{"id":176620,"date":"2025-09-15T12:25:00","date_gmt":"2025-09-15T10:25:00","guid":{"rendered":"https:\/\/cms-articles.softonic.io\/es\/?p=395941"},"modified":"2025-09-15T13:10:22","modified_gmt":"2025-09-15T12:10:22","slug":"netflix-est-le-grand-gagnant-des-emmy-avec-son-gros-pari-pour-2025","status":"publish","type":"post","link":"https:\/\/cms-articles.softonic.io\/fr\/netflix-est-le-grand-gagnant-des-emmy-avec-son-gros-pari-pour-2025\/","title":{"rendered":"Netflix est le grand gagnant des Emmy avec son gros pari pour 2025"},"content":{"rendered":"\n<p>La s\u00e9rie Adolescence s&#8217;est impos\u00e9e lors de la c\u00e9r\u00e9monie des Emmy 2025 en remportant le prix de la meilleure s\u00e9rie limit\u00e9e, marquant un jalon en gagnant dans chacune des cat\u00e9gories o\u00f9 elle \u00e9tait nomin\u00e9e. <strong>Ce succ\u00e8s inclut des prix pour le meilleur sc\u00e9nario et la meilleure r\u00e9alisation, ainsi que des reconnaissances d&#8217;interpr\u00e9tation qui ont mis en avant Owen Cooper, Erin Doherty et Stephen Graham comme les meilleurs dans leurs cat\u00e9gories respectives<\/strong>. La s\u00e9rie de Netflix a capt\u00e9 l&#8217;attention du public et de la critique, se distinguant dans un paysage comp\u00e9titif caract\u00e9ris\u00e9 par un nombre limit\u00e9 de concurrents.<\/p>\n\n\n<h2 class=\"wp-block-heading\">L&#8217;adolescence s&#8217;est r\u00e9v\u00e9l\u00e9e \u00eatre son grand cheval gagnant<\/h2>\n\n\n<p>Parmi les nomin\u00e9es, El Ping\u00fcino s&#8217;est d\u00e9marqu\u00e9 comme la seule s\u00e9rie capable de d\u00e9fier le r\u00e8gne d&#8217;Adolescence, remportant le prix de la meilleure actrice principale pour Cristin Milioti. Malgr\u00e9 les attentes, El Ping\u00fcino n&#8217;a pas r\u00e9ussi \u00e0 \u00e9galer le succ\u00e8s de sa concurrente la plus directe<strong>. D&#8217;autres s\u00e9ries en lice comprenaient des productions reconnues comme Black Mirror, Dying for Sex et le documentaire percutant Monstruos : L&#8217;histoire de Lyle et Erik Menendez<\/strong>, qui, bien que remarquables, n&#8217;ont pas r\u00e9ussi \u00e0 capter l&#8217;attention du jury comme l&#8217;a fait Adolescence.<\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Adolescencia | Tr\u00e1iler oficial | Netflix\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/QFxl7FFv6lM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n<p>La victoire d&#8217;Adolescence \u00e9tait attendue par la critique, qui avait d\u00e9j\u00e0 signal\u00e9 la r\u00e9colte de nominations comme quelque chose de relativement faible cette ann\u00e9e. <strong>Au fur et \u00e0 mesure que la gala avan\u00e7ait, la s\u00e9rie prouvait \u00eatre la favorite indiscutable de la nuit, consolidant ainsi son h\u00e9ritage dans l&#8217;industrie<\/strong>. Avec son triomphe, Adolescence ne fait pas seulement r\u00e9affirmer sa place dans le monde concurrentiel des s\u00e9ries limit\u00e9es, mais \u00e9tablit \u00e9galement une nouvelle norme de qualit\u00e9 en mati\u00e8re de narration et de jeu d&#8217;acteur dans le milieu.<\/p>\n\n<div class=\"sc-card-program\">\r\n  <div class=\"sc-card-program__body\">\r\n    <div class=\"sc-card-program__row clearfix\">\r\n      <div class=\"sc-card-program__col-logo\">\r\n        <img decoding=\"async\" class=\"sc-card-program__img\" src=\"https:\/\/images.sftcdn.net\/images\/t_app-icon-s\/p\/bb71af8a-96bf-11e6-8279-00163ec9f5fa\/1690710143\/netflix-Download-Netflix.jpg\" alt=\"Netflix\" width=\"100px\" height=\"100px\">\r\n      <\/div>\r\n      <div class=\"sc-card-program__col-title\">\r\n        <span class=\"sc-card-program__title\">Netflix<\/span>\r\n        <a class=\"sc-card-program__button sc-card-program-internal\" href=\"https:\/\/netflix.softonic.com\" target=\"_self\" rel=\"noopener noreferrer\">T\u00c9L\u00c9CHARGER<\/a>\r\n      <\/div>\r\n      <div class=\"sc-card-program__col-rating\">\r\n        \r\n      <\/div>\r\n    <\/div>\r\n    <div class=\"sc-card-program__row\">\r\n      <span class=\"sc-card-program__description\"><\/span>\r\n    <\/div>\r\n    <div class=\"sc-card-program__row\">\r\n      <img decoding=\"async\" class=\"sc-card-program__bigpic\" src=\"\">\r\n    <\/div>\r\n    <a class=\"sc-card-program__link track-link sc-card-program-internal\" href=\"https:\/\/netflix.softonic.com\" target=\"_self\" rel=\"noopener noreferrer\"><\/a>\r\n  <\/div>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>La s\u00e9rie Adolescence s&#8217;est impos\u00e9e lors de l&#8217;\u00e9dition 2025 des Emmy Awards en remportant le prix de la meilleure s\u00e9rie limit\u00e9e, marquant un jalon en gagnant dans chacune des cat\u00e9gories pour lesquelles elle \u00e9tait nomin\u00e9e. Ce succ\u00e8s inclut des prix pour le meilleur sc\u00e9nario et la meilleure r\u00e9alisation, ainsi que des reconnaissances d&#8217;interpr\u00e9tation qui ont mis en avant\u2026 Continue reading &#8220;&#8221;<\/p>\n","protected":false},"author":9318,"featured_media":176621,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","wpcf-pageviews":0},"categories":[16761],"tags":[20548,19526,23493,23592,27318,27319,5200,20871],"usertag":[],"vertical":[],"content-category":[18130],"class_list":["post-176620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-adolescencia","tag-black-mirror","tag-critica","tag-dying-for-sex","tag-erin-doherty","tag-monstruos-la-historia-de-lyle-y-erik-menendez","tag-netflix","tag-stephen-graham","content-category-streaming-videos"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/posts\/176620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/users\/9318"}],"replies":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/comments?post=176620"}],"version-history":[{"count":2,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/posts\/176620\/revisions"}],"predecessor-version":[{"id":176634,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/posts\/176620\/revisions\/176634"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/media\/176621"}],"wp:attachment":[{"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/media?parent=176620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/categories?post=176620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/tags?post=176620"},{"taxonomy":"usertag","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/usertag?post=176620"},{"taxonomy":"vertical","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/vertical?post=176620"},{"taxonomy":"content-category","embeddable":true,"href":"https:\/\/cms-articles.softonic.io\/fr\/wp-json\/wp\/v2\/content-category?post=176620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}