Tag: críticas de cine

Bruce Willis signs Netflix's latest big hit with a movie… from 1993

Bruce Willis, who has been away from the film industry due to his recent diagnosis of aphasia, has shown that his legacy endures despite his retirement. The movie Mortal Pursuit, released in 1993 and known in English as Striking Distance, has unexpectedly resurfaced on the streaming platform Netflix, ranking as the number 1 film in 14 countries, which has surprised both critics and fans. Bruce Willis continues to dominate even without new movies Mortal Pursuit tells the story of Tom Hardy, a police officer looked down upon by his colleagues after the arrest of his cousin, a partner […]

Bruce Willis, who has been away from the film industry due to his recent diagnosis of aphasia, has shown that his legacy endures despite his retirement. The movie Persecución mortal, released in 1993 and known in English as Striking Distance, has unexpectedly resurfaced on the streaming platform Netflix, ranking as the number 1 film in 14 countries, which has surprised both critics and fans.

Bruce Willis continues to dominate even without new movies

Deadly Pursuit tells the story of Tom Hardy, a police officer looked down upon by his colleagues after the arrest of his cousin, a corrupt partner. The plot thickens when Hardy faces a dangerous psychopath who, to his dismay, seems to be linked to his own department. Despite its intriguing premise, the film was not well received upon its release, achieving only 20% positive reviews on Rotten Tomatoes. In fact, both Willis and director Rowdy Herrington have expressed disdain for the film, describing it in unflattering terms.

Despite this poor critical performance, Deadly Pursuit proved to be a commercial success, grossing $77 million worldwide against a budget of $30 million. However, for years, it had remained forgotten, far from being considered one of Willis’s standout works. Its new popularity on Netflix highlights how streaming platforms can revive titles that would otherwise have been overlooked.

As Bruce Willis’s fans resign themselves to the fact that there will be no new releases, the unexpected success of Deadly Pursuit reminds us that cinema, even the less recognized, can find new audiences and meanings in the changing context of digital entertainment.

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This Zack Snyder movie has turned 15 years old and is one of his most underrated works

15 years after its release, Sucker Punch, directed by Zack Snyder, has emerged as a renewed topic of discussion, after being misclassified as mere sexual fantasy. Snyder, in a recent interview, describes the film as a proto-feminist satire that addresses empowerment and exploitation in the film industry. However, upon its release, it received harsh criticism, being considered a combination of “masturbatory fantasy” and “exploitative.” A cult work to reclaim The story revolves around Babydoll, played by Emily Browning, who struggles to escape an oppressive environment using her dancing skills. Each […]

15 years after its release, Sucker Punch, directed by Zack Snyder, has emerged as a renewed topic of discussion, after being mischaracterized as mere sexual fantasy. Snyder, in a recent interview, describes the film as a proto-feminist satire that addresses empowerment and exploitation in the film industry. However, upon its release, it received harsh criticism, being considered a combination of “masturbatory fantasy” and “exploitative”.

A cult work to reclaim

The story revolves around Babydoll, played by Emily Browning, who struggles to escape an oppressive environment using her dancing skills. Each dance represents a step towards her emancipation in a world that constantly subjugates her. The film is characterized by its hyper-stylized visual style, combining slow-motion effects and a comic book aesthetic that, according to Snyder, are a means to convey a deeper message of autonomy and female power in a hostile environment.

Despite its rating restrictions, which forced significant narrative changes to fit the PG-13 format, Snyder has expressed his desire to release a director’s cut that captures his original vision. It is argued that Sucker Punch acts as a Trojan horse, as its flashy elements conceal a critique of audience expectations regarding female representation in cinema. This becomes evident in the way Babydoll and her group of allies defeat opponents in fantasy worlds, highlighting their struggle for autonomy even in adverse circumstances.

Over time, many critics have begun to reexamine the film, recognizing its sophisticated social commentary. As its legacy is celebrated, Sucker Punch seems to finally be receiving the recognition and analysis it deserves.

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Wuthering Heights continues to wreak havoc: it has already grossed 150 million dollars at the box office

This weekend has seen a remarkable performance at the global box office, where the film Wuthering Heights, directed by Emerald Fennell, managed to raise 150 million dollars. This gothic romantic drama, based on the famous novel by Emily Brontë, positioned itself as number one in the international market with 26.3 million dollars, standing out for its artistic quality and the author’s vision of its director. A film motivated by controversy Despite its impressive international performance, Wuthering Heights ceded the top spot in North America to GOAT, another film that has captured the public’s attention […]

This weekend has seen a remarkable performance at the global box office, where the film Wuthering Heights, directed by Emerald Fennell, managed to raise 150 million dollars.

This gothic romantic drama, based on the famous novel by Emily Brontë, positioned itself as number one in the international market with 26.3 million dollars, standing out for its artistic quality and the authorial vision of its director.

A movie motivated by controversy

Despite its impressive international performance, Wuthering Heights ceded the top spot in North America to GOAT, another film that has captured the public’s attention and reached a milestone of 100 million dollars in its box office revenue.

This does not diminish the relevance of Fennell’s work, who had previously received praise for her work on Promising Young Woman, as well as for her new interpretation of a literary classic.

The combination of a visionary direction and a script that explores complex themes has allowed Wuthering Heights to resonate with both international and local audiences. Critics have praised not only Fennell’s direction but also the atmosphere she has managed to create, which captures the dark and romantic essence of the original novel.

In summary, the success of Wuthering Heights reinforces the potential of literary adaptations in contemporary cinema, showing that with the right direction, even the most challenging classics can attract modern audiences. As the release season progresses, it will be interesting to see if this trend continues and how other productions will face competition at the box office.

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Kathryn Bigelow reaches number 1 on Netflix with 76 million views on her latest film

The new film by Kathryn Bigelow, titled A House Full of Dynamite, has had an impressive impact on Netflix, accumulating 76 million views and reaching number 1 in 71 countries. Since its release on October 24, the film has led the weekly top of the platform for two weeks, making it one of the biggest successes of the season. A film with a very relevant theme This is Bigelow’s first feature film since Detroit in 2017, and what is notable is that Netflix supported the project from its conception rather than acquiring it afterwards […]

The new film by Kathryn Bigelow, titled A House Full of Dynamite, has had an impressive impact on Netflix, accumulating 76 million views and reaching number 1 in 71 countries. Since its release on October 24, the film has topped the weekly chart of the platform for two weeks, making it one of the biggest successes of the season.

A movie with a very relevant theme

This is Bigelow’s first feature film since Detroit in 2017, and what is remarkable is that Netflix supported the project from its conception rather than acquiring it after its completion, an uncommon strategy for the corporation. A house full of dynamite was presented worldwide at the Venice Film Festival, although its limited run in theaters did not manage to generate Oscar nominations, despite high expectations.

The film has sparked mixed opinions among critics and audiences. The ending has generated debate, with iconic filmmaker James Cameron defending Bigelow’s decision, stating that it was the only possible one for the narrative. However, these controversies have been overshadowed by complaints from the Pentagon, which criticized the unrealistic portrayal of nuclear bomb interceptors in the plot. Screenwriter Noah Oppenheim responded, stating that he respectfully disagreed.

Despite the controversies, A House Full of Dynamite offers a unique cinematic experience by exploring multiple reactions to a nuclear threat, through a script that, although not perfectly rounded, manages to capture the tension of the situation. The cast, made up of familiar faces, aligns with Bigelow’s vision, making this film one of the most prominent in Netflix’s repertoire. Undoubtedly, it has managed to position itself as one of the most interesting proposals in recent years on the platform.

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Arnold Schwarzenegger arrives on Netflix with one of his most unjust failures

The science fiction movie The Sixth Day, starring Arnold Schwarzenegger, returns to the Netflix catalog in Spain. This reappearance constitutes a second chance for a film that was a notable box office failure upon its release in 2000, grossing only $34.6 million in the U.S. and $61.4 million worldwide, against a production cost of $82 million, which highlighted an alarming difference between investment and return. A movie with the possibility of redemption The Sixth Day, in which Schwarzenegger plays an ordinary man caught in a complex […]

The science fiction movie The Sixth Day, starring Arnold Schwarzenegger, returns to the Netflix catalog in Spain. This reappearance constitutes a second chance for a film that was a notable box office failure upon its release in 2000, grossing only $34.6 million in the U.S. and $61.4 million worldwide, against a production cost of $82 million, which highlighted an alarming difference between investment and return.

A movie with the possibility of redemption

On the sixth day, in which Schwarzenegger plays a normal man caught in a complex dilemma related to cloning, it did not fit the action image that the public expected from the actor. The reviews were lukewarm, with a rating of 40% on Rotten Tomatoes, reflecting the unenthusiastic reception from both audiences and critics alike. This work came at a delicate time for Schwarzenegger’s career, who was coming off previous failures like Batman & Robin and End of Days. The pressure for a success was evident.

Throughout the promotion, director Roger Spottiswoode emphasized that, although Schwarzenegger was known for his macho image, he also had a reflective side that he sought to showcase in the film. However, the final result not only left critics dissatisfied, but also led the star to be nominated for several Razzie awards, which recognize the worst in cinema.

As the new month arrives, its inclusion on Netflix generates interest about whether The Sixth Day will be able to rise from the shadows of its history or if, on the contrary, it will fade back into oblivion, given the context of other failures of Schwarzenegger on the platform. Time will tell if this old title manages to capture the attention of new viewers or if it will be relegated to being a mere memory of his career.

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If you think you know the superhero movie that has failed the most spectacularly, think again: it grossed 12 million dollars costing 75

The superhero cinema has dominated Hollywood for decades, but its record is not without notable failures. One of the most remarkable is Zoom and the Super Pets, released in 2006, which stands as the biggest disaster of the genre, with a box office of only 12.5 million dollars against a budget of 75 million. This film, starring Tim Allen and a recognizable cast like Courteney Cox and Chevy Chase, collapsed at the box office and lost 69 million, an economic debacle that represents an astonishing 92% loss compared to its investment. An absolute failure in […]

The superhero cinema has dominated Hollywood for decades, but its history is not without notable failures. One of the most remarkable is Zoom and the Super Pets, released in 2006, which stands as the biggest disaster of the genre, grossing only $12.5 million against a budget of $75 million. This film, starring Tim Allen and a recognizable cast including Courteney Cox and Chevy Chase, collapsed at the box office and lost $69 million, an economic debacle that represents an astonishing 92% loss on its investment.

An absolute failure on all fronts

Despite having elements that promised success, such as a high budget and Allen’s popularity, the film failed to resonate with the audience. Released on August 11, 2006, Captain Zoom barely made it into the top 10 during its opening, quickly sinking into irrelevance. The reviews were ruthless, achieving a dismal 5% positive ratings on Rotten Tomatoes and a score of 4.4 on IMDb.

The plot revolves around a declining superhero who tries to help children with special abilities. Although on paper it promised an entertaining family adventure, it failed to connect with the audience. Its lack of originality and poor character development were decisive in the public’s disinterest.

Nowadays, the movie is so forgotten that it is not available on any streaming platform in Spain, which exemplifies its almost total disappearance from collective memory. As superhero cinema faces new challenges, the memory of Captain Zoom serves as a lesson about the risks of relying on tried-and-true formulas without innovation.

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