Tag: Bob Iger

Steven Soderbergh confirms that his is the first script they reject once it is complete

The recent revelation that the movie The Hunt for Ben Solo was rejected by Disney has generated a wave of reactions among Star Wars fans. Steven Soderbergh, who was set to direct the project, shared on social media that this situation was “a first” for the franchise, referring to the fact that a complete script had never before been rejected by Disney executives. “I didn’t enjoy having to lie about the existence of The Hunt for Ben Solo, but I really needed to keep it a secret… until now,” Soderbergh wrote. It seems they didn’t trust his vision […]

The recent revelation that the movie The Hunt for Ben Solo was rejected by Disney has generated a wave of reactions among Star Wars fans. Steven Soderbergh, who was set to direct the project, shared on social media that this situation was “a first” for the franchise, referring to the fact that a complete script had never before been rejected by Disney executives. “I didn’t enjoy having to lie about the existence of The Hunt for Ben Solo, but I really needed to keep it a secret… until now,” Soderbergh wrote.

It seems they didn’t trust his vision

Adam Driver, who played Ben Solo, confirmed that the studio’s disapproval focused on the confusion about how his character could be alive. “We took it to Bob Iger and Alan Bergman and they said no. They didn’t see how Ben Solo had survived. And that was it,” the actor commented, adding a layer of mystery to the situation.

The response from fans has been vehement, manifesting through various campaigns, including a flying banner that requested the release of the movie with the hashtag #SaveTheHuntForBenSolo over Disney Studios in California. Some enthusiasts of the saga recalled that other characters, like Palpatine, have had similar returns, which could justify the possible resurrection of Ben Solo.

Additionally, an enigmatic post by Sharmeen Obaid-Chinoy, director of the upcoming Rey-centered film, has fueled speculation among fans about a possible return of Kylo Ren in future projects. On the Star Wars horizon, the release of Visions Volume 3 is coming on October 29 on Disney Plus, while the return to theaters has been confirmed for next year with new productions.

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If you think there are too many sequels and remakes, the Disney director warns: there will be many more

During Disney’s recent earnings call, Bob Iger, the company’s CEO, revealed that there is no defined priority regarding the production of sequels, remakes, or original content. This statement highlights Disney’s flexible stance on its future productions, at a time when its upcoming releases are primarily marked by already established franchises. In summary: more sequels The lineup of films the studio has planned includes titles like Put Me in Your Place Again, Predator: Badlands, Tron: Ares, Zootopia 2, and Avatar: Fire and Ash. These proposals reflect a renewed focus on properties of […]

During Disney’s recent earnings call, Bob Iger, the company’s CEO, revealed that there is no defined priority regarding the production of sequels, remakes, or original content. This statement highlights Disney’s flexible stance towards its future productions, at a time when its upcoming releases are primarily marked by already established franchises.

In summary: more sequels

The lineup of films that the studio has planned includes titles such as Put Yourself in My Place Again, Predator: Badlands, Tron: Ares, Zootopia 2, and Avatar: Fire and Ash. These proposals reflect a renewed focus on proven successful properties that have historically attracted large audiences and generated significant revenue for the company. However, Iger also emphasized that, despite this emphasis on franchises, Disney seeks to diversify its offerings, although no specific details have been provided about what this will mean in terms of unique or innovative content.

This focus on the familiarity of franchises has generated mixed opinions among critics and fans. Some argue that the saturation of sequels and remakes could limit creativity and freshness in contemporary cinema. Others, however, see value in the continuity and development of beloved narrative worlds that have proven successful in the past.

Looking to the future, Disney’s strategy seems to pivot towards a balance between leveraging its most beloved properties and exploring new narratives that could resonate with contemporary audiences. It is still unclear how these objectives will align, but Iger’s announcement reveals an interesting approach to the evolution of film production within the company. Industry observers will continue to monitor this development to see how it translates into action in the competitive entertainment landscape.

Disney seeks to continue weaving box office hits with the announcement of Coco 2

Disney has closed 2024 with a significant year at the box office, occupying the top three spots of the highest-grossing films thanks to its animated successes Inside Out 2, Moana 2, and Deadpool & Wolverine. These productions have been crucial for the company to overcome recent economic difficulties, marking a trend that seems to continue into 2025. Disney aims to keep the successes going by returning to one of its big hits In this context, Disney has announced the highly anticipated release of Coco 2, a sequel to the acclaimed 2017 film that explored the traditions of the Day of the Dead in Mexico. During […]

Disney has closed 2024 with a significant year at the box office, holding the top three spots of the highest-grossing films thanks to its animated successes Inside Out 2, Moana 2, and Deadpool & Wolverine. These productions have been crucial for the company to overcome recent economic difficulties, marking a trend that seems to continue into 2025.

Disney seeks to continue its successes by returning to one of its big box office hits

In this context, Disney has announced the highly anticipated release of Coco 2, a sequel to the acclaimed 2017 film that explored the traditions of the Day of the Dead in Mexico. During an annual meeting with shareholders, CEO Bob Iger emphasized that, although production is in its early stages, fans can expect a film full of humor, heart, and adventure. This decision reflects Disney’s strategy of turning to sequels of successful titles after several failures, such as Mufasa, and the controversies surrounding The Little Mermaid.

The team that made the first installment will return for Coco 2, including Oscar-winning director Lee Unkrich, his co-director Adrián Molina, and producer Mark Nielsen. The first Coco made history by being the first film with a nine-figure budget that featured an entirely Latino main cast, opening new opportunities in the industry for stories that resonate with a diverse audience. Among its achievements, Coco won two Academy Awards, including Best Animated Feature and Best Original Song for Remember Me.

Although the details of the plot of Coco 2 are still scarce, it is expected that the story will pick up the adventures of Miguel, the protagonist of the first film. In addition, it is anticipated that Disney will schedule upcoming releases of other successful classics like Frozen 3, which has been postponed to 2027. This clear strategy of the company aims to ensure box office success by continuing stories that have proven to connect with the audience.

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Disney is going all out: its executives are pushing to acquire a major video game publisher

Bob Iger is at a crossroads: Disney executives are pressuring him to buy a large video game company, whether he wants to or not

Disney has been in the video game industry even before every company wanted to venture into adapting their works. Since the 1980s, they had their own studios, high-budget adaptations, positioning themselves as a powerhouse in the video game world. What’s most intriguing about all of this is that, starting from the 2000s, something changed in their video game policy. They stopped paying much attention, selling off studios and licensing with an unusual disinterest. At least, until now.

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According to Bloomberg, there’s an internal revolution happening at Disney. Executives close to Bob Iger, the company’s CEO, are pressuring him to acquire a major video game publisher. Among the options, the name that resonates the most is EA, proposed by some of these executives.

However, this doesn’t seem like something that will happen quickly or without complications. Bob Iger is in his second term at the helm of Disney, and while the first term was marked by significant acquisitions — he was responsible for purchasing Pixar, Marvel, Lucasfilm, and 21st Century Fox — his second stint is characterized by austerity. Seeking less risky moves, it’s logical that executives are pressuring him, as it’s not the kind of move typically expected from the company’s CEO.

Currently, Disney’s policy is to license its IPs to external companies. Recent examples include their collaborations with Square Enix for Marvel’s Avengers, Ubisoft for Star Wars: Outlaws, or Electronic Arts for the successful Star Wars Jedi titles and the upcoming Black Panther game. The success of these collaborations explains why Disney executives would be pressuring for an acquisition: they could also exploit these licenses for their film section. This raises the question of whether Bob Iger will ultimately succumb to the pressure from the executives. And most importantly, when.

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