28 years later, he has a secret that very few know
The cinema always surprises us with new ways of telling stories, but what is about to happen with 28 Years Later marks a before and after in the way major productions are created. This feature film, directed by Oscar winner Danny Boyle, was shot entirely with an iPhone 15 Pro Max, something that would have been unimaginable just a few years ago. What seems like a technical detail is, in reality, a huge change for the industry. The iPhone 15 Pro Max as a Hollywood tool That a device we carry in our pocket […]
Cinema always surprises us with new ways of storytelling, but what is about to happen with 28 Years Later marks a before and after in the way major productions are created. This feature film, directed by Oscar winner Danny Boyle, was shotentirely with an iPhone 15 Pro Max, something that would have been unimaginable just a few years ago. What seems like a technical detail is, in reality, a huge change for the industry.
That a device we carry in our pocket can be used to create a big-budget movie is something amazing. The iPhone 15 Pro Max not only records in 4K quality, but also offers us features like ProRes mode and the ability to work directly with RAW data streams. These capabilities allow filmmakers like Boyle to explore a unique aesthetic that, when well-adjusted, is ideal for a zombie thriller like 28 Years Later.
The iPhone camera offers exceptional control over light, color, and framing. According to WIRED, Boyle and his team used several devices to capture each scene from different perspectives, pushing the potential of the iPhone 15 Pro Max to the limit.
This is not the first time an iPhone has been used in the film industry, but it is the first time we see it in a production of this caliber. The use of the iPhone in a blockbuster allows more creators to access tools that are now considered professional quality.
With the release scheduled for June 2025, 28 Years Later promises to be a box office hit, but also a reference in the history of modern cinema. It will be interesting to see if this venture inspires other directors to explore new ways of storytelling and how photographic technology at Apple evolves to meet these challenges. With the same camera we use for our photos every day, a production has been achieved that is capable of making us see more iPhones on film sets than traditional cameras in a few years. And, honestly, that’s something only Apple could achieve.
Author: David Bernal Raspall
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