Recently, Ben Starr, known for his role as Clive Rosfield in Final Fantasy 16, shared his experience playing as Prometheus in Hades 2. Starr revealed that the character is considered one of the most difficult antagonists in the game, which led him to intense frustration during his gaming experience. Despite having dedicated over 90 hours to Hades 2, Starr admitted that the difficulty of the combat against Prometheus made him question himself, even to the point of saying that he “hated himself” in those moments of uncertainty. A boss that brought him through the […]
Recently, Ben Starr, known for his role as Clive Rosfield in Final Fantasy 16, shared his experience playing as Prometheus in Hades 2. Starr revealed that the character is considered one of the most difficult antagonists in the game, which led him to intense frustration during his gaming experience. Despite having dedicated more than 90 hours to Hades 2, Starr admitted that the difficulty of the combat against Prometheus made him question himself, even to the point of saying that he “hated himself” in those moments of uncertainty.
A boss who brought him down the road of bitterness
“Hades 2 really kept me immersed; the hours flew by,” Starr commented in a recent interview. However, he also expressed that confronting Prometheus was a challenging battle. “When I finally defeated him, I sent a picture to a friend and thought, damn, I guess I did it.”
This is a demonstration of how games like Hades 2 and their difficulty can keep players engaged through the emotional connection that is generated with them. Even if it’s through poor Starr wishing he could take a stroll in the countryside.
The new project by Christopher Nolan, which has generated great anticipation in the film industry, has suffered a significant setback following the departure of Cosmo Jarvis. The actor, known for his role in the series Shogun, has canceled his participation in the film The Odyssey, citing a scheduling conflict related to another project in which he will portray Joseph Stalin. This unexpected news has come just before Jarvis was set to begin filming his role, leaving many in the industry surprised. Joseph Stalin will no longer be in The Odyssey Despite this loss, Nolan […]
The new project by Christopher Nolan, which has generated great anticipation in the film industry, has suffered a significant setback following the departure of Cosmo Jarvis. The actor, known for his role in the series Shogun, has canceled his participation in the film The Odyssey, citing a scheduling conflict related to another project in which he will portray Joseph Stalin. This unexpected news has arrived just before Jarvis was set to begin filming his role, leaving many in the industry surprised.
Joseph Stalin will no longer be in The Odyssey
Despite this loss, Nolan has quickly reacted by announcing Logan Marshall-Green as Jarvis’s replacement. Marshall-Green, known for his performances in Prometheus and Upgrade, has not previously worked with the acclaimed director, which could represent a significant opportunity in his career. For him, being part of a cast that includes renowned figures like Matt Damon, Tom Holland, Anne Hathaway, and Zendaya can be an important step in his trajectory.
The details about the role that Jarvis was going to play remain shrouded in great secrecy, which is typical in Nolan’s projects. The film, which features an impressive cast also including Lupita Nyong’o, Robert Pattinson, Charlize Theron, among others, is scheduled to be released in theaters on July 17, 2026. This strategy of maintaining mystery has generated even more intrigue and speculation about the plot and characters of The Odyssey.
For now, the film community remains on the lookout, awaiting new developments from a project that promises to be one of the most spectacular in recent years in Hollywood. There is a sense of curiosity about how this change will impact the narrative and development of the film, a topic that will surely be a subject of discussion in the coming months.
Ridley Scott has announced that the time has come for him to retire from the Alien saga, stating in a recent interview with ScreenRant that “I have done enough” and that his role in this iconic franchise has concluded after 46 years since the release of the first film in 1979. Scott, known for being the creator of this iconic science fiction universe, has chosen to let the saga continue under new visions, such as Alien: Romulus and Alien: Planet Earth, the series being developed by Noah Hawley. Alien will continue to expand even without its creator […]
Ridley Scott has announced that the time has come for him to retire from the Alien saga, stating in a recent interview with ScreenRant that “I have done enough” and that his role in this iconic franchise has concluded after 46 years since the release of the first film in 1979. Scott, known for being the creator of this iconic science fiction universe, has chosen to let the saga continue under new visions, such as Alien: Romulus and Alien: Planet Earth, the series being developed by Noah Hawley.
Alien will continue to expand even without its creator
The director has expressed his surprise at the expansion of Alien, a phenomenon he came to consider dead at certain moments. “Given what is happening now, I think I have done enough, and I just hope it goes further,” he stated, notably impressed by the recent success of the franchise. Throughout its history, Alien has experienced ups and downs, from the resounding success of Aliens, directed by James Cameron, to the more controversial missteps like David Fincher’s Alien 3 and Jean-Pierre Jeunet’s Alien Resurrection.
Scott also recalled that he was offered to return to the saga a year after the Star Wars phenomenon, an option he dismissed, as he considered it “the fifth option” at that time. However, more than a decade later, he had the opportunity to revitalize the universe with Prometheus, which brought new perspectives to the Alien narrative. With the succession of new installments, Scott has decided to let others take the reins of this story that has left an indelible mark on cinematic culture.
