In a surprising turn of events, a mansion located at 1435 S. Fourth St. in Louisville, Kentucky, has been the subject of media attention due to a chilling discovery made in 2010. This imposing property features eight bedrooms and seven bathrooms, encompassing a total of 8,000 square feet of living space. However, its appeal is overshadowed by a dark secret hidden within, which we will see in the series Murder In Glitterball City, on HBO Max. Only murders in the mansion In 2010, the police conducted an investigation in the mansion after […]
In a surprising turn of events, a mansion located at 1435 S. Fourth St. in Louisville, Kentucky, has been the subject of media attention due to a chilling discovery made in 2010. This impressive property features eight bedrooms and seven bathrooms, encompassing a total of 8,000 square feet of living space. However, its appeal is overshadowed by a dark secret hidden within, which we will explore in the series Murder In Glitterball City, on HBO Max.
Only Murders in the Mansion
In 2010, the police conducted an investigation at the mansion after receiving reports of suspicious activity. During the operation, the agents encountered unimaginable horror: a body hidden in a hole inside the wine cellar of the residence. The discovery left the community and authorities stunned, raising numerous questions about the circumstances surrounding that tragedy.
The situation became even more complicated by the testimony of a gay couple who resided in the mansion at the time of the discovery. The two men accused each other of being responsible for the incident, creating an atmosphere of tension and distrust on the property. Although no clear details about the results of the investigation have been released, the case continues to generate speculation and theories about what really happened in that house.
Today, the mansion remains a topic of conversation in the community, with many wondering if the dark legacy of its history will linger for a long time. The lack of clear resolutions has fueled rumors about possible connections and motivations behind the discovery. In this context, the mansion at 1435 S. Fourth St. has become not only a large property but also a symbol of a mystery waiting to be unraveled.
Disney+ will release the series ‘Amanda Knox: A Twisted Story’ on August 20, a dramatic adaptation of one of the most controversial and followed murder cases in recent history. This new proposal, consisting of eight episodes, promises to immerse viewers in the intricate details of the case that has captured public attention since 2007. What happened to Amanda The first trailer of the series, recently released, shows unsettling images that evoke the most shocking moments of the case of Amanda Knox and her roommate, Meredith Kercher. Knox, played by actress Grace Van Patten, […]
Disney+ will release the series ‘Amanda Knox: A Twisted Story’ on August 20, a dramatic adaptation of one of the most controversial and followed murder cases in recent history. This new proposal, consisting of eight episodes, promises to immerse viewers in the intricate details of the case that has captured public attention since 2007.
What happened to Amanda
The first trailer of the series, recently released, shows unsettling images that evoke the most shocking moments of the Amanda Knox case and her roommate, Meredith Kercher. Knox, played by actress Grace Van Patten, found herself in a media storm in Italy following Kercher’s murder, which generated sensationalist coverage and polarized opinions.
In the course of this controversial case, Knox and her then-boyfriend, Raffaele Sollecito, were sentenced to prison for four years, until their convictions were finally overturned. The true guilt lay with Rudy Guede, whose DNA evidence was crucial in clarifying the facts, adding complexity to the narrative of justice in Italy. Despite being acquitted, Knox has remained in the public eye, facing constant media scrutiny due to the numerous inconsistencies in the investigation.
The Disney+ series focuses not only on the impact of crime but also on how the media and society interpreted Knox’s reaction during the trial. As is known, the case has served as a benchmark for debating justice, sensationalism, and truth in media trials. Thus, ‘Amanda Knox: A Twisted Tale’ presents itself as an artistic exploration of a tragedy that still resonates in popular memory.
The beginning of the fascination with mainstream true crime can be traced back to Serial, the 2014 podcast that aimed to shed light on the murder of a high school student at the alleged hands of an ex-boyfriend who was convicted without sufficient evidence. From there, everything exploded thanks to Netflix, which knew better than anyone else how to ride the wave. The following year, it released Making a Murderer, followed by milestones like Tiger King, Don’t F**k with Cats, or The Girl in the Picture. But of course: genres, as they evolve, go, from […]
The beginning of the fascination with mainstream true crime can be traced back to Serial, the 2014 podcast that aimed to shed light on the murder of a high school student at the alleged hands of an ex-boyfriend who was convicted without sufficient evidence. From there, everything exploded thanks to Netflix, which knew better than anyone else how to ride the wave. The following year, it released Making a Murderer, followed by milestones like Tiger King, Don’t F**k with Cats, or The Girl in the Picture. But of course: genres, as they evolve, somehow become devalued.
True crime
It’s not that we’ve run out of gruesome stories to tell, but it’s true that true crime no longer hooks us as it used to because, as viewers, we know them all. So much so that even in a closed series like Adolescencia there were people upset because there were no twists or even a proper trial. And, after all the streaming services started copying each other, it was time to give televised crime a new spin.
For example, Amazon Prime Video revolutionized the format with the fabulous Spanish program How to Catch a Monster, which was filmed in first person and whose events, far from having concluded at the start of the first episode, were happening at that very moment. It was a breath of fresh air that clearly demonstrated something very clear: we were no longer interested in vague crimes. Now, if we want to grab attention, we have to go for very unique things. For example, HBO made a documentary about a con artist who used the Monopoly from McDonald’s, and Netflix itself did the same with a looming disaster: the Woodstock festival of 1999.
It was a cheap documentary to make (basically made up of testimonies from people accompanied by archival material), and it was such an unexpected success that they quickly requested more short, direct true crimes… and, why not say it, a little tacky. Thus, a collection of films was born that this summer are making the most of, releasing one each week: Total Fiasco. And let me tell you that it has been a long time since I enjoyed watching a documentary of this genre so much.
The poop cruise!?
Throughout the summer, Netflix has been (and will be) releasing small snippets of between 45 minutes and just over an hour featuring local disasters so embarrassing that they deserve their own spotlight. For example, the case of that mayor from Toronto who was caught smoking crack on video (twice!), the music festival where several people died while the singer kept doing “Yeaahhh” with autotune, or the cruise where the toilets stopped working… And the rest you can imagine.
They last as long as they need to, without delving into the topic, just enough for you to leave with the information, but they are perfect for the summer period: direct, to the point, enough to be able to share it later with friends or to pass the time on a Saturday night enjoying the embarrassment of others. In the meantime, we have reports of the cult that was American Apparel, people who invaded Area 51 running like Naruto or a blimp that took off with a 6-year-old boy inside. True crime? Yes. Trashy? Of course. Grab your soda and your ice cream, because you can afford to enjoy this type of product for an hour a week in the summer.
That doesn’t mean that Netflix won’t release more classic true crimes (there’s a whole audience whose subscriptions depend exclusively on watching investigations and murders), but personally, I appreciate that they have opened a door to those stories from history that would normally barely fill a footnote but here have earned a little screen time. And if they want to extend it throughout the year, please, go ahead. We’re all ears.
Netflix is preparing for the premiere of the third season of the successful series Monster, created by Ryan Murphy and Ian Brennan, which is set to be released very soon. The true crime anthology, which has captured the audience’s attention for its detailed approach to controversial figures in history, continues to attract the attention of the platform’s subscribers. The monsters are among us According to the latest information, the streaming platform is already working on a fourth season of this popular franchise. This new installment will focus on the infamous story of Lizzie Borden, who in […]
Netflix is preparing for the premiere of the third season of the successful series Monster, created by Ryan Murphy and Ian Brennan, which is set to be released very soon. The true crime anthology, which has captured the audience’s attention for its detailed approach to controversial figures in history, continues to attract the attention of the platform’s subscribers.
Monsters Are Among Us
According to the latest information, the streaming platform is already working on a fourth season of this popular franchise. This new installment will focus on the infamous story of Lizzie Borden, who in 1892 was tried for the murder of her father and stepmother, although she was ultimately acquitted of the charges. The case has fascinated both historians and the general public, becoming an emblematic example of trials that captured national attention.
The creators and executive producers of Monster, Ryan Murphy and Ian Brennan, are known for their ability to combine intriguing narratives with a distinctive cinematic approach. The production of the series has tackled a variety of themes that generate both controversy and interest, and the story of Lizzie Borden does not seem to be the exception. This new season promises to offer a deep exploration of the case, which remains a topic of debate more than a century after the events surrounding it.
The details about the format and release date of the fourth season have not yet been revealed. However, the news that Netflix continues to expand this anthology of true crimes highlights its commitment to providing engaging and thought-provoking content, thus keeping its subscriber base interested in narratives of truth that seem to challenge fiction.
The popularity of series based on true crimes continues to rise, and Netflix joins this trend with the release of Bodkin, launched on May 10. In its first week, the series has reached 23 million hours viewed and has positioned itself in the Top 10 in 51 countries, even standing out in a context dominated by productions like Bridgerton. Three podcasters who will do whatever it takes to get their true crime Bodkin tells the story of a group of podcasters investigating the mysterious disappearance of three people in a peaceful Irish coastal town. As […]
The popularity of series based on true crimes continues to rise, and Netflix joins this trend with the premiere of Bodkin, released on May 10. In its first week, the series has reached 23 million hours viewed and has positioned itself in the Top 10 in 51 countries, even standing out in a context dominated by productions like Bridgerton.
Three podcasters who will do whatever it takes to get their true crime
Bodkin tells the story of a group of podcasters investigating the mysterious disappearance of three people in a peaceful Irish coastal town. As they dig deeper, the protagonists uncover a much greater complexity behind the case, turning their investigation into an intriguing journey full of surprises.
What sets Bodkin apart from other series with similar themes is its parodic approach to true crimes. It uses dark humor and social criticism to explore the phenomenon while maintaining elements of thriller and horror, thus creating a unique experience. This style has led several critics to compare it to Only Murders in the Building and The Tourist, not only for its critique of the crime genre but also for the mix of quirky characters and the dynamic established between them.
The series, directed by Jez Scharf, features a cast that includes Robyn Cara, Siobhan Cullen, and Will Forte. It consists of only seven episodes, each under an hour long, allowing for a complete viewing in less than six hours, making it ideal for a weekend marathon. Critics have urged viewers to be patient during the first episodes, indicating that the story and characters solidify, offering a truly captivating experience.
The new Netflix movie, The Black Widow, has achieved the top spot in the ranking of the most viewed films in over 50 countries, establishing itself as one of the surprises of the year. Starring Carmen Machi, Ivana Baquero, and Tristán Ulloa, the film is a dramatization of the Patraix crime, a real case that has resonated in Spanish public opinion. This production is part of Netflix’s strategy to invest in Spanish crime stories, a path that began with miniseries like The Body on Fire and The Asunta Case. Carmen Machi, more than a comedic actress […]
The new Netflix movie, The Black Widow, has achieved the top spot in the ranking of the most viewed movies in over 50 countries, establishing itself as one of the surprises of the year. Starring Carmen Machi, Ivana Baquero, and Tristán Ulloa, the film is a dramatization of the Patraix crime, a real case that has resonated in Spanish public opinion. This production is part of Netflix’s strategy to invest in Spanish crime stories, a path that began with miniseries like The Body on Fire and The Asunta Case.
Carmen Machi, more than a comic actress
Directed by Ramón Campos and Carlos Sedes, La viuda negra presents a disturbing story that has already captured the audience’s attention. Carmen Machi, in her role as inspector, carries the burden of the investigation into the murder of engineer Antonio Navarro, delivering a performance that has been praised for its naturalness and tension. Through her character, the actress demonstrates her ability to navigate between the mystery and intrigue of the plot.
In a recent interview, Machi reflected on his career and the unpredictability of success in cinema, mentioning his lack of enthusiasm for Ocho apellidos vascos, the highest-grossing film in the history of Spanish cinema. Despite being an integral part of a cultural phenomenon, Machi confessed that, at the time, the film did not appeal to him. However, time has shown how great films can change through audience reception.
With over 60 million euros raised at the box office in Spain, Ocho apellidos vascos transformed Spanish comedy, emerging from the initial indifference of its creators to become a massive success. Now, with La viuda negra, Carmen Machi continues her evolution as an actress, challenging expectations and exploring new facets in her career.
The recent movie Black Widow, released on Netflix, has revived the media fervor surrounding the well-known Patraix Crime, a case that moved Spain in 2017. The film, directed by Carlos Sedes and produced by Ramón Campos, has reached number one in 56 countries, attracting a global audience that was previously unaware of the details of this criminal event. Fiction, but very real The story focuses on María Jesús Maje Moreno, whose life took a dramatic turn after the murder of her husband, Antonio Navarro, 35 years old, found in their garage with multiple wounds […]
The recent movie The Black Widow, released on Netflix, has revived the media fervor surrounding the well-known Patraix Crime, a case that moved Spain in 2017. The film, directed by Carlos Sedes and produced by Ramón Campos, has reached number one in 56 countries, attracting a global audience that was previously unaware of the details of this criminal event.
Fiction, but very real
The story centers on María Jesús Maje Moreno, whose life took a dramatic turn after the murder of her husband, Antonio Navarro, 35 years old, found in their garage with multiple stab wounds. The investigation put Maje under the police’s scrutiny, especially after it was discovered that she was having several extramarital affairs. This aspect of her life complicated the case and led to questioning Salva, a coworker at the hospital who was also married.
Since its premiere, La viuda negra has generated a surge in searches and articles focused on the protagonists of this true story, who are portrayed in the film by Ivana Baquero and Tristán Ulloa. Baquero has also been acclaimed for her work in true crime fiction productions. On the other hand, Carmen Machi, known for her acting versatility, takes on the role of the leader of the investigation, adding an additional nuance to the narrative.
As the plot unfolds in the film, it delves into Maje’s personal dilemmas, who, although she chose the stability of marriage, could not resist the attraction to luxury and passion. Thus, the Patraix Crime not only resonates again in the news editions but also reiterates the potential that real-life narratives have to attract contemporary audiences, confirming that true crime has all the elements of a good thriller.
There is a screenwriter who decided to go one step further… And he committed, based on his own comic, one of the worst crimes in Hollywood history.
In 1994, issue 54 of DC‘s Green Lantern featured an image that eventually became unfortunately iconic: Kyle Rayner’s girlfriend, who had been killed by Force Majeure, had her body stuffed in the fridge. This moment gave name to a comic book cliché coined by Gail Simone: women in refrigerators. The list of names of female characters killed, tortured or mutilated in comics is endless, ranging from Elektra herself to Gwen Stacy. However, as terrible as this topic is, there is a scriptwriter who decided to go one step further… And he committed, based on his own comic book, one of the worst crimes in the history of Hollywood.
Warning: if you are very squeamish, it is better not to read any further because the story of ‘Syndrome’ is worthy of a true crime.
The wealthy screenwriter
If there are two words that don’t usually go together in real life, it’s “screenwriter” and “rich.” Yet Blake Leibel was. Born in 1981, his family was one of the most powerful in all of Canada. His father was a construction magnate. His mother, meanwhile, was part of the Chitels, founders of one of Toronto’s most powerful plastics factories. Everything was going well, until one day they decided to separate and both siblings split up with their parents.
Blake stayed with Eleanor, while Cody went to live with his father (who, interestingly, was the first Olympic sailor to test positive for doping in 1976). Blake’s salary when he came of age in 1999 was 18,000 euros a month. Nothing, about the same as any of us. So, he wouldn’t have much of a problem moving to Los Angeles and pursuing a career as an artist, not even as a hobby.
The thing is, he had some luck: in 2008 he became the director of three episodes of the animated series of ‘The Mad History of the Galaxies’ and in 2009 he was able to direct and script ‘Bald’, a film promoted with the slogan “No money. No hair. No shame” in which a college student started an erotic website with the hottest girls on campus to earn money and give a hair transplant to his roommate. In fact, it’s described as if “the worst parts of Annie Hall met the worst parts of American Pie.” But we’re not here to judge her career, we’re here to understand how and why she became The Comic Book Killer.
Leibel had already written some comics before 2010, such as ‘When Kingdoms Collide’, ‘Operation: Redux’ or ‘United free worlds’. These were ultra-violent comics, but nothing out of the ordinary. Other authors like Mark Millar also recreate themselves in violence and in their real life they are still good people. However, Blake Leibel was no Mark Millar. When in 2010 he released ‘Syndrome’, a graphic novel created by him, scripted by Daniel Quantz and RJ Ryan and illustrated by David Marquez (who has gone through Marvel, DC and anywhere you can imagine). None of his co-workers noticed anything unusual about him despite the gruesome nature of the story.
The first page of the comic posed the question “Why should we spare the life of an unrepentant murderer?”, to which the answer was given “Because you don’t do good by doing evil”. Throughout the comic, grotesque situations (a beheaded woman, a whole family murdered, a person hanged and bled to death…) are intertwined in a story about a serial killer and the obsession of four characters.
The comic didn’t have much of a run (it didn’t matter, Leibel launched it with his own publishing house and let’s remember that he received $18,000 a month to cover any expenses). Four years after his departure, Iana Kasian, a young Ukrainian woman, emigrates to the United States to work as a model in California. There she meets Leibel, who had just broken up with his wife, Amanda Braun, after a few erratic weeks: fate, it seemed, had brought them together. Expensive gifts followed (including a Mercedes convertible), the two moved in together, and finally, on May 3, 2016, their daughter Diana was born. 23 days later, Iana would be dead.
Taken from the vignettes
“They kill. We kill. In the end we all become monsters”. Another person to meet in this story is Constance Buccafurri, Leibel’s mistress (of whom Iana, of course, knew nothing). In mid-May, with their newborn daughter, the screenwriter went to his lover’s house and sexually abused her. It all happened in a single day: he got out of jail by paying $100,000 but by the time he returned to his apartment, the Ukrainian woman had left with her daughter and her mother, who was visiting, to a nearby hotel.
Imagine for a moment the life of Blake Leibel, a person who had always had absolutely everything: money, career as a screenwriter, women… who is suddenly thrown in jail and, when he gets out, discovers that his girlfriend has refused to see him. The man feigned repentance and insisted on spending more time with her, asking her to come back to the apartment to sort out their problems. Luckily, Diana and Iana’s mother stayed at the hotel waiting for him to return. But she never ever came back.
We won’t go into details because they are too gruesome, but suffice it to say that on May 24 Leibel committed an agonizing and brutal murder that seemed inspired by those in ‘Syndrome’. He drained the blood from her body and scalped her: that was only the beginning of the horrible torture Iana Kasian suffered. When the police arrived, alerted by Iana’s mother, the screenwriter told them she was fine, just resting. On May 26, finally, a patrol car broke down the door and entered a house that instead of a floor had blood on it. Blake, who had shielded his room with closets and mattresses, sat in shock next to a mutilated, grotesque corpse.
As luck would have it, Leibel ended up in jail sentenced to life in prison without the possibility of review, despite maintaining that he was innocent. The coroner stated, in examining the facts, “I’ve never seen anything like this before. And I doubt if any coroner in this country or beyond has ever seen anything like this outside of, perhaps, wartime”. The prisoner is serving his sentence in California, thus putting an end to one of the blackest episodes in the history of comics… And, probably, of Hollywood.
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Netflix has made us obsessed with true-crime documentaries, but what is the best of the best?
Netflix has become the king of true-crime documentaries over the past few years. Social media outlets explode with memes and references to each new documentary they release.
With hundreds of documentaries to choose from, it can be difficult to find the best ones, even for a true crime junkie. We’ve assembled a handy list of the best documentaries any true crime lover will want to see:
This was originally created as a web series by amateur investigators. The series follows two former Catholic school students who try to discover who killed their former teacher, Sister Cathy Cesnik.
Her murder was never solved, but her former students believe it’s because of a coverup. They will stop at nothing to find the truth. It is easy to get invested in this case, as things get much darker than you can anticipate.
This documentary is built around the hundreds of interviews conducted with Ted Bundy, one of the most infamous serial killers of all time. In the tapes, he chronicles his entire life. His upbringing, his murders, and even his own death are discussed by Ted and his interviewer. If you’ve ever been interested in criminal minds, this will give you a deep look into one.
This is an interesting series that follows murder suspects who originally confessed to a crime, only to later rescind their confessions later. Each episode goes into detail about a different case. They follow the story of the confessor and their explanation of why they made a false confession.
A unique take on true-crime films, “Casting JonBenet” is worth your time. It follows a group of actors who are being cast to play the people who are suspected to have taken part in the murder of JonBenet Ramsey.
As the cast dives into the characters together, they begin to form their own opinions on what happened. They also dive into how they wish to portray the events of that night. Since JonBenet’s case is still unsolved, the actors’ speculation is more interesting than in other documentaries. Many of the actors lived around JonBenet’s family, so there is also a personal relationship between each actor and the case itself.
While most true-crime documentaries are about injustices from decades ago, “Amanda Knox” is about a pretty recent case. Amanda Knox is well known for being twice convicted of a crime she did not commit. This documentary follows Amanda’s story from start to finish. The real Amanda Knox explains what it was like for her to be wrongfully accused, and how she was portrayed by the media.
This series was one of the first major true-crime documentaries that Netflix released. The first season follows Steven Avery and his nephew Brendan Dassey, as they are accused of a murder they claim to have not committed. Avery was wrongfully convicted once before and served 18 years in jail until being released.
The first season took 10 years to film. A second season was released last year, detailing what has happened to the family since the first season was released.
Probably the most popular true-crime documentary since its addition to Netflix, “Abducted in Plain Sight” follows the case of Jan Broberg’s kidnapping. Or, should we say, kidnappings.
Every step of this case gets more and more unbelievable as you hear more about Jan’s family and how they were involved in her case. You will have to pick your jaw off the floor a few times while watching this documentary.
While “Making a Murderer” may have started the popularization of true crime documentaries, “Abducted in Plain Sight” is by far the most popular one currently.
Did your favorite make the list? Do you agree with our top spot? If you have a favorite on Netflix or another streaming service, let us know.
