'Star Trek' would not exist if it weren't for the most iconic sitcom in television history

There may be no saga like Star Trek. Born in 1966, six decades later it continues to come in strong and conquer new fans, always going where no man has gone before. And the credit is usually given exclusively to Gene Roddenberry, who conceived the original series. But things are never that easy: Roddenberry had to go to all the television studios of the time and only received continuous rejections. In fact, CBS passed on it to give its slot in the programming to Lost in Space, and NBC only accepted because they toned down the science fiction theme […]

There may be no saga like Star Trek. Born in 1966, six decades later it continues to enter strongly and conquer new fans, always going where no man has gone before. And the credit is usually given exclusively to Gene Roddenberry, who conceived the original series. But things are never that easy: Roddenberry had to visit all the television studios of the time and only received continuous rejections. In fact, CBS passed on it to give its slot in the programming to Lost in Space, and NBC only accepted because they toned down the science fiction theme and promised them it would have western elements. But, really, there is another person even more important than Roddenberry in this story: Lucille Ball.

I love Spocky

To trace the beginnings of Star Trek, we must go back to 1951, when the United States met (and fell in love with) Lucille Ball, or as she was known for years, Lucy. The comedian starred in 180 episodes of I Love Lucy, one of the original sitcoms and probably the most successful in history: even now, so many years later, it still attracts 40 million viewers annually. The sitcom showcased the love story between Lucy and Ricky, or in other words, between Lucille Ball and Desi Arnaz, a couple both on and off the screen (more tumultuous in real life, to be fair).

The series was created by the actors’ own production company, Desilu, which continued to be called that even after they divorced when it ended. Arnaz left his position as president in 1962, which was taken over by his ex-wife, who was willing to make many changes with the money and fame that I Love Lucy had left her. However, everything she created failed, except for the derivatives of her series, like The Lucy Show. However, just the year before selling her company to Gulf+Western, the actress, star, and businesswoman managed to land two consecutive hits: Mission Impossible and, of course… Star Trek.

By the way: Lucille Ball couldn’t care less about Star Trek and was not familiar with its plot or what they wanted to do, but without her presence at the forefront, a project like this would never have been approved and sold. The unexpected part was that they were about to cancel the series just before airing its first episode because at Desilu, which was on the brink of bankruptcy, they were afraid of moving from half-hour series to two very expensive hour-long ones. Herbert F. Sollow, the production director, was able to convince Ball to continue investing in them, and seeing that we are still talking about both today, it can be said that they hit the mark.

That said: the series was never meant for success, and they were about to cancel it in 1967, if it weren’t for the fact that its main audience was young people, exactly what advertising companies were looking for. The rest you already know: Rodenberry ended up making a fortune with Star Trek and, apart from five movies that no one remembers, the rest of his life was dedicated to the Enterprise in a thousand and one different ways.

For her part, Lucille Ball has gone down in history as the first great businesswoman in the industry, who did not stop working until very shortly before her death in 1989. In fact, in 1986 she premiered Life with Lucy, a new installment of her character, now as a 74-year-old grandmother. A whole life dedicated to television, to comedy, and, why not say it, to making Star Trek see the light. A great.

'Star Trek' has fixed one of its biggest problems in the most unexpected way

With the release of the new IDW comic, Star Trek: The Last Starship, the Star Trek narrative expands into the 32nd century and beyond, addressing key previously unexplored events in the franchise’s timeline. This comic, published on September 24, 2025, is set in the context following the cataclysm known as the Burn, which collapsed the Federation in the early 32nd century, a mysterious event that had remained as an unseen prologue in Star Trek: Discovery. Fixing the unfixable In The Last Starship, readers see how the starship Sagan attempts […]

With the release of the new IDW comic, Star Trek: The Last Starship, the narrative of Star Trek expands into the 32nd century and beyond, addressing key events previously unexplored in the franchise’s timeline. This comic, published on September 24, 2025, is set in the context following the cataclysm known as the Burn, which collapsed the Federation in the early 32nd century, a mysterious event that had remained as an unseen prologue in Star Trek: Discovery.

Fixing the Unfixable

In The Last Starship, readers see how the starship Sagan attempts to intervene in a peace negotiation with the Gorn, only for the dilithium in the cores of their ships to destabilize, leading the galaxy into chaos. This comic not only explores the immediate consequences of the Burn but also provides a new perspective that intensifies the fear of this cataclysmic event, connecting the dots that Discovery had left vague.

Another notable aspect is the return of Queen Borg embodied by Agnes Jurati, whose appearance adds new layers to the plot. In an unexpected twist, Jurati uses Borg technology to help the Federation while reviving the iconic Captain James T. Kirk, who had died in Star Trek Generations. This resurgence not only connects past and present events but also represents a significant canonical shift, implying that the resurrected Kirk could be a younger version of himself, reconfiguring the history of the Federation in the 31st century.

The Last Ship positions itself as a bold narrative that integrates various elements of the Star Trek canon, from Star Trek: Picard to the iconic figures of its history, underpinning the rich and vast narrative of the Trek universe, while raising questions about its future.

Simon Pegg gives us hope and believes that with the new director, Paramount's Star Trek 4 could see the light

The future of the Star Trek franchise could be receiving a new boost thanks to the recent acquisition of Paramount by Skydance. Simon Pegg, who played Montgomery ‘Scotty’ Scott in the trilogy, revealed at a recent convention that the new president of Paramount, David Ellison, is a big fan of Star Trek. This enthusiasm could be a sign that the studio is willing to move forward with the production of a new movie, as Ellison cares about the series. A big fan of Star Trek, Pegg expressed his desire to reunite the original cast, especially remembering […]

The future of the Star Trek franchise could be receiving a new boost thanks to the recent acquisition of Paramount by Skydance. Simon Pegg, who played Montgomery ‘Scotty’ Scott in the trilogy, revealed at a recent convention that the new president of Paramount, David Ellison, is a big fan of Star Trek. This enthusiasm could be a sign that the studio is willing to move forward with the production of a new movie, as Ellison cares about the series.

Very much a fan of Star Trek

Pegg expressed his desire to reunite the original cast, especially remembering the late Anton Yelchin, who played Pavel Chekov. It would be wonderful to get together again, Pegg commented, adding that it would be interesting to see how the characters have evolved ten years after the last mission. Since their last appearance in Star Trek: Beyond in 2016, the project for a fourth installment has faced multiple creative setbacks.

In more hopeful news, writer Steve Yockey has been assigned to develop the script for Star Trek 4. This marks a good start for the plans to reboot the film saga, although Chris Pine, one of the main actors, has mentioned that he has not yet seen any script, suggesting that production is in a preliminary stage.

The franchise is also expanding into television, with the third season of Star Trek: Strange New Worlds now available. Additionally, a new series, Star Trek: Starfleet Academy, has been announced and is scheduled to premiere in early 2026. Another movie is also in development under the direction of Toby Haynes, which will offer an origin story set decades before the events of the reboot.