The new adaptation of Frankenstein, written and directed by Guillermo del Toro, has managed to establish itself as the latest big success for Netflix, accumulating 62.9 million views in just 10 days. This impressive achievement has led it to become the most-watched movie on the platform for two consecutive weeks, capturing the attention of both the audience and critics. A movie that has dazzled critics With an 86% positive rating on Rotten Tomatoes, Frankenstein stands out as one of the few Netflix films that have reached such high approval figures. This level of […]
The new adaptation of Frankenstein, written and directed by Guillermo del Toro, has established itself as the latest major success for Netflix, accumulating 62.9 million views in just 10 days. This impressive achievement has made it the most-watched film on the platform for two consecutive weeks, capturing the attention of both audiences and critics.
A movie that has captivated critics
With an 86% positive rating on Rotten Tomatoes, Frankenstein stands out as one of the few Netflix movies that have achieved such high approval ratings. This level of recognition is remarkable, especially considering that the production budget exceeds 100 million dollars, reflecting Netflix’s confidence in the project. However, the wait for this adaptation has been considerable, as Del Toro has worked for 18 years to bring his vision of Mary Shelley’s iconic novel to life.
Despite its 150-minute duration, viewers have responded positively, suggesting that the film has managed to captivate the audience. The cast, featuring the prominent participation of Oscar Isaac and the surprising choice of Jacob Elordi as the creature, has contributed to that overall appeal. However, some critics have expressed disappointment, particularly after a change in perspective that reveals their preferences for earlier versions, such as the classic work of James Whale.
In a field where few adaptations manage to capture the essence of their sources, Frankenstein seems to have found a successful path, merging a contemporary narrative with traditional horror elements, always under Del Toro’s unique perspective. Although the critical contributions are varied, the impact of this production on popular culture and its reception on the platform are undeniable.
Guillermo del Toro’s Frankenstein movie continues to set the standard on Netflix, establishing itself as the most viewed title on the platform in its first full week of availability. From November 10 to 16, the work of the acclaimed director accumulated 33.8 million views, representing a 16% increase compared to its opening week. Frankenstein is the doctor, not the monster, pay attention This audience phenomenon not only highlights the interest in the film but also reflects del Toro’s ability to attract a diverse audience. In just 10 days, Frankenstein […]
Guillermo del Toro’s Frankenstein movie continues to set the standard on Netflix, establishing itself as the most-watched title on the platform in its first full week of availability. From November 10 to 16, the work of the acclaimed director accumulated 33.8 million views, which represents a 16% increase compared to its opening week.
Frankenstein is the doctor, not the monster, pay attention
This audience phenomenon not only highlights the interest in the movie but also reflects del Toro’s ability to attract a diverse audience. In just 10 days, Frankenstein reached a total of 62.9 million views globally, making it one of the most successful releases on Netflix this year. The impressive figure is not only representative of the director’s popularity but also of the demand for exclusive, high-quality content on the streaming service.
The film, which offers a unique version of Mary Shelley’s classic tale, has managed to resonate with both critics and the general public, which is essential in an environment where competition is fierce and viewer preferences are increasingly difficult to capture. The distinctive visual elements and the deep narrative by del Toro have made Frankenstein a talking point both on social media and in the media.
As the film continues its run on the platform, it is likely that analyses and reflections regarding its cultural impact and its interpretation of classic horror will continue to emerge. Del Toro’s direction has proven to be a powerful draw, which may open the door to future collaborations with Netflix and other film projects that promise to capture the audience’s attention.
The acclaimed director Guillermo del Toro has described Avatar 3 as a masterpiece, generating great anticipation around the film. In an interview with Konbini Video, del Toro, known for his devotion to the Avatar saga, praised James Cameron’s work, noting that his vision is creating a significant mythology comparable to the works of other iconic storytellers like George Lucas. “Jim is creating that with Avatar, and it will take you to places,” he stated. Friends for decades The third installment of the saga, titled Avatar: Fire and Ash, focuses on the life of Jake Sully, […]
The acclaimed director Guillermo del Toro has described Avatar 3 as a masterpiece, generating great anticipation around the film. In an interview with Konbini Video, del Toro, known for his devotion to the Avatar saga, praised James Cameron’s work, noting that his vision is creating a significant mythology comparable to the works of other iconic storytellers like George Lucas. “Jim is creating that with Avatar, and it will take you places,” he stated.
Friends for decades
The third installment of the saga, titled Avatar: Fire and Ash, focuses on the life of Jake Sully, played by Sam Worthington, and Neytiri, portrayed by Zoe Saldaña. The couple, who reside with the Metkayina clan, will face a new Na’vi tribe called the Ash People, which promises to add depth to the narrative of Pandora. Additionally, the antagonist Varang, who will be alongside old enemies like Quaritch, promises to intensify the conflict in the story.
Cameron has not only focused on Avatar 3, as he has also begun working on the fourth and fifth installments of the franchise, scheduled to be released in 2029 and 2031. This long-term commitment underscores Cameron’s ambition to expand the “Avatar” universe and its narrative in the years to come.
On the other hand, del Toro is developing his own ambitious cinematic vision with a new adaptation of the classic Frankenstein, which explores themes such as generational trauma and identity. Starring Oscar Isaac and Jacob Elordi, this version promises a more personal and emotional approach to the story of the creator and his creation.
The wait for Avatar: Fire and Ash is about to end, as its release is scheduled for December 19 of this year. In the meantime, fans can enjoy other exciting cinematic offerings that are on the horizon.
Netflix, little by little, has been realizing the importance of movie theaters. Although its business is streaming, if it wants to aspire to awards and give a certain sheen of prestige to its films, it needs to release them in theaters. Moreover, at times they receive an excellent reception. We shouldn’t be surprised because, although most of its productions are simple movies that we wouldn’t go see in theaters even if they are enjoyed from the comfort of the sofa, they also produce some excellent films. And that seems to be the case with Guillermo del Toro’s latest film. If by […]
Netflix, little by little, has been realizing the importance of movie theaters. Although its business is streaming, if it wants to aspire to awards and give a certain sheen of prestige to its films, it needs to release them in theaters. And besides, sometimes they receive an excellent reception. It shouldn’t surprise us because, although most of its productions are simple movies that we wouldn’t go to see in theaters even if they are enjoyed from the comfort of the sofa, they also produce some excellent films. And that seems to be the case with Guillermo del Toro’s latest movie.
If Guillermo del Toro is known for anything, it is for producing excellent genre films. Whether it’s horror, science fiction, romance, or all of them at once, he always stands out for the sensitivity and wisdom with which he approaches these genres. Always offering a very unique perspective and a special empathy for the most vulnerable.
That’s why, even if it’s on Netflix, it’s still del Toro. And that’s why it shouldn’t surprise us that his latest film adapts a classic of horror literature known for its unique gothic tone and the sensitivity with which it addresses human themes. Because when it came time to decide what his new film would be, del Toro chose to adapt one of humanity’s most well-known works. And he decided on Frankenstein.
A movie that has always been on your mind
The film is an adaptation that has been on the director’s mind since at least 2007, when he stated it was a project he would kill to make. By January 2008, he began developing the idea for it, but in 2009 he declared it would take at least four years to start production on the film. In 2013, he said he would want the monster to be Benedict Cumberbatch, and in 2014, he mentioned wanting to make, in fact, two adaptations: one of Frankenstein and another of The Bride of Frankenstein. In 2020, he stated that, if possible, he would want it to be a duology or a trilogy. It wasn’t until 2023 that Netflix revived the project after the success of its Pinocchio.
The movie closely follows the original book and, while it has been limited to a single film, it is of epic proportions. Costing 120 million dollars and stretching to 150 minutes, the promise is that it has given its all in this dream project. Something that critics have responded to very positively, with an 86% on Rotten Tomatoes and a 78 on Metacritic, receiving excellent reviews. This does not take into account that it has already won several international awards, including a nomination for the Golden Lion at the Venice International Film Festival.
All of this is possible because, as we have already mentioned, Netflix has become accustomed to releasing some of its movies in theaters and festivals before they hit its platform. And that has been the case with Frankenstein. With notable results.
On August 30, it was presented at the mentioned Venice International Film Festival with extraordinary results, which led to a limited release in theaters worldwide on October 17. Causing a sensation among fans of Guillermo del Toro, Frankenstein, and cinephiles, defining the film as a story of romance and gothic horror that is extremely faithful to the original story of the novel.
Now, on November 7, it arrives on Netflix so that we can all enjoy it from the comfort of our sofas. And while it is true that this is the kind of movie that would be great to see in a cinema without the limitation of a limited release, being able to see it at all is already a privilege. Because, without a doubt, we are going to hear a lot about Frankenstein during next year’s awards season.
Channing Tatum, the well-known American actor who is releasing Roofman this year, recently revealed that he almost became the star of a fairy tale adaptation directed by acclaimed Mexican filmmaker Guillermo del Toro. In an interview with Vanity Fair, Tatum shared that he was considered for the role of the Beast in the version of Beauty and the Beast that del Toro had in mind. He would not be the beauty. The project, which promised del Toro’s unique vision, famous for his innovative aesthetics and storytelling in works like The Shape of Water, generated great anticipation […]
Channing Tatum, the well-known American actor who is releasing Roofman this year, recently revealed that he almost became the star of a fairy tale adaptation directed by acclaimed Mexican filmmaker Guillermo del Toro. In an interview with Vanity Fair, Tatum shared that he was considered for the role of the Beast in the version of Beauty and the Beast that del Toro had in mind.
He Wouldn’t Be the Beautiful One
The project, which promised del Toro’s unique vision, famous for his innovative aesthetics and storytelling in works like The Shape of Water, generated great anticipation among fairy tale fans and cinema enthusiasts in general. However, Tatum could not accept the role because he had just welcomed his first child at that time. “I had just had a baby”, the actor commented, referring to his new fatherhood as the main reason he could not commit to the project.
Tatum’s revelation leaves movie fans speculating about how his portrayal of the Beast might have been, a role that demanded both acting skill and physical presence. Interest in del Toro’s version of this classic tale has resurfaced, especially considering his previous success in the fantasy genre, which has led to rumors about new fairy tale adaptations in Hollywood.
Although the film did not come to fruition with Tatum in the lead role, the conversation around artists who could have played iconic roles always opens the door for future collaborations between actors and directors. Del Toro, who has been adding his personal touch to beloved stories, remains a key figure in contemporary cinema, while Tatum continues to be one of the most versatile actors of his generation.
Guillermo del Toro received a two-minute standing ovation after the screening of his highly anticipated film Frankenstein during its premiere at the Toronto International Film Festival (TIFF) this Monday. The film, which has been a lifelong project for the renowned director, had already received a 15-minute ovation at its world premiere at the Venice Film Festival. A film that is a hit wherever it goes The event was attended by the stars of the film, including Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz, as well as the producers […]
Guillermo del Toro received a two-minute standing ovation after the screening of his highly anticipated film Frankenstein during its premiere at the Toronto International Film Festival (TIFF) this Monday. The film, which has been a lifelong project for the renowned director, had already received a 15-minute ovation at its world premiere at the Venice Film Festival.
A movie that takes the world by storm
The event featured the presence of the movie stars, including Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz, as well as producers Scott Stuber and J. Miles Dale. The audience kept applauding standing up after the opening credits, which led to a second round of applause when del Toro and the cast ascended to the stage for a Q&A session.
In the talk, del Toro emphasized that the story should be told on a grand scale, describing it as a modern tale of Prometheus. “The reality is that for years I tried to narrate a story about my father and me as a son,” explained del Toro, who added that, after becoming a father of two children, Frankenstein transformed into a story about parental relationships. The director also mentioned that the film addresses the theme of forgiveness, something that becomes more relevant with age.
Isaac, who plays Victor Frankenstein, confessed that he was moved to tears while reading the script, while Elordi shared his complex physical and emotional approach to portraying the creature, stating that he sought to employ his subconscious in the performance.
Frankenstein, which has achieved an 81% rating on Rotten Tomatoes after its premiere in Venice, marks del Toro’s return to TIFF since The Shape of Water, a work that earned him the Oscar for Best Picture and Best Director in 2018.
The figure of British filmmaker Ken Russell has resurfaced in cinematic conversation, thanks to the controversial and provocative film The Devils. Russell, who passed away in 2011, is remembered for his distinctive style and his tendency to challenge norms. The Devils, an adaptation of Aldous Huxley’s book, is considered a cursed masterpiece, notable for its exploration of religion, violence, and sexuality, which earned it an X rating after its release. A film with reasons not to see the light The story recounts the historical case of demonic possession in Loudun, where a priest, […]
The figure of British filmmaker Ken Russell has resurfaced in cinematic conversation, thanks to the controversial and provocative film The Devils. Russell, who passed away in 2011, is remembered for his distinctive style and his tendency to challenge norms. The Devils, an adaptation of Aldous Huxley’s book, is considered a cursed masterpiece, notable for its exploration of religion, violence, and sexuality, which earned it an X rating after its release.
A movie with reasons not to see the light
The story narrates the historical case of demonic possession in Loudun, where a priest, Urbain Grandier, was accused of witchcraft and executed in the 17th century. With memorable performances by Oliver Reed and Vanessa Redgrave, the film has been subject to censorship and controversy for over five decades. Warner Bros. maintained an edited version for years, excluding key scenes, including a notable controversy related to a scene of the violation of Christ, which put an end to any expectations of a full release for a long time.
Despite its difficulties, the efforts to restore The Demons have been ongoing. From a significant restoration in 2004 to its recent inclusion on platforms like Filmin and Criterion, cinephiles can access this cult work like never before. However, there is still a long way to go; critics like Guillermo del Toro have pointed out that there are “factual powers at Warner Bros.” that obstruct its availability in more common formats like DVD and Blu-ray in North America.
The evolution of the status of The Devils personifies the complexity of cinema as a reflection of society, addressing themes of power and censorship. Although its full projection is still limited, the film remains a testament to the bold creative spirit of Ken Russell.
The renowned film director Guillermo del Toro is working on a new movie titled Frankenstein, a project that has generated great interest among fans of cinema and classic literature. Del Toro, known for his distinctive style in fantasy and horror films, has shared details about the challenges he has faced in production, especially regarding casting. The hard work to ensure that Elordi does not look perfect Recently, the director revealed that he had only nine weeks to transform Jacob Elordi, the new actor chosen to portray the iconic monster of […]
The renowned film director Guillermo del Toro is working on a new movie titled Frankenstein, a project that has generated great interest among fans of cinema and classic literature. Del Toro, known for his distinctive style in fantasy and horror cinema, has shared details about the challenges he has faced in production, especially regarding casting.
The hard work to make Elordi not look perfect
Recently, the director revealed that he had only nine weeks to transform Jacob Elordi, the new actor chosen to portray the iconic Frankenstein monster. Elordi took on the role after Andrew Garfield withdrew due to scheduling conflicts. Despite the limited time, Del Toro is confident that Elordi can deliver a memorable and unique interpretation of the character, which has been tackled by many actors over the years.
The makeup work will be a crucial part of bringing the monster to life, an aspect in which Del Toro relies on his regular collaborator, makeup artist Mike Hill, known for his work in films like The Shape of Water. Hill and Del Toro have worked together on several occasions, promising a striking visual creation that is true to the dark atmosphere surrounding the story of Frankenstein.
As production progresses, film fans eagerly await to see how Del Toro reinterprets this classic horror story. With such a tight schedule and the pressure of expectations at play, it will be interesting to see how this adaptation unfolds and whether it will live up to the legacy of the legendary tale created by Mary Shelley. Undoubtedly, Del Toro’s ingenuity and vision guarantee a unique cinematic experience.
Guillermo del Toro revealed the first trailer for his highly anticipated adaptation of Mary Shelley’s classic novel Frankenstein during the TUDUM event on May 31. The film, which will premiere on Netflix in November 2025, has been a long-desired project for the acclaimed director, known for his mastery in the horror and fantasy genre. A beginning that reinforces the original drama The trailer offers a dramatic introduction that starts with the desolate setting of the Arctic, where Dr. Victor Frankenstein, played by Oscar Isaac, encounters a crew from a stranded ship. Through […]
Guillermo del Toro revealed the first trailer for his highly anticipated adaptation of Mary Shelley’s classic novel Frankenstein during the TUDUM event on May 31. The film, which will premiere on Netflix in November 2025, has been a long-desired project for the acclaimed director, known for his mastery in the horror and fantasy genres.
A beginning that reinforces the original drama
The trailer offers a dramatic introduction that begins with the desolate setting of the Arctic, where Dr. Victor Frankenstein, played by Oscar Isaac, encounters a crew of a stranded ship. Through his tale, the story of his tragic creation is narrated: a creature made of human remains that, in its quest to bring life, unleashes death and destruction.
The cast of Frankenstein is equally impressive, including renowned actors such as Mia Goth, Ralph Ineson, Christoph Waltz, and Jacob Elordi, who took on the role of the monster after Andrew Garfield left the project. Despite the dark and chilling atmosphere perceived in the trailer, Del Toro has emphasized that the film should not be strictly categorized as horror.
With an approach that goes beyond horror, Del Toro seeks to explore deeper themes about life, creation, and the consequences of human ambition. While the trailer keeps the visual aspect of the monster a secret, the anticipation for this adaptation is palpable, given the filmmaker’s track record of transforming the fantastic into memorable cinematic experiences.
The arrival of Frankenstein on the streaming platform promises to be a significant event, further consolidating Guillermo del Toro as a central figure in contemporary film narrative. As the release date approaches, fans of his work and lovers of the genre eagerly await how this classic story will unfold under his unique vision.
The 78th edition of the Cannes Film Festival has witnessed the moving screening of Joachim Trier’s new film, Sentimental Value, which received a 20-minute standing ovation; because yes, it is possible to applaud for that long. This recognition makes it the most applauded film of the festival in several years, positioning Trier alongside other prominent directors in the history of the event. Critics have praised the work, describing it as a hymn to the brotherhood between art and life, which has resonated with the audience present at the Grand Théâtre Lumière. Hand pain […]
The 78th edition of the Cannes Film Festival has witnessed the moving screening of Joachim Trier’s new film, Sentimental Value, which received a 20-minute standing ovation; because yes, it is possible to applaud for that long. This recognition makes it the most applauded film of the festival in several years, positioning Trier alongside other prominent directors in the history of the event. Critics have praised the work, describing it as a hymn to the brotherhood between art and life, which has resonated with the audience present at the Grand Théâtre Lumière.
Hand Pain
However, the applause meter at Cannes has a record that still stands: Pan’s Labyrinth directed by Guillermo del Toro received 22 minutes of uninterrupted applause in 2006, remaining the most acclaimed film in the history of the festival. This masterpiece combines a dark tale with a historical backdrop, reflecting the struggle of a girl in the post-Franco war through a magical and brutal universe.
Since the premiere of Pan’s Labyrinth, the ovations have continued to be an indicator of the popular reception and critical relevance of the films. Other productions, such as Fahrenheit 9/11 and Mud, have also received prolonged applause, but none have been able to match the phenomenon achieved by Del Toro. The figures are eloquent, as while Sentimental Value has made its own history, it still lags behind in terms of recognition.
As applause becomes a thermometer of popular demand in Cannes, it is evident that Pan’s Labyrinth remains an unattainable reference, demonstrating how a fantastic fable can resonate deeply with the audience, even without its large budgets or the status of Hollywood stars. In this context, the story of Del Toro’s film stands as a lasting legacy, marking a milestone in Spanish and international cinematography.
