We can now see the trailer for '28 Years Later: The Temple of Bones', and you need to have a strong stomach for what's coming

Columbia Pictures has unveiled the first trailer for ’28 Years Later: The Temple of Bones’, the continuation of the iconic saga that began with ’28 Days Later’. Directed by Nia DaCosta, the film is set to be released in theaters on January 16, 2026, and will explore a post-apocalyptic England where not only the infected pose a threat, but also the inhumanity of the survivors. Days, weeks, years, and decades The story follows Spike, played by Alfie Williams, who finds himself in a dark dilemma after encountering Sir Jimmy Crystal, a character portrayed by Jack O’Connell, and […]

Columbia Pictures has unveiled the first trailer for ’28 Years Later: The Temple of Bones’, the continuation of the iconic saga that began with ’28 Days Later’. Directed by Nia DaCosta, the film is set to be released in theaters on January 16, 2026, and will explore a post-apocalyptic England where not only the infected pose a threat, but also the inhumanity of the survivors.

Days, weeks, years, and decades

The story follows Spike, played by Alfie Williams, who finds himself in a dark dilemma after encountering Sir Jimmy Crystal, a character portrayed by Jack O’Connell, and his group of acrobatic assassins. On the other hand, Dr. Kelson, played by Ralph Fiennes, faces an unexpected relationship that could have global consequences. The official synopsis highlights that the infected are no longer the greatest threat to survival, suggesting a disturbing return to human nature in times of desperation.

The film will also feature the participation of Emma Laird, Maura Bird, Erin Kellyman, and Chi Lewis-Parry, thus expanding its cast. One of the most anticipated moments is the brief appearance of Cillian Murphy, who reprises his iconic role as Jim; however, his participation will be limited. According to Danny Boyle, director of the first installment and executive producer of this new entry, the character will have a fundamental role in the third part of the trilogy.

The script is by Alex Garland, and the collaboration between Columbia Pictures, DNA Films, and Decibel Films promises a production that combines elements of horror and psychological exploration. This new cinematic adventure seeks not only to continue the story but also to explore the depths of human nature in extreme situations, a recurring theme in the universe of ’28 Days Later’.

It offers a personal perspective on the trauma of war and is now available on Amazon Prime Video

The film ‘Warfare. Time of War’, directed by Alex Garland and the veteran of the Iraq intervention Ray Mendoza, explores the anguish of armed conflict from a personal perspective, following a platoon of American marines during an infiltration mission in Iraqi territory. The narrative focuses on the violence and devastation faced by the characters, sidelining the motivations of the attackers and the owners of the raided house, which has sparked criticism among some analysts who demand a clearer observation of the geopolitical reality behind the conflict. What lies behind […]

The film ‘Warfare. Time of War’, directed by Alex Garland and the veteran of the Iraq intervention Ray Mendoza, explores the anguish of armed conflict from a personal perspective, following a platoon of U.S. Marines during an infiltration mission in Iraqi territory. The narrative focuses on the violence and devastation faced by the characters, sidelining the motivations of the attackers and the owners of the raided house, which has sparked criticism among some analysts who demand a clearer observation of the geopolitical reality behind the conflict.

What is behind the war

Garland, known for his visual and sensory style, chooses to present the story in a way that allows the viewer to interpret it through experiential engagement, without offering direct critiques on geopolitics. This narrative choice may dilute the understanding of external issues, such as the history of the place and the motivations behind acts of violence, which has become a recurring theme in contemporary war cinema, especially in representations of recent conflicts that invoke a very marked critical perception.

The film strives to faithfully reflect the experiences of Mendoza and his companions, but in doing so, it risks losing necessary nuances for a deeper critique of the conflict. Nevertheless, the emotional and subjective approach that Garland manages to create resonates with viewers, providing a harrowing experience that leads them to question the appropriateness of being in the midst of such a struggle. ‘Warfare’ reminds us that the stories told on the battlefield are also human stories, but at times, the truth behind their motivations may remain hidden.

‘Warfare. Time of War’ is now available for streaming on Amazon Prime Video.