{"id":358970,"date":"2026-01-28T04:05:00","date_gmt":"2026-01-28T12:05:00","guid":{"rendered":"https:\/\/cms-articles.softonic.io\/es\/?p=408441"},"modified":"2026-01-28T05:16:40","modified_gmt":"2026-01-28T13:16:40","slug":"the-28-year-old-director-after-the-temple-of-bones-explains-how-it-was-possible-to-film-the-most-spectacular-scene-of-the-movie","status":"publish","type":"post","link":"https:\/\/cms-articles.softonic.io\/en\/the-28-year-old-director-after-the-temple-of-bones-explains-how-it-was-possible-to-film-the-most-spectacular-scene-of-the-movie\/","title":{"rendered":"The 28-year-old director after: The temple of bones explains how it was possible to film the most spectacular scene of the movie"},"content":{"rendered":"\n<p>In the recent premiere of 28 Years Later: The Temple of Bones, <a href=\"https:\/\/www.softonic.com\/articulos\/28-anos-despues-el-templo-de-los-huesos-va-a-ser-un-exito-en-taquilla-y-acaba-de-dar-sus-primeros-pasos\">Ralph Fiennes has left an indelible mark<\/a> with his performance in a concert scene where he choreographs to the rhythm of &#8220;666, the number of the beast&#8221; by Iron Maiden. <strong>Although the film did not achieve the expected success at the box office, this sequence has become one of the most iconic moments of the year<\/strong>, generating curiosity about the impressive choreography presented.<\/p>\n\n\n<h2 class=\"wp-block-heading\">Two nights of pure terror<\/h2>\n\n\n<p>Director Nia DaCosta emphasized that her intention was to create an experience that was scary, epic, and fun at the same time. <strong>To achieve this, she worked alongside production designers from theater and fashion, who brought their experience in live events to build an authentic atmosphere.<\/strong> DaCosta noted that she wanted the characters, mostly young, to experience loud music for the first time, which adds a significant emotional dimension to the scene.<\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"28 A\u00f1os Despu\u00e9s: El Templo de los Huesos | Trailer Oficial en Espa\u00f1ol HD. En cines el 16 de enero\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/PTQ1naoCw88?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n<p>The filming of the sequence took place over just two nights, using a real fire ring and an innovative three-camera setup to capture every nuance of Fiennes&#8217; performance. <strong>The scene was complex to shoot, considering the risks involved, including dangerous elements like flammable skulls<\/strong>. Fiennes, despite the cold and physical demands, showed admirable energy during the recordings, performing multiple takes with passion and dedication.<\/p>\n\n\n<p>Iron Maiden, generally selective with the use of their music, allowed their song to be featured in the film, which was a calculated risk given the prestige of the filmmakers involved. <strong>Fiennes also clarified that his character was not a reference to Voldemort, but a manifestation of parts of himself that are rarely shown<\/strong>, making this performance something truly special and distinct.<\/p>\n\n<div class=\"sc-card-program\">\r\n  <div class=\"sc-card-program__body\">\r\n    <div class=\"sc-card-program__row clearfix\">\r\n      <div class=\"sc-card-program__col-logo\">\r\n        <img decoding=\"async\" class=\"sc-card-program__img\" alt=\"Movistar Plus\" src=\"https:\/\/images.sftcdn.net\/images\/t_app-icon-m\/p\/107e6af5-9bd7-4b87-bc8b-462c4eeed605\/2674113531\/movistar-plus-logo\" width=\"100px\" height=\"100px\">\r\n      <\/div>\r\n      <div class=\"sc-card-program__col-title\">\r\n        <span class=\"sc-card-program__title\">Movistar Plus<\/span>\r\n        <a class=\"sc-card-program__button sc-card-program-internal\" href=\"https:\/\/movistar-plus.softonic.com\/\" target=\"_self\" rel=\"noopener noreferrer\">Download<\/a>\r\n      <\/div>\r\n      <div class=\"sc-card-program__col-rating\">\r\n        <svg class=\"rating-score__content\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.1\" x=\"0\" y=\"0\" viewbox=\"0 0 50 50\" enable-background=\"new 0 0 50 50\" xml:space=\"preserve\"><path class=\"rating-score__background rating-score--good\" fill=\"none\" stroke-width=\"6\" stroke-miterlimit=\"10\" d=\"M40 40c8.3-8.3 8.3-21.7 0-30s-21.7-8.3-30 0 -8.3 21.7 0 30\"><\/path><path class=\"rating-score__value rating-score__value--0\" fill=\"none\" stroke-width=\"6\" stroke-dashoffset=\"0\" stroke-miterlimit=\"10\" d=\"M40 40c8.3-8.3 8.3-21.7 0-30s-21.7-8.3-30 0 -8.3 21.7 0 30\"><\/path><text class=\"rating-score__number\" content=\"\" text-anchor=\"middle\" transform=\"matrix(1 0 0 1 25 31.0837)\" data-auto=\"app-user-score\"><\/text><\/svg>\r\n      <\/div>\r\n    <\/div>\r\n    <div class=\"sc-card-program__row\">\r\n      <span class=\"sc-card-program__description\"><\/span>\r\n    <\/div>\r\n    <div class=\"sc-card-program__row\">\r\n      <img decoding=\"async\" class=\"sc-card-program__bigpic\" src=\"\" onerror=\"this.style.display='none'\">\r\n    <\/div>\r\n    <a class=\"sc-card-program__link track-link sc-card-program-internal\" href=\"https:\/\/movistar-plus.softonic.com\/\" target=\"_self\" rel=\"noopener noreferrer\"><\/a>\r\n  <\/div>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In the recent premiere of 28 years later: The temple of bones, Ralph Fiennes has left an indelible mark with his performance in a concert scene where he choreographs to the rhythm of &#8220;666, the number of the beast&#8221; by Iron Maiden. Although the film did not achieve the expected success at the box office, this sequence has become one of the most iconic moments of the year, generating curiosity about the impressive choreography presented. Two nights of pure terror The director Nia DaCosta emphasized that her intention was to create an experience that was terrifying, epic [&#8230;]<\/p>\n","protected":false},"author":9318,"featured_media":358971,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","wpcf-pageviews":0},"categories":[1015],"tags":[12903,15611,21326,21327,21328,20074,21329,21330,21331,10381,21332,8571],"usertag":[],"vertical":[],"content-category":[6869],"class_list":["post-358970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-28-anos-despues-2","tag-28-anos-despues-el-templo-de-los-huesos","tag-actuacion-destacada","tag-concierto-en-cine","tag-coreografia-de-pelicula","tag-el-templo-de-los-huesos","tag-escena-iconica","tag-iron-maiden","tag-musica-de-terror","tag-nia-dacosta","tag-pelicula-de-2023","tag-ralph-fiennes","content-category-streaming-videos"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/posts\/358970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/users\/9318"}],"replies":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/comments?post=358970"}],"version-history":[{"count":2,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/posts\/358970\/revisions"}],"predecessor-version":[{"id":358973,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/posts\/358970\/revisions\/358973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/media\/358971"}],"wp:attachment":[{"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/media?parent=358970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/categories?post=358970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/tags?post=358970"},{"taxonomy":"usertag","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/usertag?post=358970"},{"taxonomy":"vertical","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/vertical?post=358970"},{"taxonomy":"content-category","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/en\/wp-json\/wp\/v2\/content-category?post=358970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}