La Cosa - Softonic English

According to the Russos, the teasers for Avengers: Doomsday are not teasers

The Marvel brand is facing a period of disappointing results in recent years, an undeniable fact despite recent successes like Deadpool and Wolverine and Spider-Man: No Way Home. These achievements have not managed to reverse the feeling of a decline, evidenced by the cold and skeptical reaction to the latest teasers released for Avengers: Doomsday, scheduled to premiere on December 18, 2026. A disappointing year for Marvel The four teasers presented, which include stories and hints about the upcoming movie, have generated comments online, but most opinions are […]

The Marvel brand is facing a period of disappointing results in recent years, an undeniable fact despite recent successes like Deadpool and Wolverine and Spider-man: No Way Home. These achievements have not managed to reverse the feeling of a decline, evidenced by the cold and skeptical reaction to the latest teasers released for Avengers: Doomsday, scheduled to premiere on December 18, 2026.

A disappointing year for Marvel

The four teasers presented, which include stories and hints about the upcoming movie, have generated comments online, but most opinions are critical of the directors, the Russo brothers.Fans have recalled that, despite their cryptic approach, it is still a Marvel movie, and many question the effectiveness of the implicit messages they have tried to communicate.

The latest teaser showed key characters like Shuri and the inhabitants of Wakanda interacting with The Thing from the Fantastic Four, which has led the Russo brothers to state on Instagram that what fans have been seeing are not mere teasers or trailers, but stories and clues. This statement has raised more questions than answers and has generated speculation about its true meaning.

The reactions on social media have been varied, and while some argue that each teaser represents vital stages in the narrative of the Marvel universe, most remain skeptical about the franchise’s ability to recover. The concern about the focus on quantity over quality persists, and many wonder if Marvel will be able to revitalize its image or if it will face a spectacular end, similar to the impact of Mjolnir in its stories.

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Is John Carpenter's The Thing a Christmas movie? That's what its fans believe

As the Christmas season approaches, the discussion about which movies can truly be classified as Christmas films heats up. Traditionally, these movies evoke stories of hope, reconciliation, and family love, personified in classics like It’s a Wonderful Life (1946). However, this concept is increasingly expanding, including iconic action films like Die Hard (1988), which has become synonymous with the holidays for many. Now, a group of fans has decided to take this redefinition to a new extreme, advocating for The Thing (1982), the horror and science fiction masterpiece […]

As the holiday season approaches, the discussion about which movies can truly be classified as Christmas films heats up. Traditionally, these movies evoke stories of hope, reconciliation, and family love, personified in classics like It’s a Wonderful Life (1946). However, this concept is increasingly expanding, including iconic action films like Die Hard (1988), which has become synonymous with the holidays for many. Now, a group of fans has decided to take this redefinition to a new extreme by advocating for The Thing (1982), John Carpenter’s horror and science fiction masterpiece, to be recognized as a Christmas movie.

A movie without many festivities

Despite the fact that The Thing takes place in the freezing and desolate landscapes of Antarctica and is completely devoid of any trace of Christmas spirit, its defenders argue that the atmosphere of isolation and the omnipresent snow make it a grim antithesis to traditional celebrations. As part of their effort, they have started a petition aimed at convincing platforms like IMDb and Letterboxd to include this rating.

It is relevant to point out that, although this request has a clearly humorous tone, it reveals the desire of many fans to reexamine the rules that govern what is considered a Christmas movie. However, the question remains: can The Thing really be classified in this category, or is the term being abused?

On the other hand, the legacy of La Cosa in pop culture is undeniable. It has influenced a variety of modern works, from series like The X-Files to films by contemporary directors. Although fans would love to see a new sequel, there are doubts about whether it could achieve the same impact as the original film over 40 years ago, a significant challenge for any project attempting to revive this classic.

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Rob Bottin created the special effects for John Carpenter's The Thing and they are so good that he suffered from double pneumonia and recurring nightmares because of them

Rob Bottin, at just 22 years old, was responsible for the innovative special effects of The Thing, directed by John Carpenter, creating one of the most iconic creatures in science fiction cinema. His extreme commitment to the project led Bottin to work long hours, even living in the studio. This physical and mental effort took a toll on him, resulting in double pneumonia and recurring nightmares that plagued his rest. Special effects too grotesque for a human When The Thing premiered in 1982, it was met with lukewarm reviews and comments about its violence in a […]

Rob Bottin, at just 22 years old, was responsible for the innovative special effects of The Thing, directed by John Carpenter, creating one of the most iconic creatures in science fiction cinema. His extreme commitment to the project led Bottin to work long hours, even living in the studio. This physical and mental effort took a toll on him, resulting in double pneumonia and recurring nightmares that haunted his rest.

Some too grotesque special effects for a human

When The Thing premiered in 1982, it was met with lukewarm reviews and comments about its violence during a summer dominated by E.T. and a prevailing conservative morality. Many critics considered the film’s grotesque mutations unnecessary, relegating Bottin’s work to a mere curiosity of the moment. However, what they did not recognize was the verisimilitude and ingenuity behind each transformation, achieved through makeup, latex, and animatronics techniques, without the use of CGI.

Despite its harsh initial reception, today The Thing is hailed as a masterpiece, influencing decades of genre cinema. Bottin’s effects, which include the famous creature with fluid morphology and the ability to infiltrate other bodies, have become essential references in the history of cinematic horror. The film has been reclaimed not only for its innovative practical art but also for Bottin’s ability to merge the grotesque with the fascinating.

With more than 40 years since its premiere, the legacy of Bottin’s work endures, reminding us not only of his creative genius, but also the high personal cost that had to be paid to bring those unforgettable moments of modern horror cinema to life. Without his unwavering dedication, many of the iconic images we enjoy today simply would not exist.

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The emotional connection behind Ryan Meinerding's creations for Marvel

Ryan Meinerding, an iconic name in the Marvel cinematic universe, is experiencing a remarkable moment of reflection and connection with his past. Since his beginnings in the franchise, he has been a key piece in creating the visual aesthetic that characterizes Marvel movies. His relationship with the Marvel universe began long before he joined the company, when in his adolescence, he admired characters like The Thing and dedicated himself to drawing them. First a fan and now a creator One of those sketches, made by the young Meinerding, has been recovered and presented in his recent book titled […]

First fan and now creator

One of those sketches, created by the young Meinerding, has been recovered and presented in his recent book titled Marvel Studios: The Art of Ryan Meinerding. This work not only celebrates his career as an illustrator but also examines his artistic evolution and his significant contribution to the development of Marvel movies since their early days. His work has been essential in bringing to life the iconic characters that have resonated with audiences around the world.

The emotional connection that Meinerding feels with The Thing, a member of the superhero team known as the Fantastic Four, also reflects a shared experience among many fans who grew up with these characters. This personal bond has not only influenced his work but has also added a more human dimension to his art, as he tries to capture the essence and complexity of the characters he has helped create.

As the MCU continues to expand, Meinerding’s legacy becomes increasingly relevant. His ability to translate the creative vision of writers and directors into memorable illustrations has left an indelible mark on the world of cinema. Looking back on his career, it is clear that his passion for art and love for characters have been the driving forces behind his successful journey at Marvel.

The actor of Galactus is clear about which other MCU villain he wants to duel with

Marvel fans continue to hold out hope for the possibility that Robert Downey Jr. will play Doctor Doom in the upcoming movie The Fantastic Four: First Steps. Despite repeated denials from the cast and director Matt Shakman, speculation persists. Ralph Ineson, who plays Galactus, expressed his desire to “face off” against the villain from Latveria, although he clarified that he has no confirmed information about it. Galactus vs. Doctor Doom The actress Julia Garner, who plays Silver Surfer, surprised by revealing that she has no scenes with Ineson, despite both characters being […]

Marvel fans continue to hold out hope for the possibility of Robert Downey Jr. playing Doctor Doom in the upcoming movie The Fantastic Four: First Steps. Despite repeated denials from the cast and director Matt Shakman, speculation persists. Ralph Ineson, who plays Galactus, expressed his desire to “face off” against the villain from Latveria, although he clarified that he has no confirmed information on the matter.

Galactus vs. Doctor Doom

The actress Julia Garner, who plays Silver Surfer, surprised everyone by revealing that she does not have scenes with Ineson, despite both characters being fundamental to the plot. This could be because they filmed at different times, as Ineson mentioned that his work process was somewhat isolated, since he joined the shoot after several months of filming.

The movie The Fantastic Four: First Steps will premiere in UK cinemas on July 24 and is expected to hit US theaters the following day. Despite rumors about the interaction between Doctor Doom and other characters, there are still no official confirmations. However, it has been confirmed that the Fantastic Four team will appear in The Avengers: Doomsday, announced in March, which could open the door to greater interconnection between MCU characters.

Ebon Moss-Bachrach, who plays The Thing, also shared his interest in seeing a dynamic between his character and Hulk. He suggested that this relationship could be both adversarial and collaborative, which could offer interesting confrontations or team moments in future crossovers.

Meanwhile, fans remain hopeful for the development of these storylines, eagerly anticipating both The Fantastic Four: First Steps and the future of their favorite characters in Marvel productions.

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Things look bad for Marvel Rivals after their latest move

Recently, several developers from the successful game Marvel Rivals, produced by NetEase Games, were fired. The news was confirmed by the game’s director, Thaddeus Sasser, who expressed his surprise at the situation. According to Sasser, his “talented team” had contributed to the launch of a new and successful franchise, achieving Marvel Rivals reaching 10 million players in its first 72 hours and 20 million in the following week. Despite these impressive numbers, all developers located in America, including two level designers, were fired. Marvel Rivals has positioned itself among the top five video games in […]

Recently, several developers from the successful game Marvel Rivals, produced by NetEase Games, were laid off. The news was confirmed by the game’s director, Thaddeus Sasser, who expressed his surprise at the situation. According to Sasser, his “talented team” had contributed to the launch of a new and successful franchise, achieving Marvel Rivals reaching 10 million players in its first 72 hours and 20 million in the following week. Despite these impressive numbers, all developers located in America, including two level designers, were laid off.

Marvel Rivals has positioned itself among the top five video games in the United States, standing out on multiple platforms such as PC, PlayStation, and Xbox Series X|S. This success is even more remarkable given that it integrates into a saturated live service gaming market. However, the fact that NetEase is scaling back its operations in the gaming sector, especially single-player titles, has left many in the industry puzzled. Despite the recent bad news, the game will continue to receive updates, with the introduction of new characters, such as The Human Torch and The Thing, scheduled for this week.

It is not the only study that has made cuts

In addition to the layoffs at NetEase, the Swedish studio Liquid Swords has also made the difficult decision to lay off part of its team. Founded by Chistofer Sundberg in 2020, Liquid Swords has yet to release its first title, but has stated that the measure responds to a priority for “long-term sustainability”. These layoffs reflect a worrying pattern in the industry, where the success of a game does not always guarantee job stability for its developers.

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Marvel Rivals is a thrilling, team-based PvP game that brings the expansive Marvel universe to life in a dynamic and engaging way. This action game allows players to assemble their dream teams from a wide array of beloved Marvel characters, including heroes and villains from the Avengers, Guardians of the Galaxy, X-Men, and more.

NetEase knows that you miss them and sets a date for the other two Fantastic Four

NetEase has announced that on February 21, two new characters will arrive in Marvel Rivals: the Human Torch and the Thing, thus completing the addition of the remaining members of the Fantastic Four, which already included Reed Richards and the Invisible Woman. In terms of roles within the game, the Human Torch will be classified as a “Duelist” specialized in damage per second (DPS), while the Thing will serve as a Vanguard, that is, a tank. Reed Richards also aligns as a Duelist, and Sue Storm will be the only Healer-Strategist in the group. With the season reset, new […]

NetEase has announced that on February 21, two new characters will arrive in Marvel Rivals: The Human Torch and The Thing, thus completing the addition of the remaining members of the Fantastic Four, which already included Reed Richards and The Invisible Woman. In terms of roles within the game, The Human Torch will be classified as a “Duelist” specializing in damage per second (DPS), while The Thing will serve as a Vanguard, that is, a tank. Reed Richards also aligns as a Duelist, and Sue Storm will be the only Healer-Strategist in the group.

With the restart of the season come new challenges

The long-awaited mid-season rank reset will also be implemented in this update, which will affect all players by reducing their rank by four divisions. For example, a player in Gold I division will be downgraded to Silver II, which implies a new challenge for those looking to improve their position in the game. Despite the criticism this system may receive, as the study has mentioned that in future seasons a reduction of six divisions will be considered, it seems clear that these resets may be designed to maintain user interest and engagement.

Since its launch in December, Marvel Rivals has shown significant growth, adding up to four heroes and three new maps, which has allowed it to remain in the top three games on Steam by concurrent player count. This pace of rapid updates contrasts with the more conservative strategy that other titles tend to adopt and is indicative of NetEase’s approach, which seems to prioritize the casual player experience rather than orienting the game towards the competitive scene or esports.

In summary, with the arrival of these new characters and changes in the game’s dynamics, Marvel Rivals continues its upward trajectory, but it will be interesting to see how these decisions impact its long-term success and the satisfaction of its player base.

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