The new work from the creator of 'Money Heist', abruptly canceled on Netflix

Netflix has decided to cancel one of its most recent series, The Atomic Shelter, after the discouraging audience performance and the negative reviews it received since its premiere on September 19. With only 33% positive ratings on Rotten Tomatoes, the series has been doomed, leaving fans without a conclusion, as the production did not meet the expectations of the audience or its creators, Álex Pina and Esther Martínez Lobato. There is no shelter that can save you The cancellation has been confirmed by El País, which reports that Vancouver Media, the production company behind the […]

Netflix has decided to cancel one of its most recent series, The Atomic Shelter, after the discouraging audience performance and the negative reviews it received since its premiere on September 19. With only 33% positive ratings on Rotten Tomatoes, the series has been doomed, leaving fans without a conclusion, as the production did not meet the expectations of the audience or its creators, Álex Pina and Esther Martínez Lobato.

There is no refuge that can save you

The cancellation has been confirmed by El País, which reports that Vancouver Media, the production company behind the series, has already begun dismantling the sets built for the production. These sets had been active until the release of the first part of the series, which ended on a cliffhanger that will no longer be resolved. This situation has generated discontent among fans who were hoping for a continued storyline.

The decision-making process by Netflix was notably deliberate, as the platform took almost three months to act. This wait may have been a strategy to align other positive news, given that on the same day as the cancellation announcement, Netflix also revealed the release date for the second season of Berlin. In the new season, Álvaro Morte will reprise his iconic role as the Professor, which could provide a respite for fans of Pina’s productions.

The cancellation of The Atomic Shelter highlights once again the challenges Netflix faces in trying to find new series that resonate with its audience. Although the platform had high hopes that the successor to Money Heist would capture viewers’ attention, the reality has proven to be very different.

There's not much left until we can see the new series from the creator of Money Heist that's going to be a hit

The new science fiction series from Netflix, titled ‘The Atomic Shelter’, will premiere in just a few days: on September 19. It promises to be one of the most ambitious series of the year, as it consists of eight episodes and is created by the successful duo behind ‘Money Heist’, Álex Pina and Esther Martínez Lobato. The predecessor of Money Heist ‘The Atomic Shelter’ tells the story of a group of billionaires who retreat to a bunker in the face of a global collapse that threatens to turn the planet into an uninhabitable place. However, what […]

The new Netflix science fiction series, titled ‘The Atomic Shelter’, will premiere in just a few days: on September 19. It promises to be one of the most ambitious series of the year, as it consists of eight episodes and is created by the successful duo behind ‘Money Heist’, Álex Pina and Esther Martínez Lobato.

The Precedent of Money Heist

‘The Atomic Shelter’ tells the story of a group of billionaires who retreat to a bunker in the face of a global collapse that threatens to turn the planet into an uninhabitable place. However, what seems to be a safe paradise for these privileged individuals transforms into a scene of internal tensions and conflicts. The interactions in the bunker, as can be seen in the trailer, suggest that coexistence will not be peaceful, creating an environment filled with challenges and dramas.

Diego Ávalos, vice president of content at Netflix in Spain, has stated that there has not been a series as ambitious in the history of Spain, emphasizing the importance of this production within the platform’s strategy. Despite the high expectations, Netflix has had its recent missteps, such as the case of ‘Estado eléctrico’, which was its most expensive original film and turned out to be a disappointment. Nevertheless, this does not stop the search for titles that become emblems of the platform.

With a mix of mystery and tension, science fiction fans will have the opportunity to explore new social dynamics in an extreme environment. Just four days before its release, we are already looking forward to seeing this series with a plot that, it must be acknowledged, is intriguing from its premise.