Street Fighter is back in live action, and this time it’s on the big screen. The new movie is now in theaters, marking Capcom’s first live-action return to the series since 1994, and it doesn’t exactly hide that it’s setting up a sequel.
The story takes place in 1993. M. Bison launches the World Warrior Tournament as bait for Ryu, who’s been missing since 1987, when he watched Akuma kill Gouken. Ryu is scared of that same dark power in himself, Ken is still carrying the blame, Chun-Li is chasing Bison’s larger conspiracy, and Ryu ends up entering the tournament after beating E. Honda and taking Honda’s spot.
By the finale, Ryu beats Akuma by leaning into that darkness just enough to win, until Ken pulls him back. Bison, however, escapes after capturing Akuma, with Cammy helping him, which leaves Bison still out there, Akuma turned into a weapon, and Ryu, Ken, and Chun-Li finally on the same side.
If you follow Street Fighter, it’s worth staying through the credits too. The post-credits tease has Bison approaching Sagat and hinting at the alliance they’re building next.
Street Fighter is now playing in theaters. A sequel is reportedly being written, but whether it actually happens will depend on the box office after an $82 million budget, about $4 million in previews, tracking that ranges from the low $20 millions to $43 million domestic and roughly $70 million worldwide, mixed reviews and fan response, and Street Fighter 6 passing 7 million copies by June 2026.
Author: Emmanuel Pina
{
"social": {
"email": "",
"facebook": "",
"twitter": "",
"linkedin": ""
},
"ja-JP": "",
"de-DE": "Emmanuel Pina schreibt bei Softonic über Unterhaltung: Kino, Serien und das Gewirr von Plattformen, in dem man sie suchen muss. Ihn interessiert der Start genauso wie das Kleingedruckte: wo etwas läuft, bis wann, und warum es ohne Vorwarnung aus einem Katalog verschwindet. Er gehört zum Redaktionsteam von Softonic und arbeitet täglich mit KI-Werkzeugen in der Produktion.",
"en-US": "Emmanuel Pina covers entertainment at Softonic: film, television series and the tangle of platforms you have to search through to find them. He is as interested in the premiere as in the fine print: where something is available, until when, and why it vanishes from a catalogue without warning. He is part of Softonic's editorial team and works daily with AI tools applied to content production.",
"es-ES": "Emmanuel Pina se ocupa del entretenimiento en Softonic: cine, series y el enredo de plataformas donde hay que ir a buscarlas. Le interesa tanto el estreno como la letra pequeña: dónde se puede ver algo, hasta cuándo y por qué desaparece de un catálogo sin avisar. Forma parte del equipo editorial de Softonic y trabaja a diario con herramientas de IA aplicadas a la producción de contenido.",
"fr-FR": "Emmanuel Pina couvre le divertissement chez Softonic : cinéma, séries et l'enchevêtrement de plateformes où il faut aller les chercher. La sortie l'intéresse autant que les petites lignes : où se trouve un titre, jusqu'à quand, et pourquoi il disparaît d'un catalogue sans prévenir. Il fait partie de l'équipe éditoriale de Softonic et travaille au quotidien avec des outils d'IA appliqués à la production de contenu.",
"it-IT": "Emmanuel Pina si occupa di intrattenimento su Softonic: cinema, serie e il groviglio di piattaforme in cui bisogna andarle a cercare. Gli interessa l'uscita tanto quanto le clausole in piccolo: dove si trova un titolo, fino a quando e perché sparisce da un catalogo senza avvisare. Fa parte del team editoriale di Softonic e lavora ogni giorno con strumenti di IA nella produzione dei contenuti.",
"nl-NL": "Emmanuel Pina schrijft bij Softonic over entertainment: film, series en de kluwen van platforms waarin je ze moet zoeken. De première interesseert hem net zoveel als de kleine lettertjes: waar iets te zien is, tot wanneer, en waarom het zonder aankondiging uit een catalogus verdwijnt. Hij maakt deel uit van de redactie van Softonic en werkt dagelijks met AI-tools in de contentproductie.",
"pl-PL": "Emmanuel Pina zajmuje się rozrywką w Softonicu: kinem, serialami i gąszczem platform, w których trzeba ich szukać. Interesuje go zarówno premiera, jak i to, co zapisano drobnym drukiem: gdzie dany tytuł jest dostępny, do kiedy i dlaczego znika z katalogu bez ostrzeżenia. Należy do zespołu redakcyjnego Softonica i codziennie korzysta z narzędzi AI w produkcji treści.",
"pt-BR": ""
}
View all posts by Emmanuel Pina
