Everyone thinks that 'Euphoria' is an original series, but in reality, it is just a remake

It seemed like it would never arrive, but the third season of Euphoria has finally premiered, with Zendaya more at the peak of her game than ever and rumors of tension between her and Sydney Sweeney (apparently due to jealousy over Tom Holland). As always, the new episodes of the series have presented chaos, love, sex, madness, broken characters, and drugs, a cocktail that has been working perfectly since its premiere back in 2019. Well, or that’s what HBO has made us believe, completely hiding a reality that screams: Euphoria is not created […]

It seemed like it would never arrive, but the third season of Euphoria has finally premiered, with Zendaya more at the peak of her game than ever and rumors of tension between her and Sydney Sweeney (apparently due to jealousy over Tom Holland). As always, the new episodes of the series have presented chaos, love, sex, madness, broken characters, and drugs, a cocktail that has been working perfectly since its premiere back in 2019. Well, or that’s what HBO has made us believe, completely hiding a reality that screams: Euphoria was not created by Sam Levinson nor is it a completely original idea: in fact, it is a remake.

Euphoria Dysphoria

Seven years before the premiere of Euphoria on HBO, the Israeli channel Hot 3 premiered, well… Euphoria, a series created by Ron Leshem, Dafna Levin, and Timira Yardeni that aired from November 30, 2012, to February 1, 2013 causing all kinds of controversies along the way. If you have seen the American series, you already know that its protagonists navigate a path of loss, drug addiction, and sex, and the Israeli Programming Council did not like it at all. In fact, they disliked it so much that they ordered it to be removed due to public scandal.

In all honesty, they ended up doing it, but through the back door: after just one season and some not-so-good reviews, it was canceled without hesitation. After all, it didn’t have great success, partly because it aired in a very difficult time slot to build a community. In any case, its 10 episodes became a full cult, thanks to dialogues like this: “When you were seven, people jumped from the Twin Towers live. And it was repulsive, and exciting, and logical. Parents have drowned their children. Children have stabbed their parents. So at seven, you get hooked on the news. And then you feed on that. What could shock you when you’re eight?”. Imagine, for the time and in a society as enclosed as Israeli society, what that could have meant.

Using the British Skins as a basis (a fantastic series in every way, at least in its first two seasons), Euphoria aimed to show a reality that the media refused to portray in Israel. Shortly after its cancellation, Sam Levinson had a meeting with HBO to adapt it for the American market. However, he wanted to understand exactly what was appealing to the network, so they were very honest with him: the raw and honest portrayal of drugs and being young. “I started talking about my personal story with drugs. I was an addict for many years and now I’m clean. Then they said ‘Okay, write that'”, Levinson recounted.

Levinson did not copy Euphoria exactly, but he did create several parallels between the stories of the Israeli version and the new ones he specifically created for the United States. What’s the result? You know it all too well: three successful seasons on HBO, while the original can’t even be seen on a streaming platform, condemned to oblivion. That said, its creators can be happy, because they have made a fortune: in addition to Rue, Euphoria had its German version in 2025, although it wasn’t exactly a hit: in fact, it was seen as a plagiarism of the American one… Just without Zendaya in the mix. And whether you like it or not, it loses something.

So now you know: the next time you watch Euphoria, remember that, somewhere, its original version, forgotten by everyone, seems to remind us that this is and has always been a tale of the rich and the poor, of lucky people and those who are not. Of the United States and the rest.

The creators of Dark are preparing a new series more disturbing than you can imagine

The series 1899, created by Baran bo Odar and Jantje Friese, has been canceled after its first season, marking a new setback for the creators of the acclaimed series Dark. Despite reaching iconic status on Netflix, the filmmakers’ recent attempts with their new fiction have not achieved the same success. The cancellation of 1899 follows the stalled adaptation of Something is Killing the Children, announced in February 2023, which has not progressed since then. The darker tales However, the creators seem to have found a new direction, changing platforms and […]

The series 1899, created by Baran bo Odar and Jantje Friese, has been canceled after its first season, marking another setback for the creators of the acclaimed series Dark. Despite achieving iconic status on Netflix, the filmmakers’ recent attempts with their new fiction have not met with the same success. The cancellation of 1899 follows the stalled adaptation of There’s Something Killing the Children, announced in February 2023, which has not progressed since then.

The Darkest Tales

However, the creators seem to have found a new direction, changing platforms and launching an ambitious project for HBO. This time, Odar and Friese are adapting Struwwelpeter, a children’s work written by Heinrich Hoffmann in 1854, known for its disturbing content. The new series will transform the ten stories from the book into a modern thriller, exploring themes such as punishment and forgiveness through the story of an investigator facing ritual murders inspired by these dark narratives.

The approach of the series promises to be dramatically different from the original material, which already addressed disturbing issues such as violence and racism, often through allegory. Each of the tales will be reinterpreted to articulate a family plot that delves into the cruelty of reality, moving away from children’s stories. For example, one of the tales narrates how a dirty and lazy boy is exiled for his lack of hygiene, while another recounts the violent consequences faced by those who mock others for their appearance.

Unlike their previous project that remained in the development phase, the new approach to Struwwelpeter is already in the production process. We are looking forward to seeing what they are capable of doing with this material.

'Game of Thrones' will jump from television to cinema thanks to the writer of the best 'Star Wars' series

Warner Bros. is developing a movie based on the acclaimed universe of Game of Thrones, a news that has generated great excitement among fans of the saga. The project is being written by Beau Willimon, known for his work on acclaimed series like House of Cards and Andor. According to reports from Page Six, Willimon has already submitted a draft of the movie, although there is still no clarity on whether the project will move forward or what stage it is currently in. The Seven Kingdoms on a grand scale Since Game of Thrones concluded in 2019, interest in […]

Warner Bros. is developing a movie based on the acclaimed Game of Thrones universe, a news that has generated great excitement among fans of the saga. The project is being written by Beau Willimon, known for his work on acclaimed series such as House of Cards and Andor. According to reports from Page Six, Willimon has already submitted a draft of the movie, although there is still no clarity on whether the project will move forward or what stage it is currently in.

The Seven Kingdoms in a big way

Since Game of Thrones concluded in 2019, interest in the world of Westeros has not diminished. The successful HBO series left a complex legacy and numerous loose ends that could be explored in a cinematic format. With Willimon at the helm of the script, fans hope that the movie captures the political intrigue and rich narrative that characterize the original series.

Despite the excitement, details about the production of the movie remain scarce. According to sources, Warner Bros. has not yet made a final decision regarding the project’s fate. Industry rumors suggest that the studio is assessing the commercial impact of other ongoing adaptations related to Game of Thrones, as well as the audience’s reception of the upcoming spin-off series from the franchise.

The interest in the saga continues to grow, especially after the success of series like House of the Dragon. However, this new movie may offer a fresh perspective and expand the narrative universe in new directions. As more details are revealed, fans will be eagerly awaiting any updates on this film project that promises to bring back great moments of intrigue, betrayal, and, of course, power struggles in the Seven Kingdoms.

Paramount and HBO Max will merge, but the HBO brand will remain independent

Paramount has announced plans to merge HBO Max with its streaming platform Paramount+, highlighting its intention to keep the HBO brand operating independently. This merger aims to reach a combined audience of over 200 million Direct to Consumer subscribers, which could position the company to compete more effectively with the giants of the streaming industry. Equitable commitments David Ellison, CEO of Paramount, stated that while the two services will integrate, HBO will continue to develop and program its content without direct oversight from Paramount executives. Our opinion is […]

Paramount has announced plans to merge HBO Max with its streaming platform Paramount+, highlighting its intention to keep the HBO brand operating independently. This merger aims to reach a combined audience of over 200 million Direct to Consumer subscribers, which could position the company to compete more effectively with the giants of the streaming industry.

Equitable commitments

David Ellison, CEO of Paramount, stated that although the two services will be integrated, HBO will continue to develop and program its content without the direct oversight of Paramount executives. Our view is that HBO should remain HBO. They built a phenomenal brand and are leaders in the industry, Ellison explained. The focus is that by unifying the platforms, high-quality content can reach a broader audience.

Regarding its film commitments, Paramount has committed to releasing a total of 30 movies a year, splitting the load between 15 movies from Warner Bros. and 15 from Paramount. Ellison emphasized the importance of theatrical releases, stating that we truly believe that movies should be seen in theaters. However, the recent track record of theatrical releases raises questions about the viability of maintaining this commitment, especially considering that in 2025, Paramount only released eight movies and Warner Bros. eleven.

The recent acquisition of Warner Bros. Discovery by Paramount, for an impressive amount of 110 billion dollars, adds another layer of complexity in an acquisition environment in the entertainment industry that has seen significant moves, such as Disney’s purchase of 20th Century Fox. Director Christopher Nolan, president of the Directors Guild of America (DGA), warned that, although there are encouraging signs, firm commitments are still needed to ensure a robust future for theatrical releases.

Cillian Murphy completely denies the possibility of playing Voldemort in the HBO series

The HBO series based on the world of Harry Potter is causing a stir, especially regarding the casting of the iconic character Voldemort. Ralph Fiennes, who portrayed the villain in the films, set a high standard that future actors will have to meet. However, one of the names that has resonated in discussions, Cillian Murphy, has categorically clarified that he will not be involved in the project. No doubt about it In a recent interview with the British media The Times, Murphy firmly responded to the possibility of embodying Harry Potter’s antagonist, stating: Categorically […]

The HBO series based on the world of Harry Potter is causing a stir, especially regarding the casting of the iconic character Voldemort. Ralph Fiennes, who portrayed the villain in the films, set a high standard that future actors will have to meet. However, one of the names that has resonated in discussions, Cillian Murphy, has categorically clarified that he will not be involved in the project.

No type of doubt

In a recent interview with the British media The Times, Murphy firmly responded to the possibility of embodying the antagonist of Harry Potter, stating: Categorically no. Can you put that as a headline? His decision not to participate in the franchise aligns with his desire to lead a quieter life, away from the big spectacle that comes with being part of a cultural phenomenon like Harry Potter.

Murphy, known for being a reserved figure and not fond of media attention, expressed that he has the privilege of choosing the roles he wishes to play, which reinforces his decision to distance himself from major franchises. This stance has been well received by his followers, who appreciate his authenticity and dedication to roles that truly interest him.

Additionally, debates have arisen about the commercial success of the Harry Potter films. Although they generated millions at the box office, some analyses suggest that certain installments were considered commercial failures in terms of established expectations. This perspective adds a layer of complexity to the anticipation for this new series, which will have to deal with the enormous shadow of its predecessors.

With the casting of Voldemort still up in the air, we will continue to ask who will be the next actor to take on the significant role of one of the most famous villains in world literature.