Tag: Nvidia DLSS 5

An Italian television channel has caused YouTube to censor the trailer for Nvidia's DLSS 5

An Italian television channel, La7, caused a stir by temporarily blocking the video “Announcing Nvidia DLSS 5” on YouTube, claiming a copyright infringement on the content. The trailer was unavailable in Italy for more than 24 hours, showing the message that it was blocked in that country due to copyright claims made by La7. Apparently, the channel had used material from the trailer in a segment of its recent program before attempting to claim rights over it. YouTube’s copyright system is broken. The incident sparked reactions on social media, where […]

An Italian television channel, La7, caused a stir by temporarily blocking the video “Announcing Nvidia DLSS 5” on YouTube, claiming a copyright infringement on the content. The trailer was unavailable in Italy for over 24 hours, displaying the message that it was blocked in that country due to copyright claims made by La7. Apparently, the channel had used material from the trailer in a segment of its recent program before attempting to claim rights over it.

YouTube’s copyright system is broken

The incident provoked reactions on social media, where multiple users shared their similar experiences, indicating that their own videos had been demonetized or blocked due to unfounded claims. The situation underscores the criticisms of YouTube’s Content ID system, which is often seen as prone to abuse, primarily affecting smaller content creators who can easily lose significant income.

After La7 withdrew the claim, Nvidia’s trailer was restored and is once again available in Italy, marking a temporary resolution of the conflict. This upheaval highlights the issues in the interpretation of copyright by broadcasters and how their decisions can harm small creators on digital platforms like YouTube. Former IGN editor, Destin Legarie, echoed the frustrations of many by highlighting the absurdity of the situation, pointing out the system’s inability to discern legitimate copyright from abusive ones.

In an ironic twist, La7, which could have taken a more careful approach to protecting its content, is now facing criticism for trying to claim the development of technologies that, in reality, do not belong to them. This episode could serve as a lesson on the need for a system that effectively protects original creators without sacrificing the integrity of online content.

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Nvidia presents its new upscaling technology and is met with boos

Nvidia has announced the launch of DLSS 5, calling it its biggest advancement in computer graphics since the introduction of real-time ray tracing. This evolution of the AI-driven rendering technique promises to significantly enhance visual representation in a variety of video games, including Resident Evil Requiem, Starfield, and Hogwarts Legacy. According to the company, DLSS 5 can enable developers to deliver photorealistic graphics that were previously only achieved in Hollywood visual effects. A technology almost universally despised However, the announcement has generated mixed reactions online. A promotional video has accumulated 2,000 […]

Nvidia has announced the launch of DLSS 5, calling it its biggest advancement in computer graphics since the introduction of real-time ray tracing. This evolution of the AI-driven rendering technique promises to significantly enhance visual representation in a variety of video games, including Resident Evil Requiem, Starfield, and Hogwarts Legacy. According to the company, DLSS 5 can enable developers to deliver photorealistic graphics that were previously only achieved in Hollywood visual effects.

A technology almost universally despised

However, the announcement has generated mixed reactions online. A promotional video has accumulated 2,000 dislikes compared to 1,400 likes, and many users have compared the effects of DLSS 5 with popular AI filters on social media, highlighting a “strange” aspect that contradicts the original artistic intent of the games. Some comments have pointed out that the result resembles an excessive superficial treatment of the characters, creating a sense of ‘uncanny valley’.

Despite the criticism, several renowned developers have praised the potential of DLSS 5. Todd Howard from Bethesda mentioned that the technology has transformed the visual experience in Starfield, while Jun Takeuchi from Capcom highlighted that it will allow for even greater immersion in the world of Resident Evil. Others, like Charlie Guillemot from Ubisoft, have also expressed their enthusiasm for the enhanced capabilities in terms of lighting and materials that DLSS 5 can offer in future games like Assassin’s Creed Shadows.

DLSS 5 will be available this fall and will be implemented in numerous new and remastered titles, including AION 2, CINDER CITY, and The Elder Scrolls IV: Oblivion Remastered. The gaming community is preparing to see how these improvements will affect the aesthetics of their favorite titles, although doubts about the artistic direction persist.

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