{"id":292876,"date":"2024-12-11T12:04:57","date_gmt":"2024-12-11T11:04:57","guid":{"rendered":"https:\/\/sftarticles.wpenginepowered.com\/es\/?p=345489"},"modified":"2025-07-01T15:38:29","modified_gmt":"2025-07-01T22:38:29","slug":"28-years-later-he-has-a-secret-that-very-few-know","status":"publish","type":"post","link":"https:\/\/cms-articles.softonic.io\/en\/28-years-later-he-has-a-secret-that-very-few-know\/","title":{"rendered":"28 years later, he has a secret that very few know"},"content":{"rendered":"\n

Cinema always surprises us with new ways of storytelling, but what is about to happen with 28 Years Later<\/em> marks a before and after in the way major productions are created. This feature film, directed by Oscar winner Danny Boyle, was shot<\/strong> entirely with an iPhone 15 Pro Max<\/strong>, something that would have been unimaginable just a few years ago. What seems like a technical detail is, in reality, a huge change for the industry.<\/p>\n\n\n

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The iPhone 15 Pro Max as a Hollywood tool<\/h2>\n\n\n\n

That a device we carry in our pocket can be used to create a big-budget movie is something amazing. The iPhone 15 Pro Max not only records in 4K quality<\/strong>, but also offers us features like ProRes mode and the ability to work directly with RAW data streams. These capabilities allow filmmakers like Boyle to explore a unique aesthetic that, when well-adjusted, is ideal for a zombie thriller like 28 Years Later<\/em>.<\/p>\n\n\n\n

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