Author: Gale Ann Villagomesa

Michael Biehn says he’d gladly return to Ubisoft’s Far Cry franchise now that FX is developing a Far Cry TV series. If you remember Ubisoft’s 2013 spin-off Far Cry 3: Blood Dragon, the first character that probably comes to mind is Sergeant Rex “Power” Colt, the role Biehn voiced.

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There hasn’t been any official word from FX, Ubisoft, or the producers that Michael Biehn is involved, and there’s no sign that any talks have happened. Still, his connection to the franchise is real. He voiced Rex Colt in 2013’s Far Cry 3: Blood Dragon, the neon-drenched, gloriously over-the-top 1980s action spoof that ended up becoming a fan favorite.

Biehn has said he’d be open to a major role or just a cameo, whether that’s a single-scene appearance or even a small Easter egg. That kind of part would fit neatly in a series built around larger-than-life villains, isolated settings, and that same pulp-action energy.

FX’s Far Cry adaptation is being developed by Noah Hawley and Rob McElhenney as an anthology, not a direct adaptation of one specific game. That probably plays well if you’ve always liked Far Cry more for its tone and chaos than for one continuing story.

If you’ve been with Far Cry for years, this is probably one to watch, especially with Rob McElhenney reportedly set to star, Lizzy Caplan and Steve Buscemi linked to the project, and production expected to begin in fall 2026.

The series is still in development at FX, so for now, there’s nothing to watch yet.

Meta Platforms, the company behind Facebook and Instagram, may now be moving toward a broad settlement of teen harm lawsuits worth up to $17 billion. The figure comes from a proposed deal put forward by a coalition of U.S. attorneys general, and it would rank among the biggest social media settlements so far.

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According to that proposal, the attorneys general say Meta knowingly used engagement-focused design on Facebook and Instagram to keep teenagers hooked. The plaintiffs link heavy use, infinite scroll, and algorithmic recommendations to anxiety, depression, sleep problems, reduced physical activity, and other mental health risks.

The deal wouldn’t just involve a payout. It would also bring tougher teen safety measures and product changes for minors, at a moment when Pew Research Center data show that most teens use social media every day and many are online almost constantly. Similar pressure is building through cases brought by school districts, families, and users, as well as rules such as the EU Digital Services Act and the U.K. Online Safety Act.

If you follow platform accountability, this is one to watch. U.S. regulators’ final terms will draw close scrutiny because, if the deal is approved, it could become a landmark in how governments push social platforms to change their products, not just write a check.

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Horsefly Games has revealed The Polar Darkness, a narrative horror game coming to Steam in Q1 2027. It’s shaping up as a grim little town mystery, and people are already reaching for Stephen King and True Detective as reference points.

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In The Polar Darkness, you play a journalist looking into the disappearance of a child preacher in Sysiluoma, a fictional village in northern Finland during the 1980s. Horsefly Games says the case is tangled up with a cult, local folklore, and the unbroken darkness of the polar night. Over three days, you’ll question locals, chase leads, solve puzzles, and make choices that change how the story unfolds.

Horsefly Games isn’t building this around action or jump-scare combat. The pitch leans hard into psychological dread, disturbing themes involving children, and no graphic violence. It also has a pretty distinct look, mixing 2D photographic character art with 3D environments, plus Finnish folk music and an investigation-first structure the studio says was partly inspired by Gabriel Knight.

If slow-burn horror is your thing, especially when the pull comes from atmosphere, writing, and an investigation shaped by your decisions, this looks like one to keep an eye on. For now, though, the early buzz is coming from trailers and announcement material, not hands-on previews. Horsefly Games says Steam will be available on Steam when it launches in Q1 2027.

Denis Villeneuve’s 2016 sci-fi drama Arrival is climbing Apple TV’s U.S. streaming charts again, and the same renewed interest is showing up in Australia.

Almost 10 years after the film first hit theaters, the rebound isn’t hard to explain. Anticipation for Dune: Part Three is building, more people are going back to Villeneuve’s earlier science-fiction films, and there’s fresh attention around a limited-edition 4K Blu-ray SteelBook release as Arrival moves into its 10th-anniversary stretch.

And it still holds up for obvious reasons. Amy Adams plays linguist Louise Banks, who’s brought in to decode the language of alien visitors, and the movie turns a first-contact setup into something much richer: a story about communication, grief, empathy, choice, and the fear of what we can’t yet understand. Arrival made more than $203 million worldwide against a reported $47 million budget, and it landed eight Academy Award nominations, including Best Picture and Best Director. That run helped cement it as one of the standout studio sci-fi films of the 2010s, and one of Villeneuve’s defining works.

If you’ve been revisiting Denis Villeneuve ahead of Dune: Part Three, this is an easy one to queue up again. Arrival is still smart, approachable, and emotionally devastating in the best way. You can stream it on Apple TV now.

Netflix confirmed Season 2 of All of Us Are Dead on June 6, 2022, after the first 12-episode season turned the South Korean zombie drama into one of the platform’s biggest horror breakout hits.

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The show premiered on January 28, 2022. Based on Joo Dong-geun’s webtoon Now at Our School, it traps a group of teenage survivors inside a high school while classmates, teachers, and friends turn into violent threats. Hallways, classrooms, the gym, and the rooftop all become battlegrounds, and the story keeps bringing trust, betrayal, and sacrifice to the front.

Netflix said the series reached No. 1 in 58 countries, landed in the top 10 in 91, and became the second non-English show after Squid Game to lead Netflix’s weekly charts. It also pulled in 124.79 million hours watched in its first three days, then passed 474.26 million within 30 days.

Critics were on board too. All of Us Are Dead holds an 89% score on Rotten Tomatoes, with praise aimed at the claustrophobic setting, the fast, energetic action, and the attention paid to its characters. And the show’s focus on bullying, institutional failure during crises, abandoned students, and even Sewol-linked national trauma made it feel heavier than a standard zombie series.

If you missed All of Us Are Dead the first time around, now’s a good time to catch up before Season 2 shows up. Netflix confirmed the renewal on June 6, 2022, filming reportedly wrapped in February 2026, and Season 2 is expected in late 2026 or early 2027.

You can stream Season 1 of All of Us Are Dead on Netflix now.

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House Velaryon is back in the spotlight because of HBO’s House of the Dragon. That renewed attention also answers a question some viewers have when they move into Game of Thrones: by the time of Daenerys Targaryen, Jon Snow, and the War of the Five Kings, House Velaryon barely registers.

In George R.R. Martin’s lore, the Velaryons were a Valyrian house based on Driftmark, near Dragonstone. Unlike House Targaryen, they were never dragonlords. Their strength came from the sea, from ships, trade, and the kind of reach that turns a noble family into a serious political ally. After Aegon’s Conquest, that made them indispensable. They often served as Master of Ships, and they mattered to the crown because they helped keep supply lines open and the capital within reach.

In Fire & Blood, Corlys Velaryon, the Sea Snake, is the figure who turns that influence into staggering wealth. He makes nine great voyages across Essos and farther afield, and by the end of it House Velaryon is richer than the Lannisters. Add its marriages into House Targaryen, and the family becomes a political force on another level. HBO’s House of the Dragon also presents the Velaryons as a Black noble house, drawing on an idea Martin has said he once considered himself.

The short answer to why House Velaryon fades from view is simple enough, and brutal. In Fire & Blood, the family backs Rhaenyra Targaryen during the Dance of the Dragons, and the cost is enormous. Losses that include the Battle of the Gullet break the house. Its fleets are wrecked, its heirs cut down, its wealth drained away, and its influence goes with it, until House Velaryon is left as a lesser house sworn to Dragonstone.

You can watch House of the Dragon and Game of Thrones on HBO and Max. HBO also has the animated Nine Voyages in the works, which is set to cover Corlys Velaryon’s travels and that vanished age of Westerosi power.

Only Murders in the Building, Hulu’s mystery-comedy hit, has reportedly been renewed for season 6. And if the reports circulating by May 2026 are right, the show is about to make its biggest jump yet: leaving New York for London, possibly under a new title, Only Murders in London.

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If that happens, it’ll be the first time Only Murders in the Building has unfolded outside the US, with a completely new case set in the UK capital. Hulu had already teased that the series was “headed across the pond,” and reports published by May 2026 said season 6 was already in pre-production.

London gives the show a new backdrop without changing the appeal. You still get the sharp comedy, the celebrity drop-ins, and a murder investigation that starts small and keeps expanding, but this time without the Arconia or the usual Manhattan rhythm.

According to those same reports, Steve Martin, Martin Short, and Selena Gomez are all expected to return as Charles-Haden Savage, Oliver Putnam, and Mabel Mora.

The guest cast being reported is stacked: Peter Capaldi, David Tennant, Jodie Whittaker, Nicola Coughlan, Richard Ayoade, Jennifer Saunders, Simone Ashley, Sharon Horgan, and Martin Freeman. The Doctor Who overlap doesn’t hurt, either.

If the main draw for you is the chemistry between the central trio, this change still sounds like it could work. Hulu’s season 5 renewal and release timeline also suggest the streamer wants to keep one of its biggest originals from going stale.

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Season 6 is expected to arrive on Hulu.

Square Enix hasn’t announced a new Chrono Trigger game through its official channels, and claims about a release called Chrono Trigger: One Mark aren’t verified.

Based on Square Enix’s official news posts, social accounts, and other verified statements reviewed here, there’s been no announcement of a new Chrono Trigger game for the series’ 31st anniversary, or in any recent official update. The alleged title doesn’t show up in any of those materials. It also hasn’t appeared in reporting from major gaming outlets reviewed for this piece, which is the kind of reveal they’d normally cover quickly, especially for one of Square Enix’s most iconic RPGs.

If you follow Chrono Trigger closely, be careful with this one. Anniversary hype, fan-made material, and speculative posts have a way of spreading as fact, especially around a series that’s been near the top of remake and revival wish lists for years.

That doesn’t mean Square Enix will never return to the franchise. It means this specific claim shouldn’t be treated as real news.

There’s nothing to download here, so for any actual Chrono Trigger announcement, stick with Square Enix’s official channels and reputable gaming coverage.

Silvia Park’s Luminous was optioned for television by Media Res in 2022, and Park came on board as a producer.

Media Res moved on the rights roughly three years before the novel even reached shelves in March 2025, which is a very quick pickup for an unpublished book and a pretty clear sign that people saw breakout potential early. As of August 2026, though, the adaptation is still in a holding pattern: no showrunner, no cast, no director, no release date, and no announced network or streaming platform.

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The studio behind The Morning Show and Pachinko gives the project a strong prestige-TV foundation. Park’s producer credit should also be reassuring if you’re hoping the adaptation keeps the book’s voice and emotional depth intact, even with the biggest creative jobs still unassigned.

The novel is set in a near-future reunified Korea and centers on three estranged siblings, two human and one robot. From there it opens into questions of everyday human-robot coexistence, transhumanism, consciousness, grief, identity, loss, and the damage families carry for years. On paper, that already sounds like something prestige TV would go for.

That kind of pre-publication momentum pointed early to both commercial upside and awards attention. Since then, strong reviews for the prose, the character work, and the scale of the setting have only reinforced that first impression.

Critics have been treating Silvia Park as a major new science fiction voice, and even her George R.R. Martin Sense of Wonder scholarship to Clarion shows the field noticed her long before publication, even if this adaptation has nothing to do with George R.R. Martin himself.

If you follow prestige sci-fi, keep this one on your radar. In the meantime, you can read Luminous now while the series stays in development.

Copshop leaves Netflix in the U.S. on August 9, 2026. Right now, that seems to apply to Netflix’s U.S. catalog; availability elsewhere is harder to pin down. If you’re watching from outside the States, check your local Netflix listings, since licensed streaming rights change from country to country.

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Released in 2021, Joe Carnahan’s 107-minute action thriller stars Gerard Butler, Frank Grillo, and Alexis Louder. It all plays out in and around a small-town police station, which gives the movie a tight, nasty throwback feel: a con artist trying to hide from a hitman, with a rookie cop stuck in the middle.

If stripped-down action is your thing, this one’s worth squeezing in before it disappears. Copshop didn’t do much in theaters, but it connected far better once it hit streaming and kept showing up in Netflix’s top 10. Its box-office disappointment also gets misstated a lot online, since the reported budget was closer to $43.5 million, not $6 million, against roughly $6.8 million worldwide.

Critics were kinder to it. Copshop holds a Certified Fresh 83% on Rotten Tomatoes, even though both Frank Grillo and Joe Carnahan later took issue with the theatrical cut and said Grillo’s performance was trimmed down in the final edit.

You’ve got until August 9, 2026 to watch Copshop on Netflix, at least in the U.S.

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