The new adaptation of Frankenstein, written and directed by Guillermo del Toro, has managed to establish itself as the latest big success for Netflix, accumulating 62.9 million views in just 10 days. This impressive achievement has led it to become the most-watched movie on the platform for two consecutive weeks, capturing the attention of both the audience and critics. A movie that has dazzled critics With an 86% positive rating on Rotten Tomatoes, Frankenstein stands out as one of the few Netflix films that have reached such high approval figures. This level of […]
The new adaptation of Frankenstein, written and directed by Guillermo del Toro, has established itself as the latest major success for Netflix, accumulating 62.9 million views in just 10 days. This impressive achievement has made it the most-watched film on the platform for two consecutive weeks, capturing the attention of both audiences and critics.
A movie that has captivated critics
With an 86% positive rating on Rotten Tomatoes, Frankenstein stands out as one of the few Netflix movies that have achieved such high approval ratings. This level of recognition is remarkable, especially considering that the production budget exceeds 100 million dollars, reflecting Netflix’s confidence in the project. However, the wait for this adaptation has been considerable, as Del Toro has worked for 18 years to bring his vision of Mary Shelley’s iconic novel to life.
Despite its 150-minute duration, viewers have responded positively, suggesting that the film has managed to captivate the audience. The cast, featuring the prominent participation of Oscar Isaac and the surprising choice of Jacob Elordi as the creature, has contributed to that overall appeal. However, some critics have expressed disappointment, particularly after a change in perspective that reveals their preferences for earlier versions, such as the classic work of James Whale.
In a field where few adaptations manage to capture the essence of their sources, Frankenstein seems to have found a successful path, merging a contemporary narrative with traditional horror elements, always under Del Toro’s unique perspective. Although the critical contributions are varied, the impact of this production on popular culture and its reception on the platform are undeniable.
The fourth season of The Witcher arrived on Netflix several weeks ago, but it has not been received as expected, accumulating only 58% positive ratings on Rotten Tomatoes, making it the lowest-rated season of the series to date. Despite its poor performance in viewership, production has already completed filming for the fifth and final installment, thus ensuring that the story of Geralt of Rivia will continue. I would not have accepted if I did not respect the work of Henry Cavill Liam Hemsworth, who takes on the iconic role of Geralt after Henry Cavill’s departure, […]
The fourth season of The Witcher has arrived on Netflix several weeks ago, but it has not been received as expected, accumulating only 58% positive ratings on Rotten Tomatoes, making it the lowest-rated season of the series to date. Despite its poor performance in viewership, the production has already completed filming for the fifth and final installment, thus ensuring that the story of Geralt of Rivia will continue.
I wouldn’t have accepted if I didn’t respect Henry Cavill’s work
Liam Hemsworth, who takes on the iconic role of Geralt after Henry Cavill’s departure, has shared his motivations for accepting this challenge. In a recent interview with Radio Times, the actor expressed that his love for the character was fundamental in his decision. “I think if I weren’t a fan, if I didn’t care, I wouldn’t have accepted the role. I accepted the role because I’m a fan and because I thought I could do justice to the character,” Hemsworth stated, making his commitment to the portrayal clear.
Despite some critics praising his performance, the overall response has been mixed, with voices in the press considering that his version of Geralt has not managed to capture the essence of the character. Hemsworth, however, remains optimistic about the direction his character is taking this season. “Geralt is in a very real moment of change, a moment I don’t think he has experienced many times. There is a lot of doubt, confusion, and concern,” he commented, highlighting the emotional complexity his character addresses in this installment.
This context has generated expectations among the series’ followers, eager to see how the narrative will unfold in the remaining episodes and in the upcoming final season. However, the negative reception of this fourth installment raises questions about the future of the series and how it will capture the attention of fans with this new interpretation of Geralt.
The Chinese market is becoming increasingly important for Hollywood. Although it may not seem like it, for a movie to succeed explosively, it needs to perform well in that market. That is why movies are increasingly being adapted to the tastes and criteria of the Asian market. Although it is not necessary to reach the Chinese market for a movie to be a success, nor is it the goal of most movies, blockbusters are increasingly trying to succeed in that market. Something in which The Kingdom of the Planet of the Apes is no exception. Tenth […]
The Chinese market is becoming increasingly important for Hollywood. Although it may not seem like it, for a movie to succeed explosively, it needs to perform well in that market. That’s why movies are increasingly being adapted to the tastes and criteria of the Asian market. Although it is not necessary to reach the Chinese market for a movie to be a success, nor is it the goal of most films, blockbusters are increasingly trying to succeed in that market. Something that is no exception is The Kingdom of the Planet of the Apes.
Tenth film in the Planet of the Apes franchise and the fourth in the series after the reboot, the film directed by Wes Ball is a 145-minute odyssey that cost around 160 million dollars and managed to gross 400 million dollars at the box office. Partly thanks to the Chinese market.
Projecting $50-55 million in the US for its debut weekend, it ended up making just over $58 million. Similarly, it was expected to make between $80-90 million outside the US, but it ended up making $129 million. Among them, $6.4 million came from Mexico, $7.1 million from France, and $11.4 million from the second largest market in the world: China. Demonstrating the crucial importance it has in these big-budget films.
Even so, the movie was a success thanks to its domestic and global success. Although it performed well in China, which greatly boosted its numbers, its triumph was largely because it performed radically better than analysts around the world expected. Something that was also reflected in the reviews, receiving an 80% on Rotten Tomatoes, with 323 positive reviews. Even if on Metacritic, where scores tend to be much harsher, it barely reached a 66 out of 100.
Being the fourth installment of the franchise, one would expect it to have performed considerably worse than the previous ones. And although it made 100 million less than the previous film, War for the Planet of the Apes, it was considered a complete success. And why did it work? Mainly, because the movie knows how to maintain a perfect balance between continuing the story of the previous films and being completely understandable without having seen them. By elegantly maintaining that precarious balance for its two and a half hours, it manages to keep the attention of viewers looking for intense and bombastic entertainment, allowing them to enjoy a blockbuster that clearly shows where its budget is: in the special effects.
The reason for success: following the story and the visuals
Because the other great differentiating factor of the film is the great spectacle it offers. With highly crafted special effects and absolutely spectacular CGI, it has been compared in quality to Avatar, the film by James Cameron. This translated into numerous award nominations and, very notably, a nomination for the Oscars for Best Visual Effects in 2024, which Dune: Part Two would ultimately win.
Now the kingdom of the planet of the apes arrives on HBO Max so we can enjoy it in the comfort of our homes to relive the tremendous show it represents. And while it’s not the same as watching it in the cinema, it is surely still a spectacle worth seeing.
The new season of The Witcher has premiered on Netflix, marking a significant change in the series with the arrival of Liam Hemsworth as the new Geralt of Rivia following Henry Cavill’s departure. Although the audience eagerly awaited this return, reactions have been mixed, highlighting a marked dissatisfaction from both critics and the public, as evidenced by the ratings on Rotten Tomatoes. A self-confident actor, Liam Hemsworth, who succeeds Cavill in this iconic role, has shared his experience with the change through various interviews, including one […]
The new season of The Witcher has premiered on Netflix, marking a significant change in the series with the arrival of Liam Hemsworth as the new Geralt of Rivia following Henry Cavill’s departure. Although the audience eagerly anticipated this return, reactions have been mixed, highlighting a marked dissatisfaction from both critics and the public, as evidenced by the ratings on Rotten Tomatoes.
An actor with self-confidence
Liam Hemsworth, who succeeds Cavill in this iconic role, has shared his experience with the change through various interviews, including an appearance on The Kelly Clarkson Show. During the promotion, Hemsworth revealed that he is a fan of the video game The Witcher, and he enjoyed it eight years ago. However, he also made a peculiar reflection on the gaming experience, suggesting that it is quite immersive and only recommended for those without work or romantic commitments, which highlights the complexity and time that the franchise requires.
The transition to interpreting such an iconic character was not without challenges. Hemsworth admitted to having doubts at the beginning, acknowledging his admiration for Cavill and the legacy he left behind. Despite this, he felt motivated to participate, believing he could bring something new to the character. “If I hadn’t been a fan, I wouldn’t have accepted,” he commented, emphasizing his desire to give a fresh approach to Geralt in this new stage of the series.
Despite the efforts of Hemsworth and the team, the high expectations of the public have led to a lukewarm overall reception. With criticisms pointing to a lack of connection with what had previously been established, The Witcher faces the challenge of regaining the trust of its fanbase. This change of protagonist, while promising in the view of some, will be scrutinized as the season progresses.
The fourth season of The Witcher, starring Liam Hemsworth, debuted with concerning figures, registering a 50% drop in its viewership compared to the third season, which featured Henry Cavill in the role of Geralt of Rivia. In its first four days, the series reached 7.4 million views, far below the 15.2 million who watched the third season and the 18.5 million of the second, indicating a significant decline in public interest. A series that is showing signs of fatigue Interestingly, the fourth season did not manage to position itself as […]
The fourth season of The Witcher, starring Liam Hemsworth, debuted with concerning figures, registering a 50% drop in its viewership compared to the third season, which featured Henry Cavill in the role of Geralt of Rivia. In its first four days, the series reached 7.4 million views, far below the 15.2 million who watched the third season and the 18.5 million of the second, indicating a significant decline in public interest.
A series that is showing signs of fatigue
Interestingly, the fourth season did not manage to position itself as the most-watched series on the platform during its premiere. The romantic comedy Nobody Wants This surpassed it, reaching 9.4 million views in its second week. Additionally, The Witcher: The Rats: A Witcher Story, a telefilm released concurrently, has also failed to stand out in Netflix’s top 10.
The criticism towards this new installment has been overwhelmingly negative, reflected on platforms like Rotten Tomatoes and IMDb, where both the series and the telefilm have received significant discontent from fans. This aligns with the growing disillusionment among franchise followers, many of whom have echoed their concerns through threats of boycott.
Despite these figures and the negative reaction, the fifth and final season of The Witcher is already confirmed, although the possibility of spin-offs or additional projects seems to be hanging by a thread. The current situation creates uncertainty about the future of the saga adapted from the work of Andrzej Sapkowski, which has led fans to question the direction the franchise will take.
The recent departure of Henry Cavill as Geralt of Rivia in Netflix’s The Witcher series has generated a wave of concern among fans, who fear for the continuity of the production. However, the arrival of Liam Hemsworth as his replacement has ensured that the series will continue its course, despite the controversy surrounding this change. Those working on the series never feared for it Anya Chalotra, who plays Yennefer, expressed her confidence in the continuity of the series, stating that she always had the certainty that “we would all continue.” For Chalotra, the deep […]
The recent departure of Henry Cavill as Geralt of Rivia in Netflix’s The Witcher series has generated a wave of concern among fans, who fear for the continuity of the production. However, the arrival of Liam Hemsworth as his replacement has ensured that the series will continue its course, despite the controversy surrounding this change.
Those who work on the series never feared for it
Anya Chalotra, who plays Yennefer, expressed her confidence in the continuity of the series, stating that she always had the certainty that “we would all continue.” For Chalotra, the deep love for the original material has been a key factor in the project’s persistence. “I was excited to see where Yennefer would go,” she added, highlighting her optimism despite the challenges presented.
The producers of The Witcher have defended the change of actor by comparing Geralt of Rivia to iconic figures from other franchises, such as James Bond and Batman, noting that his role can be portrayed by different actors over time. This perspective has been well received by the cast members, who have also positively commented on Hemsworth’s integration into the team, suggesting a collaborative and welcoming environment.
Despite this bet on the future, a portion of the fandom has reacted with discontent, interpreting Cavill’s departure as a failure for Netflix. This has been reflected in the negative ratings of the series on platforms like Rotten Tomatoes and IMDb, where episodes of “review-bombing” have been reported. With the fourth season underway and a fifth already announced, the future of The Witcher seems uncertain, awaiting the public’s reactions once the new installments are released.
Netflix is in the development stages of an animated series based on the iconic video game franchise Crash Bandicoot, currently owned by Microsoft following the acquisition of Activision Blizzard. This new project would add to the growing list of successful video game adaptations on the platform, such as The Witcher, Arcane, and Cyberpunk: Edgerunners. With Crash Bandicoot and its legacy marked by a golden era in the 90s, the character seeks to revive its relevance in the contemporary entertainment world after more than a decade of inactivity. Crash Bandicoot is coming to the small screen […]
Netflix is in the development stages of an animated series based on the iconic video game franchise Crash Bandicoot, currently owned by Microsoft following the acquisition of Activision Blizzard. This new project would add to the growing list of successful video game adaptations on the platform, such as The Witcher, Arcane, and Cyberpunk: Edgerunners. With Crash Bandicoot and its legacy marked by a golden era in the 90s, the character seeks to revive its relevance in the contemporary entertainment world after more than a decade of inactivity.
Crash Bandicoot arrives on the small screen
The production of the series will be handled by WildBrain Studios, known for its work on Sonic Prime, an adaptation that has been well received, achieving a 7.2 on IMDb and an 81% positive reviews on Rotten Tomatoes. The studio’s experience in animation suggests that the Crash series could benefit from a similar approach, capturing the essence of the marsupial that won the hearts of players.
Phil Spencer, president of Microsoft’s gaming division, has hinted that more adaptations of franchises under his control are being prepared, which reinforces Netflix’s strategy of bringing video games to television. Although there is still no official confirmation regarding release dates or cast details, the anticipation is palpable among fans. It is also rumored that Activision could take advantage of the series launch to present new titles related to the saga or reissues of the classics.
The marsupial has had a television past that includes a canceled series in which the character was set to have a leading role, as well as his appearance in Skylanders Academy, a project that, although it did not achieve the expected success, was aired on Netflix. As more video game adaptations are produced, this Crash Bandicoot series could be a crucial link in consolidating the franchise’s presence in modern television.
The psychological thriller I’m Thinking of Ending Things, written and directed by Charlie Kaufman, premiered on Netflix in September 2020, offering a surreal and thought-provoking cinematic experience. Based on the novel of the same name by Iain Reid, the film follows a young woman (played by Jessie Buckley) who embarks on a journey to meet her new boyfriend Jake’s parents while grappling with ambivalence about their relationship. A movie that will leave you unsettled and perplexed Despite receiving mostly positive reviews, with an 82% approval rating on Rotten Tomatoes, the audience reception […]
The psychological thriller I’m Thinking of Ending Things, written and directed by Charlie Kaufman, premiered on Netflix in September 2020, offering a surreal and thought-provoking cinematic experience. Based on the novel of the same name by Iain Reid, the film follows a young woman (played by Jessie Buckley) who embarks on a journey to meet the parents of her new boyfriend, Jake, while grappling with ambivalence about their relationship.
A movie that will leave you uneasy and bewildered
Despite receiving mostly positive reviews, with an 82% approval rating on Rotten Tomatoes, audience reception was colder, with a score of only 50%. Many viewers felt puzzled by the unusual pacing and unconventional structure of the film, a typical characteristic of Kaufman’s style, known for his work on Eternal Sunshine of the Spotless Mind.
In the movie, Buckley’s character is presented with multiple names, including Lucy, Louisa, and Lucia, reflecting her own confusion about her identity. As the story progresses, the awkward moments of a family dinner intertwine with the life of an elderly man (Guy Boyd) who struggles with loneliness and existential despair, creating a surprising climax that invites reflection.
Buckley’s performance has been so impactful that she is emerging as a favorite for the Oscar for Best Actress for her role in the upcoming film Hamnet. Her performance in I’m Thinking of Ending Things has been praised for her ability to alternate between a stabilizing presence and the delivery of distressing emotions, which has led critics to highlight her versatility as an actress.
Recently, IndieWire included I’m Thinking of Ending Things in its list of the “100 Best Movies of the 2020s (So Far),” highlighting its bold structure and deep existential themes. It is a film that provokes, invites introspection, and may have gone unnoticed upon its release, but definitely deserves to be revisited today.
The new Netflix series, The Guinness House, created by Steven Knight, known for his acclaimed work Peaky Blinders, has had a difficult start on the streaming platform. In its first week, the series reached 5.2 million views, a figure that barely increased to 6.4 million in its second week. These numbers, considered disappointing by many experts, put the series on the brink of cancellation, especially when compared to other premieres that have been quickly canceled despite having higher figures. Disappointing numbers Among the most notable examples, The Residence started with 6.4 million, […]
The new Netflix series, The Guinness House, created by Steven Knight, known for his acclaimed work Peaky Blinders, has had a difficult start on the streaming platform. In its first week, the series reached 5.2 million views, a figure that barely increased to 6.4 million in its second week. These numbers, considered disappointing by many experts, put the series on the brink of cancellation, especially when compared to other premieres that have been quickly canceled despite having higher figures.
Disappointing numbers
Among the most notable examples, La residencia started with 6.4 million, and although it increased its audience to 8.8 million, it was canceled shortly after. Similarly, Aguas turbias, the most-watched English-speaking series in its first weeks, accumulated 8.3 million, and then 11.6 million, but it was also discontinued. In this context, La casa Guinness presents numbers that could seal its fate, especially considering that its production is not expected to be significantly cheaper than those other series.
Despite the lack of public interest, The Guinness House enjoys some critical prestige, holding a 90% positive rating on Rotten Tomatoes. However, it is rare for Netflix to take these evaluations into account when deciding the future of its productions. In this situation, the only hope for the series could be Netflix’s relationship with Steven Knight, who has future commitments with the platform, including the sequel series to Peaky Blinders, which will have at least two seasons.
Decisions about the continuation of La casa Guinness may depend more on Netflix’s strategy to keep the creator happy than on the audience metrics themselves. This means that fans of the series can still hold out hope that they will be given at least one more season to wrap up the open storylines.
The horror movie Good Boy, starring a dog, will premiere in theaters on October 3 in the United States and October 10 in the United Kingdom. This film has captured the audience’s attention since its debut at the SXSW festival, where it won the Howl of Fame Award and currently holds an impressive 95% rating on Rotten Tomatoes. A movie destined to be a resounding success The story follows Indy, a loyal Nova Scotia Duck Tolling Retriever, who moves with his owner to a haunted rural house, […]
The horror movie Good Boy, starring a dog, will be released in theaters on October 3 in the United States and October 10 in the United Kingdom. This film has captured the audience’s attention since its premiere at the SXSW festival, where it won the Howl of Fame Award and currently holds an impressive 95% rating on Rotten Tomatoes.
A movie destined to be a resounding success
The story follows Indy, a loyal Nova Scotia Duck Tolling Retriever, who moves with his owner to a haunted country house, only to discover that supernatural forces want to harm his human. Director Ben Leonberg, along with his wife and dog, undertook a long production process that culminated in this unique film. Leonberg was inspired by the trope of the dog in horror movies, developing a narrative centered on animal behavior in the face of the unknown.
The reception of the trailer has been so positive that the film has moved from a limited release to a wider launch in theaters, something that Leonberg considers a great achievement, although he always believed in the project. “It was an odyssey to make the movie… It was just my wife, my dog, and me for years,” the director commented. The connection between Indy and the audience is undeniable, as he has already been recognized on the street before the premiere. “We went out for coffee and someone asked, ‘Hey, is that the famous dog?'” Leonberg recounted.
The idea of centering the story on a dog comes from the tradition of horror cinema, where canines often “know better.” Leonberg had been working on the script for several years before having Indy, but the little dog quickly became the true protagonist of the film. “We are very happy that Indy is the star of Good Boy, we can’t imagine another dog in this role,” said the director.
