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The Fantastic Four is a box office hit, but Superman's record remains intact

The movie The Fantastic Four: First Steps has had a notable debut, grossing 218 million dollars in its opening weekend. This figure is split between 118 million from the North American box office and 100 million from the international market. However, this revenue did not surpass the record of 220 million set by Superman, also released in 2025. With this result, The Fantastic Four positions itself as the highest-grossing Marvel movie of the year, despite the slowdown that has affected other franchise productions, such as Captain America: Brave New World and Thunderbolts. Marvel […]

The movie The Fantastic Four: First Steps has had a remarkable debut, grossing 218 million dollars in its opening weekend. This figure is split between 118 million from the North American box office and 100 million from the international market. However, this revenue did not surpass the record of 220 million set by Superman, also released in 2025. With this result, The Fantastic Four positions itself as the highest-grossing Marvel movie of the year, despite the slowdown that has affected other franchise productions, such as Captain America: Brave New World and Thunderbolts.

Marvel VS DC

Despite this promising start, The Fantastic Four still faces challenges. Its budget of 200 million dollars makes it one of the most expensive productions of the year, although 25 million cheaper than Superman.

In contrast, Superman has accumulated a worldwide gross of $502.7 million to date, with projections suggesting it could surpass $600 million, although reaching $700 million seems challenging. This film, directed by James Gunn, aims to relaunch the tarnished DC brand, a monumental challenge given the current context.

The immediate future of The Fantastic Four looks promising for the box office, while Superman’s legacy could be assessed not only by its earnings but also by its ability to revitalize the DC cinematic universe.

Superman dominates the box office in the US, but struggles in the international arena

Superman has maintained its leadership position at the national box office for the past two weeks, accumulating an impressive figure of $253 million since its release on July 8. However, the film that has captivated the American audience seems to have uneven performance internationally, where it has grossed $173 million. This discrepancy has been the subject of analysis in the film world, especially by the leaders of DC Studios. Superman, too American? James Gunn, director and co-CEO of the company, commented on the situation at a recent conference, praising the national success of the […]

Superman has maintained its leading position at the national box office for the past two weeks, accumulating an impressive figure of $253 million since its release on July 8. However, the film that has captivated the American audience seems to have uneven performance internationally, where it has grossed $173 million. This discrepancy has been the subject of analysis in the film world, especially by the leaders of DC Studios.

Superman, too American?

James Gunn, director and co-CEO of the company, commented on the situation at a recent conference, praising the national success of the film but also highlighting the challenge posed by its limited acceptance in the foreign market. “We are very pleased with the performance in the local market, but the fact that it does not translate in the same way internationally is a point to reflect on,” Gunn stated, hinting that there may be factors at play affecting the global reception of the film.

The difference of $80 million between domestic and international revenues has led various analysts to speculate about the possible reasons behind this gap. Some suggest that the strong cultural connection of the character with the American audience may not resonate in the same way in other countries. Additionally, competition with other film productions abroad could be influencing international box office results.

As Superman continues to attract viewers in his home country, attention is now focused on how he could improve his performance in international markets, which are crucial for the success of major franchises. Gunn and his team are reviewing strategies to address this situation, and the coming months will be key for Superman’s future at the global box office.

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The latest movie of Guardians of the Night is a hit at the Japanese box office

Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle has made an impressive debut in Japan since its release on July 18, breaking box office records in the process. The film, distributed by Toho and backed by Aniplex, a company of the Sony group, managed to raise JPY1.65 billion (approximately $11.13 million) in its first weekend, selling 1,155,637 tickets. A franchise whose success endures over time This success is not only significant at the national level but has also had a notable impact on the global film market, driving a great weekend for […]

Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle has made an impressive debut in Japan since its release on July 18, breaking box office records in the process. The film, distributed by Toho and backed by Aniplex, a company of the Sony group, managed to earn JPY1.65 billion (approximately $11.13 million) in its first weekend, selling 1,155,637 tickets.

A franchise whose success endures over time

This success is not only significant at the national level, but it has also had a notable impact on the global film market, driving a great weekend for Imax. The popularity of Demon Slayer has proven to be a lasting phenomenon since its initial release in 2019, and this new installment seems to be following the same path of success. In an ecosystem where animated films compete intensely for the audience’s attention, Infinity Castle stands out as a milestone within the genre.

Since its release, it has been evident that Infinity Castle attracted a large number of fans, both old and new, securing its place not only in the history of the Japanese box office but also in that of animated cinema. However, the context of the pandemic has made box office success these days have its own particularities, making every revenue figure a significant achievement.

With the power of social media and the fervor of the fan community, box office numbers are expected to continue growing in the coming weeks. As the film world watches the movements at the box office, Demon Slayer reaffirms its dominance and establishes itself as a benchmark in contemporary pop culture.

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The impressive premiere of Superman is overshadowed by poor results in China

The new Superman movie, directed by James Gunn, has achieved an impressive box office start, setting a record for the best opening for a solo film of the iconic superhero, surpassing the debut of ‘Man of Steel’ twelve years ago. However, despite this remarkable initial success in various parts of the world, the film has faced a harsh reality in the Chinese market, where its performance has been below expectations. Success in the rest of the countries In the Asian giant, ‘Superman’ barely managed to raise 6.7 million dollars during its first weekend, […]

The new Superman movie, directed by James Gunn, has achieved an impressive box office start, setting a record for the best opening for a solo film of the iconic superhero, surpassing the debut of ‘Man of Steel’ twelve years ago. Still, despite this remarkable initial success in various parts of the world, the film has faced a harsh reality in the Chinese market, where its performance has fallen short of expectations.

Success in the rest of the countries

In the Asian giant, ‘Superman’ barely managed to raise 6.7 million dollars during its opening weekend, placing it in a disappointing fourth place, far behind competitors like ‘Jurassic World: Dominion’ and ‘F1: The Movie’. These titles, in comparison, have grossed 11.15 million and 10.5 million, respectively. The low earnings of ‘Superman’ in China are not only attributed to the growing trend of decline of Hollywood films in the region but also to a changing perception of the character among the local audience.

It is relevant to note that ‘Man of Steel’ suffered a similar setback, earning 63.44 million dollars on its opening in China, which shows a change in the reception of the character over the years. The new version of Superman may struggle to even reach 10 million at the box office before being pulled from local theaters.

Despite these failures in China, the film has performed remarkably well in other markets, hinting at a possible path to international success. The key, however, will be to observe its results in the second weekend, which will determine its future viability at the box office and its place in the competitive landscape of superhero cinema.

The director of Twilight opens up about what brought her the success of the franchise: "They are not going to give you the next job and let you do something good"

The Twilight franchise continues to be a relevant topic of conversation in the film industry, especially when considering the impact of its first installment, directed by Catherine Hardwicke. Released in 2008, the film cost 37 million dollars and grossed 408 million, marking the beginning of a saga that, in total, accumulated 3.346 billion at the box office through five films. However, its success did not translate into ongoing opportunities for Hardwicke, who was replaced by Chris Weitz for the sequel. It is of no use to do a good job if you are a woman In a recent interview, Hardwicke exposed the disparity […]

The Twilight franchise continues to be a relevant topic of conversation in the film industry, especially when considering the impact of its first installment, directed by Catherine Hardwicke. Released in 2008, the film cost 37 million dollars and grossed 408 million, marking the beginning of a saga that, in total, accumulated 3.346 billion at the box office through five films. However, its success did not translate into ongoing opportunities for Hardwicke, who was replaced by Chris Weitz for the sequel.

It is of no use to do a good job if you are a woman

In a recent interview, Hardwicke highlighted the disparity between the opportunities that male directors receive compared to female directors after achieving success. While men are often offered multiple projects after a box office hit, Hardwicke found herself sidelined, being replaced by a male director and receiving no further significant offers after the phenomenon of Twilight. “No, people are not going to hire more female directors. They are not going to give you the next job and let you do something good,” Hardwicke pointed out, emphasizing a troubling reality in the film industry.

Despite the growing outcry on social media for greater female representation in cinema, the figures for 2024 reflect that only 16% of the 250 highest-grossing films were directed by women, maintaining the same proportion as the previous year. The disparity widens even further when observing that 70% of successful films employed ten or more men in key roles, while only 8% did the same with women. This context underscores the urgent need to open spaces and provide equal opportunities for female directors in the film industry.

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Brad Pitt dominates F1 on the first weekend of its release and leaves Megan in the dust

The new racing movie ‘F1’, directed by Jerry Bruckheimer and Joseph Kosinski, has been hailed as a canonical summer blockbuster. With a very ‘Top Gun: Maverick’ style approach but on the asphalt of Formula 1 tracks, the project has generated great box office expectations, leading to optimistic estimates for its release. As Megan finds out, ‘F1’ has achieved an impressive global opening of 140 million dollars, marking Brad Pitt’s best debut since 2012, when ‘World War Z’ earned 112 million in its opening weekend. Additionally, the film would have the second […]

The new racing movie ‘F1’, directed by Jerry Bruckheimer and Joseph Kosinski, has been hailed as a canonical summer blockbuster. With a very ‘Top Gun: Maverick’ style approach but on the asphalt of Formula 1 tracks, the project has generated great box office anticipation, leading to optimistic estimates for its release.

How Megan found out the mess

‘F1’ has achieved an impressive global debut of 140 million dollars, marking Brad Pitt’s best opening since 2012, when ‘World War Z’ earned 112 million in its opening weekend. Additionally, the film would have the second-best domestic opening in the United States with 55 million dollars, only behind ‘World War Z’, and would establish itself as the best launch of an original Apple film, surpassing the 22 million of Martin Scorsese’s ‘Killers of the Flower Moon’.

The potential success of ‘F1’ also represents a milestone for Warner as a distributor of original titles, following the success of ‘The Sinners’ in this film season. The combination of talent behind the scenes and high adrenaline content seems to have resonated positively with critics and audiences who have been able to view the film.

On the other hand, the box office outlook is not as encouraging for ‘M3GAN 2.0’. The new Blumhouse installment has had a disappointing debut of 10.4 million dollars, a number significantly lower than the expected 30 million. Its reception has been lukewarm, with many reviews pointing to a lack of connection with the audience due to its change in tone and humor.

With these results, the weekend at the box office has shown a clear contrast between the resounding success of ‘F1’ and the difficulties faced by ‘M3GAN 2.0’, highlighting the changing dynamics of the current film market.

How to Train Your Dragon continues to dominate the box office in the most unexpected country in the world

The movie How to Train Your Dragon has managed to maintain its position at the top of the South Korean box office for the third consecutive weekend. During the last weekend, the DreamWorks production generated $1.5 million and recorded 213,525 admissions, highlighting the ongoing appeal of the franchise among the South Korean audience. A trend that seems unlikely to decrease. With these figures, the film’s total earnings amount to $9.4 million, with over 1.28 million tickets sold since its release. This information has been […]

The movie How to Train Your Dragon has managed to maintain its position at the top of the South Korean box office for the third consecutive weekend. During the last weekend, the DreamWorks production generated $1.5 million and recorded 213,525 admissions, highlighting the ongoing appeal of the franchise among the South Korean audience.

A trend that seems to be here to stay

With these figures, the accumulated earnings of the film amount to a total of $9.4 million, with more than 1.28 million tickets sold since its release. This information has been confirmed by KOBIS, the tracking service of the Korean Film Council, which provides accurate data on the performance of films in the country.

The success of How to Train Your Dragon in South Korea is representative not only of the local audience’s taste for family adventure stories, but also of DreamWorks’ solid distribution strategy, which has been able to capitalize on the emotional impact and captivating narrative of the franchise. Through its innovative animation and endearing characters, the film has managed to connect with diverse audiences, reaffirming its place in the pantheon of favorite animated films.

According to industry analysts, the performance of How to Train Your Dragon could be influenced by the growing interest in animation productions worldwide, where stories of personal growth and friendship tend to resonate in a special way. Moreover, in an environment of variable releases and changes in consumer preferences, the film has stood out in a competitive market.

As the film continues to enjoy its success, fans eagerly await any announcements about future installments or spin-off projects that could further expand the How to Train Your Dragon universe.

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The future of the trilogy depends on the box office performance 28 years later

This week sees the release of ’28 Years Later’, the third installment of the acclaimed infected saga that began in 2002 under the direction of Danny Boyle. This new film, which has generated great anticipation, marks a return to a franchise that captured the audience’s attention with its innovative approach. However, unlike its predecessors, Cillian Murphy will not be part of the cast for this installment, although his presence is confirmed in the second part. The fate in the hands of the box office ’28 Years Later’ becomes the most expensive film in the series, with a budget of […]

This week sees the release of ’28 Years Later’, the third installment of the acclaimed infected saga that began in 2002 under the direction of Danny Boyle. This new film, which has generated great anticipation, marks a return to a franchise that captured the audience’s attention with its innovative approach. However, unlike its predecessors, Cillian Murphy will not be part of the cast for this installment, although his presence is confirmed in the second part.

The fate in the hands of the box office

’28 years later’ becomes the most expensive film in the series, with a budget of 60 million dollars, which poses a considerable risk for Sony. This strong investment requires that the film also be the highest-grossing in the franchise to be considered profitable. Initial projections estimate that it could generate 30 million dollars in its opening weekend in the United States, a figure that represents only a fraction of what it needs to justify the cost.

To provide context, ’28 Days Later’ was made with a budget of 8 million and grossed 82.8 million dollars, while ’28 Weeks Later’ had a cost of 15 million and grossed 65 million. Therefore, ’28 Years Later’ must surpass these figures if it wants to be seen as a financial success.

The uncertainty persists regarding the future of the trilogy, despite Danny Boyle expressing interest in directing the third installment. However, the fate of this sequel largely depends on the box office performance of the current film. While expectations are positive, with the possibility of it performing well, the film industry is volatile and can change quickly; this state of affairs is a reminder that, although expectations are high, the future of ’28 Years Later’ is uncertain.

Karate Kid Legends does not manage to beat Stitch or Ethan Hunt at the box office

A kick in the face: the new installment of the iconic Karate Kid movie saga, Legends, premiered on May 30, marking the return of this franchise that has captivated audiences for over 40 years. Despite being a highly anticipated release, the film has not achieved the desired success at the box office, landing in third place with a revenue of 21 million dollars, surpassed by Lilo and Stitch, which earned 63 million, and Mission Impossible: Dead Reckoning, with 27.3 million. Mission: Karateka Despite the numbers, Sony executives […]

A kick in the face: the new installment of the iconic Karate Kid movie saga: Legends premiered on May 30, marking the return of this franchise that has captivated audiences for over 40 years. Despite being a highly anticipated release, the film has not achieved the desired success at the box office, landing in third place with a revenue of 21 million dollars, surpassed by Lilo and Stitch, which earned 63 million, and Mission Impossible: Dead Reckoning, with 27.3 million.

Mission: Karateka

Despite the numbers, Sony executives have reasons to be optimistic. The film has received a positive reception from the audience, achieving a grade of A- on Cinemascore, indicating that viewers have enjoyed the proposal led by stars Jackie Chan and Ralph Macchio. With an estimated budget of 45 million dollars, Karate Kid: Legends is in a favorable position to generate profits, unlike other titles like Mission Impossible 8, whose high cost will complicate the recovery of its investment.

Before its release in the United States, the film had already begun to build its success, grossing $7.5 million in markets like Colombia and Mexico. This suggests that the film could continue to attract audiences in the international market. However, fans in Spain will have to wait until August 8, 2025, to enjoy Karate Kid: Legends, as Sony has decided not to risk releasing the film on the same weekend as the Champions League final.

According to previous analyses, the movie could adapt well to the competition and maintain its box office performance in the coming weeks. Karate Kid: Legends is expected to establish itself as a solid option for fans of family and action films.

Lilo and Stitch manages to beat Tom Cruise in a record-breaking weekend at the box office

The Memorial Day weekend has brought an exciting box office showdown between two major releases: the live-action remake of Lilo and Stitch and Mission Impossible: Dead Reckoning. In an unexpected turn, Lilo and Stitch has outperformed the action thriller starring Tom Cruise, raking in 183 million dollars in the U.S. and 341 million globally in its opening weekend. Tom Cruise doesn’t always win The Disney film, which features a reinterpretation of the animated classic, has managed to capture the attention of family audiences, highlighting its nostalgia and charisma […]

The Memorial Day weekend has brought an exciting box office showdown between two major releases: the live-action remake of Lilo and Stitch and Mission Impossible: Final Judgment. In an unexpected turn, Lilo and Stitch has outperformed the action thriller starring Tom Cruise, raking in 183 million dollars in the U.S. and 341 million globally in its opening weekend.

Tom Cruise doesn’t always win

The Disney movie, which presents a reinterpretation of the classic animation, has managed to capture the attention of family audiences, highlighting its nostalgia and the charm of little Stitch. This success has not only broken records, as it has also surpassed the amount raised during its premiere by Top Gun: Maverick, with 160 million dollars last year, also on a holiday weekend.

On its part, Mission Impossible: Dead Reckoning has had a solid performance, grossing 77 million in the U.S. and 204 million in total worldwide, thus becoming the best opening of the entire Mission Impossible saga. Although it has not managed to surpass Lilo and Stitch, its box office is in line with expectations, especially with a good performance anticipated in international markets like China, where it has not yet been released.

The combination of both films has set a new box office record for the Memorial Day weekend, reaching $322 million, surpassing the $314 million from 2013. This success stands in stark contrast to last year, when one of the worst box office weekends in three decades was reported, lowering expectations about the audience’s ability to return to theaters. Both films have shown that interest in cinema is still alive and vibrant.