Kaiju No. 8 could be Crunchyroll’s answer to Solo Leveling in 2025

Kaiju No. 8 has turned into one of Crunchyroll’s big action series in 2025. That’s true even with Solo Leveling putting up huge numbers: it became the first title on Crunchyroll to pass 1 million user ratings and ranked as the platform’s most popular anime worldwide in Q1 2025, according to Crunchyroll.

Crunchyroll Download

It’s not hard to see why Solo Leveling blew up. The fights are slick, the animation looks premium, and Sung Jinwoo is built around a straight-up power fantasy. It also arrived at the right moment, with Korean entertainment reaching wider audiences and the original web novel and manhwa already bringing in a massive fanbase.

Kaiju No. 8 hits a lot of those same beats. It has big monster action, strong production values, and a premise you get right away. But it also has more humor, more warmth, and more room for its world to breathe.

If you’re looking for a shonen series with a little more balance, Kaiju No. 8 is an easy pick. Kafka Hibino is a rare 32-year-old lead, a failed kaiju cleanup worker who gets a late shot at becoming something more. He survives on persistence, experience, and practical kaiju knowledge, not pure dominance.

It’s also the stronger ensemble, and that’s showing up in the business side too. By September 2025, the manga had more than 19 million copies in circulation. A second season and a compilation movie arrived in 2025, while Solo Leveling is still widely expected to continue with a movie and probably a third season around 2027 or 2028.

You can watch both series on Crunchyroll.

Author: Emmanuel Pina

{ "social": { "email": "", "facebook": "", "twitter": "", "linkedin": "" }, "ja-JP": "", "de-DE": "Emmanuel Pina schreibt bei Softonic über Unterhaltung: Kino, Serien und das Gewirr von Plattformen, in dem man sie suchen muss. Ihn interessiert der Start genauso wie das Kleingedruckte: wo etwas läuft, bis wann, und warum es ohne Vorwarnung aus einem Katalog verschwindet. Er gehört zum Redaktionsteam von Softonic und arbeitet täglich mit KI-Werkzeugen in der Produktion.", "en-US": "Emmanuel Pina covers entertainment at Softonic: film, television series and the tangle of platforms you have to search through to find them. He is as interested in the premiere as in the fine print: where something is available, until when, and why it vanishes from a catalogue without warning. He is part of Softonic's editorial team and works daily with AI tools applied to content production.", "es-ES": "Emmanuel Pina se ocupa del entretenimiento en Softonic: cine, series y el enredo de plataformas donde hay que ir a buscarlas. Le interesa tanto el estreno como la letra pequeña: dónde se puede ver algo, hasta cuándo y por qué desaparece de un catálogo sin avisar. Forma parte del equipo editorial de Softonic y trabaja a diario con herramientas de IA aplicadas a la producción de contenido.", "fr-FR": "Emmanuel Pina couvre le divertissement chez Softonic : cinéma, séries et l'enchevêtrement de plateformes où il faut aller les chercher. La sortie l'intéresse autant que les petites lignes : où se trouve un titre, jusqu'à quand, et pourquoi il disparaît d'un catalogue sans prévenir. Il fait partie de l'équipe éditoriale de Softonic et travaille au quotidien avec des outils d'IA appliqués à la production de contenu.", "it-IT": "Emmanuel Pina si occupa di intrattenimento su Softonic: cinema, serie e il groviglio di piattaforme in cui bisogna andarle a cercare. Gli interessa l'uscita tanto quanto le clausole in piccolo: dove si trova un titolo, fino a quando e perché sparisce da un catalogo senza avvisare. Fa parte del team editoriale di Softonic e lavora ogni giorno con strumenti di IA nella produzione dei contenuti.", "nl-NL": "Emmanuel Pina schrijft bij Softonic over entertainment: film, series en de kluwen van platforms waarin je ze moet zoeken. De première interesseert hem net zoveel als de kleine lettertjes: waar iets te zien is, tot wanneer, en waarom het zonder aankondiging uit een catalogus verdwijnt. Hij maakt deel uit van de redactie van Softonic en werkt dagelijks met AI-tools in de contentproductie.", "pl-PL": "Emmanuel Pina zajmuje się rozrywką w Softonicu: kinem, serialami i gąszczem platform, w których trzeba ich szukać. Interesuje go zarówno premiera, jak i to, co zapisano drobnym drukiem: gdzie dany tytuł jest dostępny, do kiedy i dlaczego znika z katalogu bez ostrzeżenia. Należy do zespołu redakcyjnego Softonica i codziennie korzysta z narzędzi AI w produkcji treści.", "pt-BR": "" }