Prime Video’s *Carrie* is out now: a *Battlestar Galactica* reunion
Mike Flanagan’s Carrie landed on Prime Video today, October 7, 2026. It’s an eight-episode adaptation of Stephen King’s 1974 novel, which gives Carrie White another screen retelling and slips in a Battlestar Galactica reunion most people probably didn’t see coming.
And if you thought this was a movie, it’s not. The October 7, 2026 premiere is a series, with Summer H. Howell playing outsider Carrie White and Samantha Sloyan cast as her controlling mother, Margaret White. The extra runtime gives the story more room to sit with the White family and the town around them, as isolation, bullying, and pressure at home build toward Carrie White’s telekinetic powers.
For genre fans, there’s also a reunion arriving 17 years after Battlestar Galactica ended in 2009. Michael Trucco recurs as John Hargensen. Tahmoh Penikett shows up in Episode 6, “Home Economics,” as Carrie White’s deceased father, Ralph White, appearing in flashbacks as Margaret White’s conspiracy-minded partner. Then Episode 7, “Romantic Literature,” brings in Katee Sackhoff, Aaron Douglas, Tricia Helfer, and Rekha Sharma for a town meeting scene, all playing concerned parents. It reads as a pretty clear nod from Mike Flanagan, who’s worked with Michael Trucco and Katee Sackhoff before.
If you follow Stephen King adaptations, or you loved Battlestar Galactica, this is worth queuing up. You can stream Carrie on Prime Video now.
Author: Emmanuel Pina
{
"social": {
"email": "",
"facebook": "",
"twitter": "",
"linkedin": ""
},
"ja-JP": "",
"de-DE": "Emmanuel Pina schreibt bei Softonic über Unterhaltung: Kino, Serien und das Gewirr von Plattformen, in dem man sie suchen muss. Ihn interessiert der Start genauso wie das Kleingedruckte: wo etwas läuft, bis wann, und warum es ohne Vorwarnung aus einem Katalog verschwindet. Er gehört zum Redaktionsteam von Softonic und arbeitet täglich mit KI-Werkzeugen in der Produktion.",
"en-US": "Emmanuel Pina covers entertainment at Softonic: film, television series and the tangle of platforms you have to search through to find them. He is as interested in the premiere as in the fine print: where something is available, until when, and why it vanishes from a catalogue without warning. He is part of Softonic's editorial team and works daily with AI tools applied to content production.",
"es-ES": "Emmanuel Pina se ocupa del entretenimiento en Softonic: cine, series y el enredo de plataformas donde hay que ir a buscarlas. Le interesa tanto el estreno como la letra pequeña: dónde se puede ver algo, hasta cuándo y por qué desaparece de un catálogo sin avisar. Forma parte del equipo editorial de Softonic y trabaja a diario con herramientas de IA aplicadas a la producción de contenido.",
"fr-FR": "Emmanuel Pina couvre le divertissement chez Softonic : cinéma, séries et l'enchevêtrement de plateformes où il faut aller les chercher. La sortie l'intéresse autant que les petites lignes : où se trouve un titre, jusqu'à quand, et pourquoi il disparaît d'un catalogue sans prévenir. Il fait partie de l'équipe éditoriale de Softonic et travaille au quotidien avec des outils d'IA appliqués à la production de contenu.",
"it-IT": "Emmanuel Pina si occupa di intrattenimento su Softonic: cinema, serie e il groviglio di piattaforme in cui bisogna andarle a cercare. Gli interessa l'uscita tanto quanto le clausole in piccolo: dove si trova un titolo, fino a quando e perché sparisce da un catalogo senza avvisare. Fa parte del team editoriale di Softonic e lavora ogni giorno con strumenti di IA nella produzione dei contenuti.",
"nl-NL": "Emmanuel Pina schrijft bij Softonic over entertainment: film, series en de kluwen van platforms waarin je ze moet zoeken. De première interesseert hem net zoveel als de kleine lettertjes: waar iets te zien is, tot wanneer, en waarom het zonder aankondiging uit een catalogus verdwijnt. Hij maakt deel uit van de redactie van Softonic en werkt dagelijks met AI-tools in de contentproductie.",
"pl-PL": "Emmanuel Pina zajmuje się rozrywką w Softonicu: kinem, serialami i gąszczem platform, w których trzeba ich szukać. Interesuje go zarówno premiera, jak i to, co zapisano drobnym drukiem: gdzie dany tytuł jest dostępny, do kiedy i dlaczego znika z katalogu bez ostrzeżenia. Należy do zespołu redakcyjnego Softonica i codziennie korzysta z narzędzi AI w produkcji treści.",
"pt-BR": ""
}
View all posts by Emmanuel Pina