The new racing movie ‘F1’, directed by Jerry Bruckheimer and Joseph Kosinski, has been hailed as a canonical summer blockbuster. With a very ‘Top Gun: Maverick’ style approach but on the asphalt of Formula 1 tracks, the project has generated great box office anticipation, leading to optimistic estimates for its release.
How Megan found out the mess
‘F1’ has achieved an impressive global debut of 140 million dollars, marking Brad Pitt’s best opening since 2012, when ‘World War Z’ earned 112 million in its opening weekend. Additionally, the film would have the second-best domestic opening in the United States with 55 million dollars, only behind ‘World War Z’, and would establish itself as the best launch of an original Apple film, surpassing the 22 million of Martin Scorsese’s ‘Killers of the Flower Moon’.
The potential success of ‘F1’ also represents a milestone for Warner as a distributor of original titles, following the success of ‘The Sinners’ in this film season. The combination of talent behind the scenes and high adrenaline content seems to have resonated positively with critics and audiences who have been able to view the film.
On the other hand, the box office outlook is not as encouraging for ‘M3GAN 2.0’. The new Blumhouse installment has had a disappointing debut of 10.4 million dollars, a number significantly lower than the expected 30 million. Its reception has been lukewarm, with many reviews pointing to a lack of connection with the audience due to its change in tone and humor.
With these results, the weekend at the box office has shown a clear contrast between the resounding success of ‘F1’ and the difficulties faced by ‘M3GAN 2.0’, highlighting the changing dynamics of the current film market.