Month: October 2026

NVIDIA could use Intel Foveros packaging in 2028: TSMC may still make the GPU dies

GF Securities analyst Jeff Pu says NVIDIA may turn to Intel’s Foveros advanced packaging in the second half of 2028, while Taiwan Semiconductor Manufacturing Co. (TSMC) continues building the main GPU dies on its leading-edge process nodes.

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If that happens, Intel’s role would be at the high end of packaging, not as the company making NVIDIA’s flagship compute dies. The likely job is advanced packaging, plus some non-core silicon around the processor.

For NVIDIA, the appeal is pretty clear. It could take some pressure off TSMC’s packaging capacity, spread supply across more than one partner, reduce bottlenecks, and help support future production ramps. For Intel, landing work like this would give real weight to its IDM 2.0 foundry push, which is all about winning business from outside chip designers.

Foveros matters here because it stacks chiplets vertically on top of a base die. That’s different from Intel’s EMIB approach, which links chips side by side. The upside is denser integration in a smaller footprint, along with faster communication between parts, better power efficiency, and stronger interconnect performance.

Anyone who follows AI chips should keep an eye on this. Earlier rumors in 2026 tied NVIDIA’s Feynman GPUs to Intel’s 14A or 18A process nodes, and other reports had already connected Intel to backend and foundry work for Google accelerators.

Right now, though, there’s no announced deal. Volumes, product names, revenue impact, and even the final structure are still up in the air, so this reads more like a credible industry signal than a finished contract. Still, if it does come together, it would be one of the clearest signs yet that the noise around Intel’s foundry business is starting to turn into actual business.

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High Value Target finale is here: Joel Kinnaman warns on ‘war of choice’

TNT’s eight-episode miniseries High Value Target: The Hunt for Saddam finished its run on October 4, 2026. Drawn from former CIA analyst John Nixon’s memoir Debriefing the President, it closes with a finale that brings the show’s argument about the Iraq War into even sharper focus.

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In the last episode, Joel Kinnaman’s John Nixon goes back to Washington to brief President George W. Bush. Saddam Hussein has already been captured and is left in Iraq to face execution. The finale doesn’t chase a big action payoff. It stays with the aftermath, and with the question of how a “war of choice” gets justified, narrated, and then absorbed. Using Nixon’s memoir Debriefing the President as its foundation, the series turns the 2003 hunt and interrogation into a political argument about the failed search for weapons of mass destruction. Waleed Zuaiter’s layered take on Saddam Hussein gives that argument extra weight, pushing John Nixon past procedure and into history, power, and the ways America misunderstood Iraq.

Kinnaman has said he shaped John Nixon through time spent with the real Nixon, especially Nixon’s devotion to his wife and his position as an Iraq expert the George W. Bush administration sidelined while it pursued a Saddam Hussein-al-Qaeda link. If you’re looking for a historical thriller with a clear point of view, this finale is worth watching, even with critics split on the series and with much mainstream coverage offering only a limited Iraqi perspective. You can watch the series on TNT.

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Space Nation and Kira debut at Mipcom: generative TV hits the market

Ex Machina Studios is bringing two AI-generated TV pilots, Space Nation and Kira, to Mipcom in Cannes this week for their world premieres. K5 Intl. is pitching them to international buyers as finished shows, not tech demos. That alone says a lot about where fully generative TV production now stands: it’s starting to move out of the experiment phase and into the actual global market.

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Both pilots come from Ex Machina Studios, and K5 Intl. is handling worldwide sales. They’re being presented as market-ready series at a moment when Mipcom is putting more attention on production technology across the whole chain, from development to production to distribution.

For buyers, studio executives, and people tracking the streaming business, Cannes will be an early measure of whether generative workflows can make the jump into real commissioning and acquisition conversations. Backers keep pointing to the obvious advantages, lower costs, faster turnaround, and a huge fit for sci-fi and fantasy. The arguments haven’t gone away, though. Jobs, copyright, consent, compensation, and who stays in control are all still being fought over, well after Hollywood’s 2023 labor talks.

Space Nation is an eight-episode alien-invasion series about elite pilots defending Earth. It first screened at Mipcom last year, then went on to secure a co-production deal and Original status in Brazil with Brazilian streamer Globoplay. The creators are Marco Weber and director Martin Weisz. Kira, meanwhile, is a six-part French sci-fi fantasy from Damien Steck and Julien Petit. It follows a girl on a living planet as she searches for her father and tries to restore balance.

If you keep an eye on AI-made entertainment, this week’s launch matters. $1.97 billion in 2024, with projections rising to $20.7 billion by 2034.

For now, both projects are in front of international buyers at Mipcom, and Space Nation already has that Globoplay connection in Brazil.

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Chaar Yaar arrives on Prime Video worldwide: premieres Oct. 23

Prime Video says Chaar Yaar will launch worldwide on Oct. 23 as an eight-episode Hindi original. The story is set in early-2000s Mumbai and centers on four middle-class friends, played by Purav Jha, Naman Jain, Saqib Ayub, and Prayrak Mehta. One desperate choice sends them straight into the criminal underworld, where they run into gangsters, draw police attention, and end up fighting to stay alive.

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The show also blends friendship, ambition, humor, and plenty of twists, according to Prime Video. The supporting cast includes Sai Tamhankar, Sikandar Kher, Dibyendu Bhattacharya, Rajesh Tailang, Chunky Panday, and Bhagavathi Perumal. Vinay Waikul directs, working from scripts by Sambit Mishra and Saurabh Sawant, for Pink Window Production Pvt. Ltd. and BBC Studios India.

If you’re already into Indian crime dramas such as Mirzapur, Paatal Lok, and Delhi Crime, this one looks like an easy add to the watchlist. The early-2000s Mumbai backdrop gives it a distinct flavor, and the setup leans hard on character as much as crime. It also adds to Prime Video’s growing slate of locally rooted originals built to travel, which makes Chaar Yaar look like one of the platform’s bigger fall releases.

Chaar Yaar starts streaming worldwide on Prime Video on Oct. 23.

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George Washington University study predicts when chatbots go rogue

A new chatbot safety study from George Washington University tries to pin down a tricky moment: when a language model stops giving helpful answers and starts drifting into harmful, misleading, or misaligned output.

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The paper traces that drift to a kind of competition inside a transformer attention head. As more context builds up across a conversation, token selection can get pushed into an undesirable “basin” until the model crosses a tipping point. The researchers say that shift might happen after a single harmful prompt, or it might take a longer sequence of careless or openly malicious inputs.

The study also puts forward a formula for estimating how many good responses a model will give before the first bad one shows up. The team tested that formula on seven open-weight transformer models from three groups, ranging from 124 million to 12 billion parameters. Their results matched the predicted pattern of immediate versus delayed tipping behavior. That doesn’t mean developers can predict every real-world failure with exact precision. It does mean they can start studying and measuring these patterns before deployment.

If you use on-device assistants or follow AI security, this one is worth reading. Roughly half the world now carries hardware that can run these models offline, with no cloud guardrails, no live monitoring, and no fast fixes. Breach reports also show that one in four malicious data breaches in 2026 involved generative or machine-learning tools, up 56 percent year over year, with average costs of $6 million. And that’s happening even with projects like OpenAI’s Superalignment Project and Anthropic’s Constitutional AI 2.0 already underway.

You can read the George Washington University paper.

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The Housemaid is now streaming on HBO Max: 2026’s surprise hit arrives

The Housemaid hit HBO Max on October 9, 2026, which means one of the year’s unlikeliest box office smashes is now at home.

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Missed it in theaters? What you’re getting is a 131-minute psychological thriller from Paul Feig, adapted from Freida McFadden’s bestselling novel. Sydney Sweeney, Amanda Seyfried, and Brandon Sklenar lead this glossy, R-rated story about Millie, a recently paroled woman who takes a live-in maid job with the wealthy Winchester family, and watches it curdle into something much darker, fast.

It plays like a pulpy domestic thriller, all manipulation, discomfort, and that big mid-movie perspective shift. Amanda Seyfried’s unhinged Nina and Brandon Sklenar’s polished Andrew do a lot of the heavy lifting when it comes to tension. Critics mostly tagged it as campy, loaded with twists, and reliably fun to watch. A lot of reviews zeroed in on Seyfried. Audiences were clearly on board with the movie’s bigger swings, and by the end of its run it had picked up a Certified Fresh rating on Rotten Tomatoes.

Spoilers travel fast.

So if twisty mainstream thrillers are your thing, this is the kind of movie you’ll want to catch before somebody ruins the turn.

The numbers were big. Made for a reported $35 million, The Housemaid went on to pull in more than $400 million worldwide. A sequel, The Housemaid’s Secret, is already dated for December 17, 2027, with Sydney Sweeney and Paul Feig both coming back.

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You can stream The Housemaid on HBO Max now.

Netflix’s *Animals* is out now: Ben Affleck returns in a new thriller

Netflix has added Animals, a new crime thriller with Ben Affleck directing and starring, and it puts him back in territory he knows well: a slick, high-pressure story driven by tension, pace, and a cast strong enough to carry you through even when the movie falls short of his best work.

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Affleck plays Mark Kimball, a Los Angeles mayoral candidate whose finances are already strained and whose marriage is already starting to crack when his young son is kidnapped. A multimillion-dollar ransom demand leaves Mark and his wife, Abigail, scrambling for options they simply don’t have.

The movie also weaves in money, public image, and political ambition against the backdrop of a heated LA mayoral race. It’s loosely inspired by Akira Kurosawa’s High and Low, and the supporting cast is solid, with Kerry Washington, Steven Yeun, and a much-praised Gillian Anderson as a criminal fixer.

Reviews have been mixed. On Rotten Tomatoes, Animals is sitting at 38 percent with critics praising the performances while arguing that its ideas about class, wealth, politics, and marriage never get the depth they need before the story slides into a conventional ending that grows more melodramatic as it goes.

If you’re in the mood for a polished adult thriller with a strong hook, Animals is an easy one to put on. Just don’t expect another Gone Girl.

You can stream Animals on Netflix now, and it’s also one of the first signs of Netflix’s first-look deal with Artists Equity.

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Dragon Ball Xenoverse 3 is coming in 2027: J-Age replaces Goku

Dragon Ball Xenoverse 3 was announced in April 2025, with a 2027 release lined up for PC, PlayStation 5, and Xbox Series X/S. The reveal also made one thing clear right away: this time, the spotlight isn’t on Goku. It’s on a new protagonist, J-Age. And Bandai Namco didn’t stop at a teaser, either. The game has already had a 7-minute gameplay presentation.

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This one is set in a futuristic West City during AGE 1000, with the story centered on the white-haired Saiyan J-Age and the Great Saiyan Squad. Players will still be able to create their own custom fighter, so Xenoverse isn’t dropping that personal angle. It just sounds like the story is leaning harder into an original setup, which still fits the series’ usual blend of self-insert characters and alternate-history Dragon Ball storylines.

The 7-minute gameplay showing introduced a couple of new systems. Soul Assist lets players call in characters such as Vegeta and Future Trunks. Soul Switch goes further, letting players transform into those characters and use their abilities directly. Reports have also pointed to broader customization options, including a playable Android race.

If you’ve been wanting Xenoverse 3 to do more than run back through the same old Dragon Ball Z arcs, while still keeping the fan-service pull of the classic heroes, this sequel looks like one to keep an eye on, maybe even grab at launch. That feels even more true now that support for Dragon Ball Xenoverse 2 is winding down, and there are also reports tying Akira Toriyama to the world-building and character design.

So, yes: Dragon Ball Xenoverse 3 was first announced in April 2025, it has already received a 7-minute gameplay presentation, and it’s currently expected to arrive on PC, PlayStation 5, and Xbox Series X/S in 2027.

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Bluey’s Happy Snaps arrives on Xbox Game Pass this October: day-one on October 15

Bluey’s Happy Snaps, a new Bluey game from Gameloft Brisbane aimed squarely at families, is coming to Xbox Game Pass on day one on October 15, 2026. According to the announcement, it’ll be available on both console and PC.

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This time, the team isn’t circling back to 2023’s Bluey: The Video Game. Bluey’s Happy Snaps goes in a different direction, built around exploration, photography, and collecting memories in a Pokémon Snap-style setup. You roam open areas as Bluey, take pictures, find small moments and hidden secrets, and piece everything together in a scrapbook.

Bluey: The Video Game got praise for how well it matched the show’s look, tone, and sense of humor, but a lot of reviews also called out how short it was. So a bigger game with more reasons to come back feels like a pretty direct response to that, and Gameloft Brisbane also seems like a strong match for a property that’s so distinctly Australian.

If Game Pass in your house gets used by younger players, this looks like an easy one to pick up. The announcement says you can play solo or in offline co-op, with a second player joining as Bingo. You’re also getting familiar characters, recognizable locations, and easter eggs, with no microtransactions in the mix.

According to the announcement, Bluey’s Happy Snaps will hit Game Pass the same day it goes on sale through the relevant tiers, including Xbox Game Pass Ultimate and PC Game Pass. It joins October additions Echo Weaver and Neon Abyss 2 on October 8 and Valor Mortis on October 13, alongside existing draws such as Battlefield 6.

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Modat warns 8,547 wind and solar systems are now exposed online in Europe

Modat has released a report with the Dutch National Cyber Security Centre (NCSC-NL) that identifies 8,547 internet-facing systems left exposed at wind farms and solar parks across 35 countries in and around the European Union.

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The researchers say those systems shouldn’t be publicly reachable, and even that number is probably on the low side. They counted only the systems they could confidently tie to specific sites. Some of the exposed interfaces were more than simple status pages: login portals, turbine dashboards, live “Start,” “Stop” and “Reset” controls, and even a Siemens ET 200SP PLC web server. At about 181 sites, full control may have been possible.

Most of the exposure came from solar parks, with 7,942 systems across 34 countries. Spain accounted for 2,766, Greece 1,860, Italy 753 and Germany 672, which adds up to 76% of the total. Wind sites made up the other 605 exposures in 23 countries, led by Germany at 212 and Italy at 192. The affected sites ranged from 10 MW to more than 4,500 MW.

The bigger takeaway is straightforward: once a system is online, physical distance doesn’t mean much. Modat says it used machine-learning clustering to sort known and unknown device types quickly. The same remote-access problems and weak OT security keep showing up, some traffic is still unencrypted, and a December 2025 attack hit more than 30 Polish sites. EU regulatory pressure is climbing too, and Lithuania has already started restricting some remote control. If you work in energy or OT security, this report should be on your list. You can get it from Modat and NCSC-NL.

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