{"id":155127,"date":"2025-05-14T09:40:00","date_gmt":"2025-05-14T07:40:00","guid":{"rendered":"https:\/\/sftarticles.wpenginepowered.com\/es\/?p=354767"},"modified":"2025-06-11T19:57:56","modified_gmt":"2025-06-11T18:57:56","slug":"cannes-commence-avec-un-programme-de-films-qui-marquera-le-reste-de-2025","status":"publish","type":"post","link":"https:\/\/cms-articles.softonic.io\/fr\/cannes-commence-avec-un-programme-de-films-qui-marquera-le-reste-de-2025\/","title":{"rendered":"Cannes commence avec un programme de films qui marquera le reste de 2025"},"content":{"rendered":"\n<p><strong>Le Festival de Cannes 2025, qui se d\u00e9roule du 13 au 24 mai, met en avant la pr\u00e9sence croissante du cin\u00e9ma espagnol avec des \u0153uvres significatives comme Romer\u00eda de Carla Sim\u00f3n et Sirat d&#8217;Oliver Laxe<\/strong>. Sim\u00f3n, apr\u00e8s son succ\u00e8s pr\u00e9c\u00e9dent \u00e0 la Berlinale, pr\u00e9sente une histoire intime sur les relations familiales, tandis que Laxe aborde la qu\u00eate d&#8217;un p\u00e8re pour sa fille dans un contexte contemporain et agressif. Les deux r\u00e9alisateurs soulignent la force de la nouvelle vague de cin\u00e9astes espagnols, marquant un pas en avant dans la repr\u00e9sentation nationale au festival.<\/p>\n\n\n<h2 class=\"wp-block-heading\">Une liste de films \u00e0 prendre en consid\u00e9ration<\/h2>\n\n\n<p>Cette ann\u00e9e, Cannes verra \u00e9galement le retour de r\u00e9alisateurs am\u00e9ricains reconnus comme Wes Anderson et Kelly Reichardt, qui apportent une vari\u00e9t\u00e9 de perspectives artistiques. <strong>Anderson pr\u00e9sentera The Phoenician Scheme, tandis que Reichardt montrera The Mastermind, centr\u00e9e sur un vol d&#8217;art dans un contexte sociopolitique intrigant<\/strong>. La participation du cin\u00e9ma ind\u00e9pendant reste vitale dans ce festival, renfor\u00e7ant le pont culturel entre les \u00c9tats-Unis et l&#8217;Europe.<\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THE PHOENICIAN SCHEME - Official Trailer [HD] - Only in Theaters May 30\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/GEuMnPl2WI4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n<p>Bien que le festival ait am\u00e9lior\u00e9 sa repr\u00e9sentation de r\u00e9alisatrices, avec six femmes dans la Comp\u00e9tition Officielle, il reste n\u00e9cessaire de progresser vers une parit\u00e9 r\u00e9elle dans l&#8217;industrie cin\u00e9matographique. <strong>Des r\u00e9alisatrices comme Julia Ducournau, laur\u00e9ate de la Palme d&#8217;Or, pr\u00e9senteront \u00e9galement des \u0153uvres qui explorent des th\u00e8mes de genre et de contemporan\u00e9it\u00e9, montrant que le cin\u00e9ma d&#8217;auteur est en constante \u00e9volution<\/strong>.<\/p>\n\n<div class=\"sc-card-program\">\r\n  <div class=\"sc-card-program__body\">\r\n    <div class=\"sc-card-program__row clearfix\">\r\n      <div class=\"sc-card-program__col-logo\">\r\n        <img decoding=\"async\" class=\"sc-card-program__img\" src=\"https:\/\/images.sftcdn.net\/images\/t_app-icon-s\/p\/c162012f-3d10-436b-a6b5-fde423154d8c\/3464089414\/amazon-prime-video-download-amazon-prime-video.jpg\" alt=\"Amazon Prime Video\" width=\"100px\" height=\"100px\">\r\n      <\/div>\r\n      <div class=\"sc-card-program__col-title\">\r\n        <span class=\"sc-card-program__title\">Amazon Prime Video<\/span>\r\n        <a class=\"sc-card-program__button sc-card-program-internal\" href=\"https:\/\/amazon-prime-video.softonic.com\/\" target=\"_self\" rel=\"noopener noreferrer\">T\u00c9L\u00c9CHARGER<\/a>\r\n      <\/div>\r\n      <div class=\"sc-card-program__col-rating\">\r\n        \r\n      <\/div>\r\n    <\/div>\r\n    <div class=\"sc-card-program__row\">\r\n      <span class=\"sc-card-program__description\"><\/span>\r\n    <\/div>\r\n    <div class=\"sc-card-program__row\">\r\n      <img decoding=\"async\" class=\"sc-card-program__bigpic\" src=\"\">\r\n    <\/div>\r\n    <a class=\"sc-card-program__link track-link sc-card-program-internal\" href=\"https:\/\/amazon-prime-video.softonic.com\/\" target=\"_self\" rel=\"noopener noreferrer\"><\/a>\r\n  <\/div>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le Festival de Cannes 2025, qui se d\u00e9roule du 13 au 24 mai, met en avant la pr\u00e9sence croissante du cin\u00e9ma espagnol avec des \u0153uvres significatives comme Romer\u00eda de Carla Sim\u00f3n et Sirat d&#8217;Oliver Laxe. Sim\u00f3n, apr\u00e8s son succ\u00e8s pr\u00e9c\u00e9dent \u00e0 la Berlinale, pr\u00e9sente une histoire intime sur les relations familiales, tandis que Laxe aborde la qu\u00eate d&#8217;un p\u00e8re pour sa fille dans un contexte contemporain et agressif. Les deux r\u00e9alisateurs soulignent la force de la nouvelle vague de cin\u00e9astes espagnols, marquant un pas en avant dans la repr\u00e9sentation nationale au festival. Un \u00e9ventail de films \u00e0 prendre en consid\u00e9ration Ce [&hellip;]<\/p>\n","protected":false},"author":9318,"featured_media":155128,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","wpcf-pageviews":0},"categories":[16761],"tags":[18377,22019,22577,22578,22579,22580,22581,22582,22583,22584,22585],"usertag":[],"vertical":[],"content-category":[18130],"class_list":["post-155127","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-18377","tag-cannes","tag-carla-simon","tag-julia-ducournau","tag-kelly-reichardt","tag-oliver-laxe","tag-romeria","tag-sirat","tag-the-mastermind","tag-the-phoenician-scheme","tag-wes-anderson","content-category-streaming-videos"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/posts\/155127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/users\/9318"}],"replies":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/comments?post=155127"}],"version-history":[{"count":1,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/posts\/155127\/revisions"}],"predecessor-version":[{"id":156783,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/posts\/155127\/revisions\/156783"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/media\/155128"}],"wp:attachment":[{"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/media?parent=155127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/categories?post=155127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/tags?post=155127"},{"taxonomy":"usertag","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/usertag?post=155127"},{"taxonomy":"vertical","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/vertical?post=155127"},{"taxonomy":"content-category","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/content-category?post=155127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}