n\n\n\n<li>The Zone of Interest<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">William Oldroyd, director of Lady Macbeth and Eileen<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Passages<\/li>\n\n\n\n<li>All Dirt Roads Taste of Salt<\/li>\n\n\n\n<li>Rotting in the Sun<\/li>\n\n\n\n<li>Pacifiction<\/li>\n\n\n\n<li>Pearl<\/li>\n\n\n\n<li>Vicious Bear<\/li>\n\n\n\n<li>Just for Us<\/li>\n\n\n\n<li>Jetlag<\/li>\n\n\n\n<li>Human Mask<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>The Chimera<\/li>\n\n\n\n<li>All of Us Strangers<\/li>\n\n\n\n<li>A Thousand and One<\/li>\n\n\n\n<li>The Iron Claw<\/li>\n\n\n\n<li>Poor Creatures<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/articles-img.sftcdn.net\/sft\/articles\/auto-mapping-folder\/sites\/2\/2024\/01\/image.jpg\" alt=\"\" class=\"wp-image-323648\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Laurel Parmet, director of The Starling Girl<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Bottoms<\/li>\n\n\n\n<li>May December<\/li>\n\n\n\n<li>The Eight Mountains<\/li>\n\n\n\n<li>Blue-eyed Samurai<\/li>\n\n\n\n<li>A Thousand and One<\/li>\n\n\n\n<li>Maestro<\/li>\n\n\n\n<li>The Great British Bake Off<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">James Ponsoldt, director of The Circle<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Poor Creatures<\/li>\n\n\n\n<li>Godzilla Minus One<\/li>\n\n\n\n<li>Passages<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n\n\n\n<li>The Plot Against Harry<\/li>\n\n\n\n<li>Oppenheimer<\/li>\n\n\n\n<li>War Pony<\/li>\n\n\n\n<li>The Zone of Interest<\/li>\n\n\n\n<li>Earth Mama<\/li>\n\n\n\n<li>Asteroid City<\/li>\n\n\n\n<li>Beau is Afraid<\/li>\n\n\n\n<li>A Thousand and One<\/li>\n\n\n\n<li>American Symphony<\/li>\n\n\n\n<li>Skinamarink<\/li>\n\n\n\n<li>The Persian Version<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Jeff Rowe, director of Teenage Mutant Ninja Turtles: Mutant Madness<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Poor creatures<\/li>\n\n\n\n<li>The Curse<\/li>\n\n\n\n<li>May December<\/li>\n\n\n\n<li>The Bear<\/li>\n\n\n\n<li>Beau is scared<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Daniel Scheinert, director of Everything at Once Everywhere<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Theater Camp<\/li>\n\n\n\n<li>Sanctuary<\/li>\n\n\n\n<li>Earth mama<\/li>\n\n\n\n<li>Sabotage<\/li>\n\n\n\n<li>Past lives<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Paul Schrader, director of American Gigolo and The Card Counter<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Gardener Teacher<\/li>\n\n\n\n<li>Oppenheimer<\/li>\n\n\n\n<li>Barbie<\/li>\n\n\n\n<li>American Fiction<\/li>\n\n\n\n<li>Teacher<\/li>\n\n\n\n<li>Autumn Leaves<\/li>\n\n\n\n<li>Leave the World Behind<\/li>\n\n\n\n<li>Last Summer<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Jingyi Shao, director of Chang machaca<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Close<\/li>\n\n\n\n<li>Fair Play<\/li>\n\n\n\n<li>Spider-Man: Crossing the Multiverse<\/li>\n\n\n\n<li>Poor Creatures<\/li>\n\n\n\n<li>They Cloned Tyrone<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/articles-img.sftcdn.net\/sft\/articles\/auto-mapping-folder\/sites\/2\/2023\/08\/spiderman-3-1024x576.jpg\" alt=\"\" class=\"wp-image-301118\" \/><figcaption class=\"wp-element-caption\">11022640 &#8211; SPIDER-MAN: ACROSS THE SPIDER-VERSE<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Juel Taylor, director of Creed II<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Beef<\/li>\n\n\n\n<li>Spider-Man: Into the Spider-Verse<\/li>\n\n\n\n<li>Bottoms<\/li>\n\n\n\n<li>Succession<\/li>\n\n\n\n<li>Lost in the Stars<\/li>\n\n\n\n<li>The Boy and the Heron<\/li>\n\n\n\n<li>Suzume<\/li>\n\n\n\n<li>Attack on Titan<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Lulu Wang, director of Posthumous and The Farewell<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Return to Seoul<\/li>\n\n\n\n<li>Anatomy of a Fall<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Adam Wingard, director of Godzilla vs. Kong<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Oppenheimer<\/li>\n\n\n\n<li>Napoleon<\/li>\n\n\n\n<li>Beau is afraid<\/li>\n\n\n\n<li>The Zone of Interest<\/li>\n\n\n\n<li>The Killer<\/li>\n\n\n\n<li>Godzilla Minus One<\/li>\n\n\n\n<li>Black Friday<\/li>\n\n\n\n<li>The Exorcist: Believer<\/li>\n\n\n\n<li>Super Mario Bros. The Movie<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The year 2023 has been very fruitful for the film industry. Although the strikes by screenwriters and actors have hindered the industry quite a bit, that hasn&#8217;t stopped us from having gems of all kinds of genres, from craziness like Godzilla: Minus One to unexpected blockbusters like Barbie and Oppenheimer. But it is very difficult &hellip; <a href=\"https:\/\/cms-articles.softonic.io\/en\/the-most-important-directors-in-the-world-choose-their-favorite-movies-of-2023\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The most important directors in the world choose their favorite movies of 2023&#8221;<\/span><\/a><\/p>\n","protected":false},"author":9257,"featured_media":269728,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","wpcf-pageviews":3},"categories":[1015],"tags":[],"usertag":[],"vertical":[],"content-category":[],"class_list":["post-269727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/posts\/269727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/users\/9257"}],"replies":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/comments?post=269727"}],"version-history":[{"count":1,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/posts\/269727\/revisions"}],"predecessor-version":[{"id":315378,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/posts\/269727\/revisions\/315378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/media\/269728"}],"wp:attachment":[{"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/media?parent=269727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/categories?post=269727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/tags?post=269727"},{"taxonomy":"usertag","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/usertag?post=269727"},{"taxonomy":"vertical","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/vertical?post=269727"},{"taxonomy":"content-category","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/content-category?post=269727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}