In KPop Demon Hunters, HUNTR/X is the newest Hunter trio in a long line of female singer-warriors guarding humanity from Gwi-Ma’s demons. The first trio the story clearly identifies appears in ancient Korea in the 1600s. In this world, song does two things at once: it’s a weapon, and it’s the force that pulls people together. The Hunters use it to fight demons and to sustain the Honmoon, a barrier powered by human connection. Some demons still slip through, though, and that’s what makes it possible for the Saja Boys to operate.
The companion material and concept art fill in more of that history. They describe the first clearly identified trio in 1600s Korea as mudang who used music, ritual, and performance to create the Honmoon. The companion material also says Won Sul Hyn partly based the idea on his mother and on gut ceremonies, with their live music, spiritual performance, and percussion.
The film, the companion material, and the art book also show later trios in the 1800s, 1920s, 1940s, 1950s, 1960s, 1980s, and 1990s. That makes the role feel inherited rather than immortal. It also turns the 1990s Sunlight Sisters, with Celine and Mi-yeong Ryu, Rumi’s mother, into HUNTR/X’s direct link, while leaving plenty of room for prequels, spin-offs, and more lore in a franchise that’s expanding through companion content, immersive experiences, merchandise, and gaming tie-ins. If you’re following this world, pick it up. You can find that history in the film, the companion material, and the art book.
Author: Emmanuel Pina
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"de-DE": "Emmanuel Pina schreibt bei Softonic über Unterhaltung: Kino, Serien und das Gewirr von Plattformen, in dem man sie suchen muss. Ihn interessiert der Start genauso wie das Kleingedruckte: wo etwas läuft, bis wann, und warum es ohne Vorwarnung aus einem Katalog verschwindet. Er gehört zum Redaktionsteam von Softonic und arbeitet täglich mit KI-Werkzeugen in der Produktion.",
"en-US": "Emmanuel Pina covers entertainment at Softonic: film, television series and the tangle of platforms you have to search through to find them. He is as interested in the premiere as in the fine print: where something is available, until when, and why it vanishes from a catalogue without warning. He is part of Softonic's editorial team and works daily with AI tools applied to content production.",
"es-ES": "Emmanuel Pina se ocupa del entretenimiento en Softonic: cine, series y el enredo de plataformas donde hay que ir a buscarlas. Le interesa tanto el estreno como la letra pequeña: dónde se puede ver algo, hasta cuándo y por qué desaparece de un catálogo sin avisar. Forma parte del equipo editorial de Softonic y trabaja a diario con herramientas de IA aplicadas a la producción de contenido.",
"fr-FR": "Emmanuel Pina couvre le divertissement chez Softonic : cinéma, séries et l'enchevêtrement de plateformes où il faut aller les chercher. La sortie l'intéresse autant que les petites lignes : où se trouve un titre, jusqu'à quand, et pourquoi il disparaît d'un catalogue sans prévenir. Il fait partie de l'équipe éditoriale de Softonic et travaille au quotidien avec des outils d'IA appliqués à la production de contenu.",
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"pl-PL": "Emmanuel Pina zajmuje się rozrywką w Softonicu: kinem, serialami i gąszczem platform, w których trzeba ich szukać. Interesuje go zarówno premiera, jak i to, co zapisano drobnym drukiem: gdzie dany tytuł jest dostępny, do kiedy i dlaczego znika z katalogu bez ostrzeżenia. Należy do zespołu redakcyjnego Softonica i codziennie korzysta z narzędzi AI w produkcji treści.",
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