{"id":286100,"date":"2024-07-26T10:18:45","date_gmt":"2024-07-26T08:18:45","guid":{"rendered":"https:\/\/sftarticles.wpenginepowered.com\/es\/?p=336748"},"modified":"2025-07-01T16:07:33","modified_gmt":"2025-07-01T23:07:33","slug":"deadpool-and-wolverine-repeat-the-biggest-problem-of-spider-man-no-way-home-and-the-marvels","status":"publish","type":"post","link":"https:\/\/cms-articles.softonic.io\/en\/deadpool-and-wolverine-repeat-the-biggest-problem-of-spider-man-no-way-home-and-the-marvels\/","title":{"rendered":"Deadpool and Wolverine repeat the biggest problem of Spider-Man: No Way Home and The Marvels"},"content":{"rendered":"\n

In recent years, Marvel Studios seems to have found two different ways to carry out their movies<\/strong>. On one hand, there are the original movies that follow the path of their first films; that is, telling personal stories with a very clear point of view to which some “collaborators” can join the party. This is the case of Shang-Chi and the Legend of the Ten Rings, Guardians of the Galaxy Vol. 3, or Black Panther: Wakanda Forever.<\/p>\n\n\n

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For better or worse, these recent movies work by having a spirit of their own that is based on the personality of their protagonists. However, the other path they have recently chosen is more controversial… and we sadly believe that it is less effective. This path is based on putting the crossover of characters above everything else, usually in favor of nostalgia, and looking for a story that serves as an excuse for it<\/strong>. This is what happened with The Marvels, Spider-Man: No Way Home, and obviously, with Deadpool and Wolverine.<\/p>\n\n\n\n

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