Fans have been talking up Disney’s Aladdin series lately as the best thing the franchise did after the original movie. It’s also drawing fresh attention to a continuation that, for a lot of people, works better than either of the two direct-to-video sequels.
The show aired from 1994 to 1995 and lands right in the middle of the timeline, picking up from The Return of Jafar and leading into Aladdin and the King of Thieves, which basically serves as its finale.
Across 86 episodes and three seasons, it had a lot more room than the movies ever did to spend time in Agrabah, branch out to new kingdoms, throw in magical threats, and build up a cast of allies and recurring enemies. It also digs further into Aladdin’s shift from street rat to future prince, gives Jasmine more agency, and ends up with a stronger rogues’ gallery, led by fan favorite Mozenrath.
If you revisit Aladdin often, this one’s worth picking up; I’d say the smaller, adventure-driven format has held up better than the sequel films, even with some repetitive episodes, clearly cheaper animation, and Dan Castellaneta taking over from Robin Williams as Genie.
The frustrating part is that you still can’t get the series on Disney+ in the U.S. or many other regions, which is why fans keep pushing Disney to make this overlooked chapter widely available again.
Author: Emmanuel Pina
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"en-US": "Emmanuel Pina covers entertainment at Softonic: film, television series and the tangle of platforms you have to search through to find them. He is as interested in the premiere as in the fine print: where something is available, until when, and why it vanishes from a catalogue without warning. He is part of Softonic's editorial team and works daily with AI tools applied to content production.",
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"fr-FR": "Emmanuel Pina couvre le divertissement chez Softonic : cinéma, séries et l'enchevêtrement de plateformes où il faut aller les chercher. La sortie l'intéresse autant que les petites lignes : où se trouve un titre, jusqu'à quand, et pourquoi il disparaît d'un catalogue sans prévenir. Il fait partie de l'équipe éditoriale de Softonic et travaille au quotidien avec des outils d'IA appliqués à la production de contenu.",
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