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The Odyssey passes 10 million admissions in South Korea: first in four years

Christopher Nolan’s The Odyssey crossed 10 million admissions in South Korea on Sept. 6, according to local box office data, after topping the South Korean box office again over Sept. 4-6. During that stretch, The Odyssey brought in $5.9 million from 698,384 admissions, claimed 60.92% of the market, and played on 1,858 screens, according to the same local box office figures.

Spider-Man: Brand New Day was a distant No. 2, taking in about $941,000 in its sixth weekend. The bigger story, though, is that The Odyssey got past 10 million admissions by Sept. 6, which pushed its local total to roughly $83 million, according to local box office data.

That puts Christopher Nolan’s The Odyssey in a pretty small club. According to local box office records, it’s only the tenth non-Korean film ever to reach that mark in South Korea, and the first one to do it in four years. It also adds to South Korea’s reputation as one of Christopher Nolan’s strongest markets, after Christopher Nolan’s Interstellar pulled off the same feat.

IMAX gave the run a boost too. More than 1.1 million IMAX tickets have been sold, setting a new local IMAX record, according to local ticketing totals.

If you follow theatrical trends, there’s another piece to this. Spider-Man: Brand New Day had already passed 8 million admissions by late August and has now become Tom Holland’s biggest Spider-Man film in the market, while South Korea’s 2026 first-half box office climbed 41.9% year on year to 94.2% of pre-pandemic levels, according to local box office data.

Audiences will still pay for the big screen when a movie feels like an event.

You can catch The Odyssey now in South Korean theaters and IMAX.

Author: Emmanuel Pina

{ "social": { "email": "", "facebook": "", "twitter": "", "linkedin": "" }, "ja-JP": "", "de-DE": "Emmanuel Pina schreibt bei Softonic über Unterhaltung: Kino, Serien und das Gewirr von Plattformen, in dem man sie suchen muss. Ihn interessiert der Start genauso wie das Kleingedruckte: wo etwas läuft, bis wann, und warum es ohne Vorwarnung aus einem Katalog verschwindet. Er gehört zum Redaktionsteam von Softonic und arbeitet täglich mit KI-Werkzeugen in der Produktion.", "en-US": "Emmanuel Pina covers entertainment at Softonic: film, television series and the tangle of platforms you have to search through to find them. He is as interested in the premiere as in the fine print: where something is available, until when, and why it vanishes from a catalogue without warning. He is part of Softonic's editorial team and works daily with AI tools applied to content production.", "es-ES": "Emmanuel Pina se ocupa del entretenimiento en Softonic: cine, series y el enredo de plataformas donde hay que ir a buscarlas. Le interesa tanto el estreno como la letra pequeña: dónde se puede ver algo, hasta cuándo y por qué desaparece de un catálogo sin avisar. Forma parte del equipo editorial de Softonic y trabaja a diario con herramientas de IA aplicadas a la producción de contenido.", "fr-FR": "Emmanuel Pina couvre le divertissement chez Softonic : cinéma, séries et l'enchevêtrement de plateformes où il faut aller les chercher. La sortie l'intéresse autant que les petites lignes : où se trouve un titre, jusqu'à quand, et pourquoi il disparaît d'un catalogue sans prévenir. Il fait partie de l'équipe éditoriale de Softonic et travaille au quotidien avec des outils d'IA appliqués à la production de contenu.", "it-IT": "Emmanuel Pina si occupa di intrattenimento su Softonic: cinema, serie e il groviglio di piattaforme in cui bisogna andarle a cercare. Gli interessa l'uscita tanto quanto le clausole in piccolo: dove si trova un titolo, fino a quando e perché sparisce da un catalogo senza avvisare. Fa parte del team editoriale di Softonic e lavora ogni giorno con strumenti di IA nella produzione dei contenuti.", "nl-NL": "Emmanuel Pina schrijft bij Softonic over entertainment: film, series en de kluwen van platforms waarin je ze moet zoeken. De première interesseert hem net zoveel als de kleine lettertjes: waar iets te zien is, tot wanneer, en waarom het zonder aankondiging uit een catalogus verdwijnt. Hij maakt deel uit van de redactie van Softonic en werkt dagelijks met AI-tools in de contentproductie.", "pl-PL": "Emmanuel Pina zajmuje się rozrywką w Softonicu: kinem, serialami i gąszczem platform, w których trzeba ich szukać. Interesuje go zarówno premiera, jak i to, co zapisano drobnym drukiem: gdzie dany tytuł jest dostępny, do kiedy i dlaczego znika z katalogu bez ostrzeżenia. Należy do zespołu redakcyjnego Softonica i codziennie korzysta z narzędzi AI w produkcji treści.", "pt-BR": "" } View all posts by Emmanuel Pina

Author Emmanuel PinaPosted on September 8, 2026September 30, 2026Categories News

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