The new Netflix production, Salvador, addresses the growing polarization of Spanish society through the shocking story of a father who confronts the radicalization of his daughter, who has joined a neo-Nazi group. The series reflects how politics has become a struggle similar to a sports confrontation, where the wrongdoings of institutions are often ignored.
A radical extremism increasingly present
Directed by Daniel Calparsoro and created by Aitor Gabilondo, Salvador seeks to engage the viewer with a visceral and dynamic narrative, emphasizing action from the very first episode. This stylistic choice is evident through a bold visual production that includes aerial shots and innovative camera movements, aiming to capture the audience’s attention immediately.
Despite its impulsive narrative structure and strong focus on high-tension situations, the series also faces criticism for the lack of development in some characters, who come off as more schematic than complex. Although Luis Tosar, who plays the father, delivers a solid performance, other actors like Leonor Watling and Claudia Salas fail to prevent their characters from being reduced to archetypes. This can lead to emotional moments feeling more exaggerated than believable as the plot progresses.
Even acknowledging certain weaknesses in the script and characterization, Salvador presents a more satisfying approach compared to Gabilondo’s previous projects, such as El silencio. Undoubtedly, the series invites viewers to immerse themselves in an intense experience, leaving little room for reflection, and prioritizing a frantic pace that promises an overdose of adrenaline.
