That time when Disney created an attraction based on Julio Verne, it was a success, it saved an amusement park… And then they removed it

For a long time, the golden vacations in Europe (at least for families with children) have been going to Disneyland Paris, a park that opened on April 12, 1992 with the name Euro Disney and that was on the verge of closing many more times than most people believe. However, there was one attraction, almost alone, that managed to get it out of absolute bankruptcy. It was innovative, incredible, and original. Its reward was to be replaced. That’s how things are in amusement parks.

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Oh la la! The Disney!

Do you remember that episode of The Simpsons where an employee of Itchy & Scratchy Land is completely alone and says ‘We’re open?’ It wasn’t far from reality: in 1994, only two years after its opening, there were already rumors that the park was going to close due to bankruptcy, and even Disney was considering leaving it in the hands of the banks that were investing to save it from disaster.

During its opening month, the park and hotels were expecting 60,000 visitors, but only 25,000 showed up, resulting in a loss of 300 million francs at the time (equivalent to about 87 million euros today, accounting for inflation). By 1994, the debt had already reached 3 billion. The management had no idea how to reverse the situation until they decided to fulfill one of the engineers’ initial dreams: the Parisian Space Mountain.

Originally, in the concept of Euro Disney, the designers wanted to create a gigantic tribute to Jules Verne and his novels with a large pyramid in which there would be a version of the Nautilus (from 20,000 Leagues Under the Sea), a roller coaster based on Journey to the Center of the Earth, and of course, a Space Mountain that would remind us of one of the most influential works in the history of science fiction: From the Earth to the Moon.

Julio Verne, Disney princess

It’s hard to imagine, nowadays, that Disney decided to open an attraction that didn’t have any of its characters as the protagonist, but Tim Delaney had the insight to see that if George Méliès could revolutionize cinema based on that story for his masterpiece, A Trip to the Moon, he could also do it with Disneyland Paris.

From the Earth to the Moon cost 89.7 million dollars, but it was money well spent: at that time, it became the tallest and fastest Space Mountain among all Disney parks, and it allowed the launch to be seen from the outside with smoke, making those still in line want to ride it. It reached speeds of up to 71 kilometers per hour, offered three different loops, and broke all the molds by offering a soundtrack that suited what was happening at each moment, composed by Steve Bramson.

In fact, it worked so well and was so innovative that the rest of roller coasters around the world started to copy it. The attraction itself was spectacular and the ride was magical, including a representation of Jules Verne and even the smiling moon. It was such a success that, for the first time, Disneyland made profits in 1995 and attendance increased from 8.8 million people per year to 10.7 million. They were saved. And all thanks to Jules Verne, who would have thought?

From the moon to crashing into Earth

Julio Verne’s dream lasted ten years at Disneyland Paris, until in 2005 they removed all references to the writer to create Space Mountain: Mission 2, which changed the happy moon for a supernova and took visitors to the far reaches of space. But it wasn’t as well received: the public wanted the classic version back, including the soundtrack, which was replaced here by one by Michael Giacchino.

In 2017, the Victorian theme was finally discarded with its remodeling as Star Wars: Hyperspace Mountain, gaining strength with its franchises. The soundtrack became a remix of John Williams’ themes, the planets and supernovas were now Star Wars ships, and Jules Verne was replaced by… Admiral Ackbar. There are no plans to bring back From the Earth to the Moon despite having saved the entire park. Sadly, times are changing.

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Do you remember the Gargoyles series? Now the video game returns just as you remember it

Gargoyles, the famous animated series from the 90s, returns in the form of a remastering of its Megadrive video game that looks spectacular.

Some works manage to transcend and become generational. These are works that define a generation and are remembered by a large part of the people who lived during the time of their creation, either directly or indirectly, due to the significant impact they had on culture. It doesn’t matter if they had or didn’t have a later impact on culture or other generations. If a work had a significant impact on a generation, that’s enough to make it generational. And that’s the case with Gargoyles, mythological heroes.

The legendary animated series from Disney, created by Frank Paur and Greg Weisman, is a series that many people hold dear for obvious reasons. Based on Arthurian myths and the works of Shakespeare, it created a unique universe of gothic horror suitable for children. It even made its way to consoles in 1995 in the form of a more than competent action platformer for the SEGA Mega Drive.

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Now Disney announces an HD remaster of this classic. Available on October 19th, with versions for Nintendo Switch, Xbox One, PlayStation 4, and PC, it will be sold in digital format for a price of 14.99 euros.

The game’s main attraction is, as it couldn’t be otherwise, a profound change in the graphics. With a cell-shaded style that strongly resembles the animated series, the game looks absolutely stunning. But that’s not all it includes. With a button to switch between the new and original graphics at any time, the instant rewind feature, and quality-of-life improvements, it promises to be the definitive version of this SEGA Mega Drive generational classic.

Furthermore, if you want to have it in physical form, you’re in luck: Limited Run has announced that they will publish three physical editions. The standard edition, which includes only the game, will cost $34.99. The classic edition, which comes in a special VHS box and includes a steelbook, will cost $69.99. And the collector’s edition, in addition to everything mentioned above, will contain a larger box that plays phrases from actor Keith David, who voiced the series protagonist Goliath, a certificate of authenticity, a pin, and a Goliath figure. Reservations for all these editions have already opened and will close on October 22nd.

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Cosmic Crossover: The Marvel Heroes Making a Splash in Guardians of the Galaxy Vol. 3

In addition to his unmistakable cameos, Guardians of the Galaxy Volume 3 introduces us to new heroes that will be key in the future phases of Marvel.

Guardians of the Galaxy’ does not disappoint. Marvel scores another great success under the baton of James Gunn, both with audiences and critics. And in this installment, viewers witness the last great adventure of the ramshackle group that has been accompanying us since 2014 (yes, it’s been almost 10 years already).

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As usual in the House of Ideas, during Volume 3 we can find several heroes and characters from Marvel comics. As a good farewell movie, Gunn brings back familiar faces and introduces new heroes as well.

For starters, the film brings its fair share of cameos. One of them is Howard the Duck, who returns to make an appearance after his first appearance in the post-credits scene of ‘Guardians of the Galaxy'(2014). After being freed from the clutches of the Collector we have seen him again in Volume 2 and even in the final battle of Avengers: Endgame.

Unexpectedly, Yondu returns, but as a “vision” from Kraglin’s mind. His presence helps him to master the guided arrow, an extremely dangerous weapon in the right hands. During the film we also see Stakar Ogord and Martinex, part of the original Guardians of the Galaxy.

Who are Adam Warlock and Phyla Vell?

Cameos aside, Volume 3 introduced two new heroes who will be key to the future of the franchise: Adam Warlock and Phyla Vell.

In the case of Adam Warlock, we are talking about a character that was created in 1967 and was first seen alongside the Fantastic Four. In the comics, Adam Warlock was the Enclave’s answer to the search for the perfect human. The intention of this group of researchers was to use Warlock as a powerful weapon of destruction. However, he ends up getting rid of the Enclave and tries to forge a new destiny on the side of the heroes.

On the other hand, Phyla Vell debuts as a future Guardian in Volume 3. Although lesser known, Vell has also been a character in the comics, but not just any character. However, the version of Vell that Gunn presents us with differs from what we have read in the Marvel stories.

who

In the comics, Phyla Vell is another of the multiple versions we’ve had of Captain Marvel throughout her history. Her first appearance dates back to 2003 and is introduced as the daughter of Elysius, a genetically modified lover of Mar-Vell. Phyla Vell’s power is basically to shoot and manipulate energy blasts, among others. In the comics she possessed the Quantum Bands, which transform energy at the stellar level, which is no small feat.

We still don’t know what the future of the MCU will be, nor will we know when the next installment of Guardians of the Galaxy will be released. However, thanks to the end of Volume 3, we can sense that these characters have a long life ahead of them.

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