Tag: Black Myth Wukong

The sequel to 'Black Myth: Wukong' is presented in an incredible 6-minute trailer

Game Science, the studio behind the innovative title Black Myth: Wukong, has captivated both players in China and internationally, transforming their perception of the video game industry in the country. However, the studio is still in the early stages of developing Black Myth: Zhong Kui, the spiritual successor to its previous success. Although a release date has not been set, an intriguing conceptual trailer has been presented to celebrate the Chinese New Year, and it promises an impressive visual spectacle. It was not a myth, it was reality The trailer has been created entirely […]

Game Science, the studio behind the innovative title Black Myth: Wukong, has captivated both players in China and internationally, transforming their perception of the video game industry in the country.

However, the studio is still in the early stages of developing Black Myth: Zhong Kui, the spiritual successor to its previous success. Although a release date has not been set, an intriguing conceptual trailer has been presented to celebrate the Chinese New Year, and it promises an impressive visual spectacle.

It was not a myth, it was reality

The trailer has been created entirely in real-time using the powerful Unreal Engine 5, allowing viewers to appreciate the technical capabilities of Game Science.

This footage not only serves as a showcase of the game, but also highlights advanced technologies such as Nanite and Lumen. Nanite enables virtualized geometry, producing models and environments with an exceptional level of detail, while Lumen provides dynamic global illumination, enhancing the depth and realism of the scenes.

Despite its impressive graphic quality, Game Science has made it clear that the trailer is purely festive content and does not represent the narrative or the final look of the game. The sequence focuses on the love for cooking, which reinforces the conceptual nature of the trailer. In this sense, it seems more like a reminder that the project is still alive than a formal presentation of the game that is expected to be released.

Still without a release date, the launch of the trailer has reaffirmed interest and the consolidation of Black Myth as a strong brand in the current landscape of video games. The evolution of Game Science as a developer on the international scene suggests that the industry should pay attention to its progress in the coming years.

The director of Phantom Blade Zero believes that Chinese video games have improved a lot, but most are still at a very basic level

Video game developers in China are increasingly focused on creating high-quality titles that can compete with major Western releases, such as the iconic Grand Theft Auto series. Qiwai Liang, director of the action RPG Phantom Blade Zero, emphasizes that there are many plans in the country to develop large productions aimed at raising the industry standard to meet the growing expectations of Chinese players. Those who stand out, do so in a big way One of the most notable examples of this shift is Black Myth: Wukong, a mythological action RPG that […]

Video game developers in China are increasingly focused on creating high-quality titles that can compete with major Western releases, such as the iconic Grand Theft Auto series. Qiwai Liang, director of the action RPG game Phantom Blade Zero, emphasizes that there are many plans in the country to develop large productions aimed at raising the industry standard to meet the growing expectations of Chinese players.

Those who stand out, do it big

One of the most notable examples of this change is Black Myth: Wukong, a mythological action RPG that has been considered the Chinese equivalent of Grand Theft Auto. The game has recouped its initial investment of 43 million dollars in just a few weeks, which represents a significant milestone for the gaming industry in China and reinforces the idea that local developers can create solid titles that attract both domestic and international players.

However, Liang warns that, despite the advances, the quality of many titles still needs to improve. “For most, the quality is still at a basic level,” he states, highlighting the need for innovation and improvement in the development process. This constructive criticism reflects a commitment to excellence, unlike the approach of some studios that prioritize quick profits.

Liang’s vision for his studio, S-GAME, goes beyond simply making economic profits; each release is seen as a stepping stone towards a more ambitious project: a large kung fu action RPG. Although his team has been working on Phantom Blade Zero for about three years and still has no release date, Liang claims that this meticulous approach is essential for establishing a solid reputation in the competitive video game market.

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