{"id":433667,"date":"2026-10-31T19:12:00","date_gmt":"2026-10-31T18:12:00","guid":{"rendered":"https:\/\/cms-articles.softonic.io\/es\/?p=433667"},"modified":"2026-10-31T19:12:04","modified_gmt":"2026-10-31T18:12:04","slug":"netflix-ya-prepara-ravenloft-la-posible-sustituta-de-the-witcher","status":"publish","type":"post","link":"https:\/\/cms-articles.softonic.io\/es\/netflix-ya-prepara-ravenloft-la-posible-sustituta-de-the-witcher\/","title":{"rendered":"Netflix ya prepara Ravenloft: la posible sustituta de The Witcher"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><a href=\"https:\/\/netflix.softonic.com\/\" rel=\"noopener\">Netflix<\/a> ya est\u00e1 moviendo ficha para cuando <a href=\"https:\/\/the-witcher-3-wild-hunt.softonic.com\/\" rel=\"noopener\">The Witcher<\/a> se despida. La plataforma prepara <strong>otra serie fant\u00e1stica<\/strong> en acci\u00f3n real para ocupar ese espacio, esta vez basada en Dungeons &amp; Dragons y ambientada en Ravenloft. El movimiento llega justo cuando el final de la adaptaci\u00f3n de Geralt ya est\u00e1 decidido: The Witcher cerrar\u00e1 con la temporada 5 y, por ahora, todo apunta a que ese adi\u00f3s se ir\u00e1 hasta 2027, no a 2026 como se esperaba hace un tiempo.<\/p>\n<div class=\"sc-card-program\">\r\n  <div class=\"sc-card-program__body\">\r\n    <div class=\"sc-card-program__row clearfix\">\r\n      <div class=\"sc-card-program__col-logo\">\r\n        <img decoding=\"async\" class=\"sc-card-program__img\" src=\"https:\/\/images.sftcdn.net\/images\/t_app-icon-s\/p\/bb71af8a-96bf-11e6-8279-00163ec9f5fa\/1690710143\/netflix-Download-Netflix.jpg\" alt=\"Netflix\" width=\"100px\" height=\"100px\">\r\n      <\/div>\r\n      <div class=\"sc-card-program__col-title\">\r\n        <span class=\"sc-card-program__title\">Netflix<\/span>\r\n        <a class=\"sc-card-program__button sc-card-program-internal\" href=\"https:\/\/netflix.softonic.com\/\" target=\"_self\" rel=\"noopener noreferrer\">Descargar<\/a>\r\n      <\/div>\r\n      <div class=\"sc-card-program__col-rating\">\r\n        <svg class=\"rating-score__content\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.1\" x=\"0\" y=\"0\" viewbox=\"0 0 50 50\" enable-background=\"new 0 0 50 50\" xml:space=\"preserve\"><path class=\"rating-score__background rating-score--good\" fill=\"none\" stroke-width=\"6\" stroke-miterlimit=\"10\" d=\"M40 40c8.3-8.3 8.3-21.7 0-30s-21.7-8.3-30 0 -8.3 21.7 0 30\"><\/path><path class=\"rating-score__value rating-score__value--0\" fill=\"none\" stroke-width=\"6\" stroke-dashoffset=\"0\" stroke-miterlimit=\"10\" d=\"M40 40c8.3-8.3 8.3-21.7 0-30s-21.7-8.3-30 0 -8.3 21.7 0 30\"><\/path><text class=\"rating-score__number\" content=\"\" text-anchor=\"middle\" transform=\"matrix(1 0 0 1 25 31.0837)\" data-auto=\"app-user-score\"><\/text><\/svg>\r\n      <\/div>\r\n    <\/div>\r\n    <div class=\"sc-card-program__row\">\r\n      <span class=\"sc-card-program__description\"><\/span>\r\n    <\/div>\r\n    <div class=\"sc-card-program__row\">\r\n      <img decoding=\"async\" class=\"sc-card-program__bigpic\" src=\"\" onerror=\"this.style.display='none'\">\r\n    <\/div>\r\n    <a class=\"sc-card-program__link track-link sc-card-program-internal\" href=\"https:\/\/netflix.softonic.com\/\" target=\"_self\" rel=\"noopener noreferrer\"><\/a>\r\n  <\/div>\r\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Por lo que se sabe hasta ahora, el anterior proyecto televisivo de Dungeons &amp; Dragons, una serie de acci\u00f3n real situada en <a href=\"https:\/\/forgotten-realms-demon-stone.softonic.com\/\" rel=\"noopener\">Forgotten Realms<\/a> y vinculada en su momento a Shawn Levy, ya no seguir\u00e1 adelante.<\/p>\n\n<p class=\"wp-block-paragraph\">Netflix ha preferido virar hacia <strong>Ravenloft<\/strong>, uno de los escenarios m\u00e1s queridos y tambi\u00e9n m\u00e1s particulares de todo Dungeons &amp; Dragons. Y no es un cambio peque\u00f1o. Ravenloft naci\u00f3 en 1983 de la mano de Tracy Hickman y Laura Hickman, y desde entonces ha quedado asociado a una mezcla muy marcada de magia oscura, monstruos, tragedia rom\u00e1ntica y horror g\u00f3tico. Ese tono encaja bastante bien con la fantas\u00eda adulta que mejor le funcion\u00f3 a The Witcher en sus momentos m\u00e1s inspirados.<\/p>\n\n<p class=\"wp-block-paragraph\">La nueva serie tambi\u00e9n pondr\u00eda el foco en el origen de Strahd von Zarovich, el vampiro m\u00e1s emblem\u00e1tico de Ravenloft y su gran Se\u00f1or Oscuro. La idea ser\u00eda seguir su ca\u00edda, desde una figura tr\u00e1gica hasta convertirse en un villano absoluto. Para Netflix, eso significa arrancar con un personaje fuerte y, al mismo tiempo, con una historia que puede crecer en futuras entregas dentro del enorme universo de Dungeons &amp; Dragons.<\/p>\n\n<p class=\"wp-block-paragraph\">El momento en que llega este relevo explica por qu\u00e9 importa. Netflix ya confirm\u00f3 que <strong><a href=\"https:\/\/www.softonic.com\/articulos\/the-witcher-acabara-en-netflix-tras-su-quinta-temporada-pero-el-universo-se-amplia-con-una-pelicula-de-anime\" rel=\"noopener\">The Witcher terminar\u00e1<\/a><\/strong> con su quinta temporada y que las temporadas 4 y 5 se rodaron de manera consecutiva para adaptar los libros que quedan de la saga principal de Andrzej Sapkowski: <a href=\"https:\/\/baptism-of-fire.softonic.com\/\" rel=\"noopener\">Baptism of Fire<\/a>, The Tower of the Swallow y Lady of the Lake.<\/p>\n\n<p class=\"wp-block-paragraph\">Aun as\u00ed, la franquicia encara ese final con bastante menos empuje. Seg\u00fan las cifras que han trascendido, The Witcher pas\u00f3 de <strong>18,8 millones<\/strong> en la temporada 2 y 15,92 millones en el volumen 1 de la temporada 3 a 7,4 millones en la temporada 4.<\/p>\n<div class=\"sc-card-program\">\r\n  <div class=\"sc-card-program__body\">\r\n    <div class=\"sc-card-program__row clearfix\">\r\n      <div class=\"sc-card-program__col-logo\">\r\n        <img decoding=\"async\" class=\"sc-card-program__img\" src=\"https:\/\/images.sftcdn.net\/images\/t_app-icon-s\/p\/6e76581b-ade2-4196-b472-182d00f9cfc0\/1800331033\/baldurs-gate-3-icon.jpg\" alt=\"Baldur's Gate 3\" width=\"100px\" height=\"100px\">\r\n      <\/div>\r\n      <div class=\"sc-card-program__col-title\">\r\n        <span class=\"sc-card-program__title\">Baldur's Gate 3<\/span>\r\n        <a class=\"sc-card-program__button sc-card-program-internal\" href=\"https:\/\/baldurs-gate-3.softonic.com\/\" target=\"_self\" rel=\"noopener noreferrer\">Descargar<\/a>\r\n      <\/div>\r\n      <div class=\"sc-card-program__col-rating\">\r\n        <svg class=\"rating-score__content\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.1\" x=\"0\" y=\"0\" viewbox=\"0 0 50 50\" enable-background=\"new 0 0 50 50\" xml:space=\"preserve\"><path class=\"rating-score__background rating-score--good\" fill=\"none\" stroke-width=\"6\" stroke-miterlimit=\"10\" d=\"M40 40c8.3-8.3 8.3-21.7 0-30s-21.7-8.3-30 0 -8.3 21.7 0 30\"><\/path><path class=\"rating-score__value rating-score__value--0\" fill=\"none\" stroke-width=\"6\" stroke-dashoffset=\"0\" stroke-miterlimit=\"10\" d=\"M40 40c8.3-8.3 8.3-21.7 0-30s-21.7-8.3-30 0 -8.3 21.7 0 30\"><\/path><text class=\"rating-score__number\" content=\"\" text-anchor=\"middle\" transform=\"matrix(1 0 0 1 25 31.0837)\" data-auto=\"app-user-score\"><\/text><\/svg>\r\n      <\/div>\r\n    <\/div>\r\n    <div class=\"sc-card-program__row\">\r\n      <span class=\"sc-card-program__description\"><\/span>\r\n    <\/div>\r\n    <div class=\"sc-card-program__row\">\r\n      <img decoding=\"async\" class=\"sc-card-program__bigpic\" src=\"\" onerror=\"this.style.display='none'\">\r\n    <\/div>\r\n    <a class=\"sc-card-program__link track-link sc-card-program-internal\" href=\"https:\/\/baldurs-gate-3.softonic.com\/\" target=\"_self\" rel=\"noopener noreferrer\"><\/a>\r\n  <\/div>\r\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Hay otro elemento que juega a favor de Ravenloft: el equipo creativo. <strong>John August<\/strong> aparece, seg\u00fan la informaci\u00f3n disponible hasta ahora, como guionista y productor ejecutivo. Alfonso Cuar\u00f3n tambi\u00e9n figura como productor ejecutivo.<\/p>\n\n<p class=\"wp-block-paragraph\">Si Netflix acierta con el enfoque, esta serie puede servir como relevo de The Witcher y tambi\u00e9n como punto de partida para una franquicia fant\u00e1stica m\u00e1s amplia. La lecci\u00f3n reciente sigue muy presente: buena parte de las cr\u00edticas a The Witcher tuvieron que ver con la distancia que tom\u00f3 respecto al material original, as\u00ed que Ravenloft necesitar\u00e1 cuidar el lore que la convirti\u00f3 en una ambientaci\u00f3n de culto. De momento, no se sabe <strong>cu\u00e1ndo llegar\u00e1<\/strong> la serie a Netflix.<\/p>","protected":false},"excerpt":{"rendered":"<p>Netflix ya est\u00e1 moviendo ficha para cuando The Witcher se despida. La plataforma prepara otra serie fant\u00e1stica en acci\u00f3n real para ocupar ese espacio, esta vez basada en Dungeons &amp; Dragons y ambientada en Ravenloft. El movimiento llega justo cuando el final de la adaptaci\u00f3n de Geralt ya est\u00e1 decidido: The Witcher cerrar\u00e1 con la &hellip; <a href=\"https:\/\/cms-articles.softonic.io\/es\/netflix-ya-prepara-ravenloft-la-posible-sustituta-de-the-witcher\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Netflix ya prepara Ravenloft: la posible sustituta de The Witcher&#8221;<\/span><\/a><\/p>\n","protected":false},"author":9352,"featured_media":433666,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","wpcf-pageviews":0},"categories":[9317],"tags":[],"usertag":[],"vertical":[],"content-category":[14151],"class_list":["post-433667","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","content-category-videos-en-linea"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"Netflix ya est\u00e1 moviendo ficha para cuando The Witcher se despida. 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