Zach Cregger’s unmade Gotham City script Henchman is back in the mix this week after the breakout debut of Resident Evil. That’s put fresh attention on his Batman-adjacent project, even if DC Studios co-heads James Gunn and Peter Safran still haven’t officially said anything about it, and Cregger said in September 2026 that there had been “no action” on the script.
The renewed buzz isn’t hard to understand. Resident Evil reportedly became the highest-rated video game adaptation yet, opened to $60 million, and reached $108 million worldwide in less than a week. Coming after Barbarian and Weapons, it also added to the case that Zach Cregger can turn out studio genre hits with a distinct, character-driven edge.
Henchman reportedly centers on an ordinary Gotham City man, described in different accounts as either a pharmacist or a low-level criminal, who gets pulled into chaos involving Batman and the Joker. That gives the story a street-level angle, rather than another Batman origin story or a larger-than-life villain epic.
If you follow DC Studios projects closely, this is the kind of update you keep in the back of your mind, even with Zach Cregger saying in September 2026 that there had been “no action” on the script and with James Gunn and Peter Safran still not officially acknowledging it.
For now, Henchman is only a possibility. DC Studios already has a packed slate, Zach Cregger is developing The Flood at Amblin for an Aug. 11, 2028 release, with casting and soft prep reportedly underway, and he’s also talked about ideas for a possible Resident Evil sequel.
Author: Emmanuel Pina
{
"social": {
"email": "",
"facebook": "",
"twitter": "",
"linkedin": ""
},
"ja-JP": "",
"de-DE": "Emmanuel Pina schreibt bei Softonic über Unterhaltung: Kino, Serien und das Gewirr von Plattformen, in dem man sie suchen muss. Ihn interessiert der Start genauso wie das Kleingedruckte: wo etwas läuft, bis wann, und warum es ohne Vorwarnung aus einem Katalog verschwindet. Er gehört zum Redaktionsteam von Softonic und arbeitet täglich mit KI-Werkzeugen in der Produktion.",
"en-US": "Emmanuel Pina covers entertainment at Softonic: film, television series and the tangle of platforms you have to search through to find them. He is as interested in the premiere as in the fine print: where something is available, until when, and why it vanishes from a catalogue without warning. He is part of Softonic's editorial team and works daily with AI tools applied to content production.",
"es-ES": "Emmanuel Pina se ocupa del entretenimiento en Softonic: cine, series y el enredo de plataformas donde hay que ir a buscarlas. Le interesa tanto el estreno como la letra pequeña: dónde se puede ver algo, hasta cuándo y por qué desaparece de un catálogo sin avisar. Forma parte del equipo editorial de Softonic y trabaja a diario con herramientas de IA aplicadas a la producción de contenido.",
"fr-FR": "Emmanuel Pina couvre le divertissement chez Softonic : cinéma, séries et l'enchevêtrement de plateformes où il faut aller les chercher. La sortie l'intéresse autant que les petites lignes : où se trouve un titre, jusqu'à quand, et pourquoi il disparaît d'un catalogue sans prévenir. Il fait partie de l'équipe éditoriale de Softonic et travaille au quotidien avec des outils d'IA appliqués à la production de contenu.",
"it-IT": "Emmanuel Pina si occupa di intrattenimento su Softonic: cinema, serie e il groviglio di piattaforme in cui bisogna andarle a cercare. Gli interessa l'uscita tanto quanto le clausole in piccolo: dove si trova un titolo, fino a quando e perché sparisce da un catalogo senza avvisare. Fa parte del team editoriale di Softonic e lavora ogni giorno con strumenti di IA nella produzione dei contenuti.",
"nl-NL": "Emmanuel Pina schrijft bij Softonic over entertainment: film, series en de kluwen van platforms waarin je ze moet zoeken. De première interesseert hem net zoveel als de kleine lettertjes: waar iets te zien is, tot wanneer, en waarom het zonder aankondiging uit een catalogus verdwijnt. Hij maakt deel uit van de redactie van Softonic en werkt dagelijks met AI-tools in de contentproductie.",
"pl-PL": "Emmanuel Pina zajmuje się rozrywką w Softonicu: kinem, serialami i gąszczem platform, w których trzeba ich szukać. Interesuje go zarówno premiera, jak i to, co zapisano drobnym drukiem: gdzie dany tytuł jest dostępny, do kiedy i dlaczego znika z katalogu bez ostrzeżenia. Należy do zespołu redakcyjnego Softonica i codziennie korzysta z narzędzi AI w produkcji treści.",
"pt-BR": ""
}
View all posts by Emmanuel Pina
