{"id":346223,"date":"2025-08-29T10:35:00","date_gmt":"2025-08-29T17:35:00","guid":{"rendered":"https:\/\/cms-articles.softonic.io\/es\/?p=394545"},"modified":"2025-08-29T11:26:38","modified_gmt":"2025-08-29T18:26:38","slug":"we-were-about-to-have-a-terrifying-call-of-duty-but-it-was-canceled-at-the-last-second","status":"publish","type":"post","link":"https:\/\/cms-articles.softonic.io\/en\/we-were-about-to-have-a-terrifying-call-of-duty-but-it-was-canceled-at-the-last-second\/","title":{"rendered":"We were about to have a terrifying 'Call Of Duty', but it was canceled at the last second"},"content":{"rendered":"\n

In the vast universe of video games, there are stories of projects that never saw the light of day. One of them is Call of Duty: Fog of War, a third-person shooter set in Vietnam<\/strong> that promised a unique experience focused on horror<\/a> and tension, instead of the frantic action common in the series. Glen Schofield, a renowned key designer of Dead Space, was one of the driving forces behind this ambitious proposal.<\/p>\n\n\n

Call of fear<\/h2>\n\n\n

In a recent interview with PC Gamer, Schofield shared his vision for Fog of War, highlighting the narrative approach that aimed to provide a more cinematic and personal experience, similar to that of Uncharted<\/strong>. \u201cWe wanted to make <\/em>a terrifying version of Vietnam<\/a>\u201d<\/em>, he commented, emphasizing his intention to create intense and personal combat, with mechanics that had never been seen before in the franchise.<\/p>\n\n\n

The planned sequences included passages in dark tunnels, where the atmosphere of fear would be palpable<\/strong>, with the uncertainty of shooting in the shadows. Schofield recalled a scene where the player had to follow a river while an American bomber, the B-52, burned in the jungle background. The cinematography would shift to a third-person perspective game, similar to the iconic moments of the Uncharted series, adding an unexpected layer of tension to the war genre.<\/p>\n\n\n

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