The psychological thriller I’m Thinking of Ending Things, written and directed by Charlie Kaufman, premiered on Netflix in September 2020, offering a surreal and thought-provoking cinematic experience. Based on the novel of the same name by Iain Reid, the film follows a young woman (played by Jessie Buckley) who embarks on a journey to meet her new boyfriend Jake’s parents while grappling with ambivalence about their relationship. A movie that will leave you unsettled and perplexed Despite receiving mostly positive reviews, with an 82% approval rating on Rotten Tomatoes, the audience reception […]
The psychological thriller I’m Thinking of Ending Things, written and directed by Charlie Kaufman, premiered on Netflix in September 2020, offering a surreal and thought-provoking cinematic experience. Based on the novel of the same name by Iain Reid, the film follows a young woman (played by Jessie Buckley) who embarks on a journey to meet the parents of her new boyfriend, Jake, while grappling with ambivalence about their relationship.
A movie that will leave you uneasy and bewildered
Despite receiving mostly positive reviews, with an 82% approval rating on Rotten Tomatoes, audience reception was colder, with a score of only 50%. Many viewers felt puzzled by the unusual pacing and unconventional structure of the film, a typical characteristic of Kaufman’s style, known for his work on Eternal Sunshine of the Spotless Mind.
In the movie, Buckley’s character is presented with multiple names, including Lucy, Louisa, and Lucia, reflecting her own confusion about her identity. As the story progresses, the awkward moments of a family dinner intertwine with the life of an elderly man (Guy Boyd) who struggles with loneliness and existential despair, creating a surprising climax that invites reflection.
Buckley’s performance has been so impactful that she is emerging as a favorite for the Oscar for Best Actress for her role in the upcoming film Hamnet. Her performance in I’m Thinking of Ending Things has been praised for her ability to alternate between a stabilizing presence and the delivery of distressing emotions, which has led critics to highlight her versatility as an actress.
Recently, IndieWire included I’m Thinking of Ending Things in its list of the “100 Best Movies of the 2020s (So Far),” highlighting its bold structure and deep existential themes. It is a film that provokes, invites introspection, and may have gone unnoticed upon its release, but definitely deserves to be revisited today.
La franquicia de animación de Spider-Man sigue expandiéndose con el anuncio de nuevos proyectos que prometen ampliar el ya vasto universo del superhéroe, más allá de las historias de Peter Parker y Miles Morales. Este auge se debe en gran parte al éxito de películas anteriores, como Spider-Man: Into the Spider-Verse, que ganó … Continue reading “”
The Spider-Man animation franchise continues to expand with the announcement of new projects that promise to broaden the already vast universe of the superhero, beyond the stories of Peter Parker and Miles Morales. This boom is largely due to the success of previous films, such as Spider-Man: Into the Spider-Verse, which won an Oscar for Best Animated Feature and grossed $375.5 million, and its sequel, Spider-Man: Across the Spider-Verse, which surpassed $690.8 million at the box office.
Daniel Kaluuya, no solo Spider-Punk, sino también co-escritor
In this context, Sony Pictures is developing a movie centered on Spider-Punk, a character who made his debut in Across the Spider-Verse. Hobart Brown, the real name of Spider-Punk, is an anarchic hero focused on destroying corrupt systems. Oscar-winning actor Daniel Kaluuya will reprise his voice role and co-write the script alongside Ajon Singh. Although the plot details have not yet been revealed, expectations are high, especially since Kaluuya will also voice the character in the upcoming installment of the saga, Spider-Man: Beyond the Spider-Verse.
In addition to Spider-Punk, the spider universe will expand with a live-action project centered on Spider-Noir, with a story set in 1930s New York. This character, voiced by Nicolas Cage, will be the protagonist of a series that will premiere on Prime Video in 2026.
On the other hand, the Spider-Man saga with Tom Holland will also move forward; Spider-Man: Brand New Day, the fourth installment of the series, will premiere on July 31, 2026. Currently, the film is in full production and is being directed by Destin Daniel Cretton. With these new projects, it seems that the Spider-Man universe will continue to weave new stories that go beyond what many knew.
Netflix has excited its subscribers with the release of the trailer for its new movie: Steve, starring the acclaimed actor Cillian Murphy, an Oscar winner. This production is based on the novel Shy by British author Max Porter, published in 2023, and promises to take viewers on a deep emotional journey. A reflective film about themes that are not easy to bring to the screen The story focuses on a crucial day in the life of Steve, a school principal who works at a reform school considered a last resort for at-risk youth. In a desolate environment […]
Netflix has excited its subscribers with the release of the trailer for its new movie: Steve, starring the acclaimed actor Cillian Murphy, Oscar winner. This production is based on the novel Shy by British author Max Porter, published in 2023, and promises to take viewers on a deep emotional journey.
A thought-provoking film about topics that are not easy to bring to the screen
The story centers on a crucial day in the life of Steve, a school principal working at a reform school considered a last resort for at-risk youth. In a desolate environment where the world has abandoned the protagonists, Steve faces countless challenges as he tries to safeguard the integrity of the institution and its students. The trailer offers a haunting glimpse of the tensions and moral dilemmas faced by both the principal and the young people who depend on his guidance.
The film addresses relevant themes such as education, resilience, and the struggle against adversity, feelings that resonate especially in a global context where many share the sense of being left behind. Murphy, known for his deep and nuanced performances, seems up to the challenge of bringing to life a character who finds himself at the crossroads between professional commitment and the heartbreaking realities of the educational system.
With Netflix’s focus on producing high-quality original content, Steve adds to its repertoire dedicated not only to entertainment but also to generating reflection on contemporary social issues. It will be on October 3 when this movie arrives on Netflix, and we will be very attentive to it and the journey it will offer us.
The collaboration between Steven Spielberg and Liam Neeson has been the subject of speculation for years, especially after the success of their masterpiece, Schindler’s List. This film, considered the best in the filmography of both on FilmAffinity, has marked the only point of connection in their careers, as they have not worked together on any project since then. However, the story behind their last collaboration is more complex than it seems. Neeson does not have a Lincoln inside him In 2012, Neeson was very close to playing Abraham Lincoln in the eponymous biopic […]
The collaboration between Steven Spielberg and Liam Neeson has been the subject of speculation for years, especially after the success of their masterpiece, Schindler’s List. This film, considered the best in the filmography of both on FilmAffinity, has marked the only point of connection in their careers, as they have not worked together on any project since then. However, the story behind their last collaboration is more complex than it seems.
Neeson has no Lincoln inside him
In 2012, Neeson was very close to playing Abraham Lincoln in Spielberg’s eponymous biopic, but surprisingly decided to step down from the role. The actor confessed that he felt he was not suitable to portray him. This decision came after a period of personal mourning for the death of his wife, which undoubtedly affected his motivation to take on this iconic challenge. Neeson was involved in the project for four years, but a reading of the script alongside other actors made him realize that he could not bear such a great responsibility. “I shouldn’t be here. This is over,” Neeson recalled about his reaction at that moment.
After his resignation, Daniel Day-Lewis was chosen as his successor and, shortly after, received the Oscar for Best Actor for his work in Lincoln, a fact that Neeson considers an excellent choice. Despite what it may have meant for his career, Neeson shows no regret and has expressed his satisfaction that a good friend has taken his place and achieved such recognition.
Currently, Liam Neeson is in full promotion of the reboot of Get Smart, which premieres in Spain on August 22, marking his return to comedy after a long period focused on action and drama roles.
Trey Parker and Matt Stone, the creatives behind the iconic animated series South Park, are in the spotlight after reaching an innovative five-year deal with Paramount. This contract could place the creators in a privileged position within the increasingly competitive streaming services market. According to a report from the Los Angeles Times, this agreement not only strengthens their alliance with the platform but could also turn South Park into a crucial tool in the battle for streaming dominance. Five more years of South Park secured With multiple nominations […]
Trey Parker and Matt Stone, the creatives behind the iconic animated series South Park, are in the spotlight after reaching an innovative five-year deal with Paramount. This contract could place the creators in a privileged position within the increasingly competitive streaming services market. According to a report from the Los Angeles Times, this agreement not only strengthens their alliance with the platform but may also turn South Park into a crucial tool in the battle for streaming dominance.
Five more years of South Park secured
With multiple nominations for Emmy and Oscar awards, Parker and Stone have demonstrated their relevance in the entertainment industry over the years. South Park, which has captured the public’s attention with its provocative humor and incisive social critique, is not only a cultural phenomenon but is now shaping up to be a valuable asset for Paramount in the race to attract subscribers and maintain its relevance against the fierce competition from other streaming services.
The agreement with Paramount could mean the creation of exclusive content, as well as new episodes of the series, thus strengthening the platform’s catalog. “South Park” has maintained its popularity, and its ability to adapt to contemporary issues has been important for continuing to engage the audience. With the growing trend towards streaming, this contract may solidify Parker and Stone as key players in this new media ecosystem.
It is worth noting that, although the specific details about the terms of the agreement have not yet been fully revealed, the potential of this move is significant. With South Park at the center of its strategy, Paramount aims not only to increase its subscriber base but also to assert its legacy in a constantly evolving market.
Paramount+ is the app for the streaming platform of the same name from ViacomCBS. It offers hundreds of episodes of TV series, shows, and movies of all genres.
FX has greenlit the series ‘Cry Wolf’, a promising project featuring the acting and production of Oscar winners Olivia Colman and Brie Larson. The series, created and directed by Sarah Treem, known for her work in television, is designed as a cultural adaptation of the acclaimed Danish series ‘Ulven Kommer’, written by Maja Jul Larsen. The perspective of a social worker ‘Cry Wolf’, classified as a family psychological thriller, centers its narrative on a social worker played by Colman. This choice of […]
FX has greenlit the series ‘Cry Wolf’, a promising project featuring the acting and production of Oscar winners Olivia Colman and Brie Larson. The series, created and directed by Sarah Treem, known for her work in television, has been designed as a cultural adaptation of the acclaimed Danish series ‘Ulven Kommer’, written by Maja Jul Larsen.
The perspective of the world from a social worker
‘Cry Wolf’, classified as a family psychological thriller, places a social worker played by Colman. This character choice suggests a deep immersion in emotional and social themes, exploring the complexities of her environment and family relationships. The series has the potential to capture the audience’s attention, and with this cast, we expect nothing less.
Sarah Treem, who also takes on the role of showrunner, has demonstrated her ability to create captivating and complex stories, raising high expectations for the series. Her experience in the dramatic genre suggests that ‘Cry Wolf’ will tackle delicate and relevant themes, positioning itself as a work that could mark a milestone within FX’s catalog.
As production progresses, the series promises to challenge the conventions of the psychological thriller, exploring the impact of family dynamics and the difficult ethical decisions faced by social welfare professionals. The partnership between Colman and Larson as producers and leads further enhances the anticipation, positioning ‘Cry Wolf’ as one of the most awaited projects in the current television landscape.
If trilogies are so famous, it is because of The Lord of the Rings. No trilogy has had such an impact and has shaped a genre so radically. Thinking of fantasy without thinking of Tolkien’s work in general, and The Lord of the Rings in particular, is impossible. Without The Lord of the Rings, we wouldn’t have Dungeons & Dragons, nor 99% of contemporary fantasy stories. This demonstrates the power of its legacy: it created, by itself, what the genre is today. That makes […]
If trilogies are so famous, it’s because of The Lord of the Rings. No trilogy has had such an impact and has shaped a genre so radically. Thinking of fantasy without thinking of Tolkien’s work in general, and The Lord of the Rings in particular, is impossible. Without The Lord of the Rings, we wouldn’t have Dungeons & Dragons, nor 99% of contemporary fantasy stories. This demonstrates the power of its legacy: it created, by itself, what the genre is today.
This makes its importance crucial. And there are always people willing to bring back the trilogy in one way or another. Something that happened with particularly resounding success at the turn of the century when New Line Cinema decided to make the most epic and beloved trilogy of films in the history of cinema.
The film trilogy of The Lord of the Rings by Peter Jackson does not have the cultural impact that the novels had, because that is impossible, but they were a mass phenomenon. Everyone went to the cinema to see them, and it was a financial, critical, and awards success without absolutely any precedent. Something that made the absolute failure of its subsequent continuations even more surprising, something we are going to review today. Because we know you are eager to have an excuse to watch the movies again.
The Lord of the Rings trilogy premiered in 2001. Filmed simultaneously between October 11, 1999, and December 22, 2000, in New Zealand, it had a then-disproportionate budget of 281 million dollars, equivalent to about 530 million dollars when considering inflation. The three films were released in quick succession: The Fellowship of the Ring would premiere in 2001, The Two Towers in 2002, and The Return of the King in 2003. An exceptional fact, given that films are usually not shot simultaneously. But in this case, it helped to cement their success.
Upon their release with little waiting time, the films managed to capture the audience’s attention and the enthusiasm did not wane. Maintaining the interest of critics, the public, and the academy throughout the entire trilogy. Something that became evident through the numbers.
The Fellowship of the Ring grossed $887.8 million, The Two Towers reached $938.5 million, and The Return of the King made it to $1.1 billion. An exceptional fact, as it is normal for movie series to tend to earn less money with each new installment. But the rapid release of new installments, along with their quality, attracted more people to each new premiere, resulting in increased revenues.
What were the reasons for its success? Generally, it has been considered that fidelity to the novels, the strength of its direction, its enormous production values, and the quality of its performances are the main factors that captivated the general public. Although the fidelity to the novels was questioned at the beginning for not adapting certain parts of The Fellowship of the Ring, leaving out characters like Tom Bombadil, which later versions of the film showed were better off that way.
It swept even more in the houses
In fact, the movie was an even greater success in home formats. With numerous editions on DVD and Blu-ray, the three movies would have extended versions that would first be released in home format, but later would also be shown in theaters. This would extend the total runtime of the trilogy from 558 minutes to 683.
There are conflicting opinions about which of the two versions is better. According to some, the purest way to watch the movies is the extended versions, because they leave nothing out. According to others, the original versions are better because everything that was originally cut was for a reason, and it is noticeable in the excessively slow pace of the extended versions. A debate that still continues today among fans of the movie trilogy.
There was no doubt that they were masterpieces. Both critics and the academy agreed. With an average of over 90% on Rotten Tomatoes and a 9 on Metacritic, it is a tremendously respected trilogy. But nominated for 30 Academy Awards, with The Return of the King being the big winner, taking home 11 of them, including Best Director, Best Picture, and Best Adapted Screenplay, it demonstrates why they were an absolute cultural milestone. One that we have not experienced again and that, probably, we will never experience again: there was an absolute consensus on the quality of these films, and no one would have dared to question it.
A hobbit who couldn’t
That’s why everyone was eagerly awaiting the next from Peter Jackson and what would come from the Tolkien universe. Which was disappointing. Making several films in between, he released the Hobbit film trilogy between 2012 and 2014, resulting in a notable box office success, but a tremendous critical and awards fiasco. With the audience turning their backs shortly after.
What happened? To begin with, The Hobbit is a tale, not a trilogy of novels. The treatment as a trilogy of films made no sense. Furthermore, the excessive use of CGI, questionable direction, and performances that left much to be desired made it everything that the Lord of the Rings trilogy was not. It felt cheap, shabby, and not epic. Like one of those low-budget fantasy films where, instead of with enthusiasm, they try to disguise all the things where they lack imagination or money with second-rate effects.
After this, The Lord of the Rings spent several years dozing. It has had its ups and downs, with various series and movies, but nothing has achieved the success and significance of the original trilogy of The Lord of the Rings films. They are now returning to HBO Max so you can watch them in the comfort of your home, remembering something important: we are living through a historic event for culture, and we knew it. Because it was impossible not to know, when we were going to watch the trilogy of The Lord of the Rings films, that this was our Star Wars. And that only happens once per generation. If it happens at all.
The iconic actor Michael Douglas, who has forged a nearly 60-year career on screen, has recently shared his thoughts on his future in acting. During his participation in the Karlovy Vary International Film Festival, Douglas, a two-time Oscar winner, stated that he has no real intentions of returning to acting unless something special arises that motivates him to return to the film sets. Fully satisfied with his long career, with a legacy that includes acclaimed performances in films like Wall Street and The Gambler, Douglas is a reference in the industry […]
The iconic actor Michael Douglas, who has built a nearly 60-year career on screen, recently shared his thoughts on his future in acting. During his participation in the Karlovy Vary International Film Festival, Douglas, a two-time Oscar winner, stated that he has no real intentions of returning to acting unless something special arises that motivates him to return to the film sets.
Fully satisfied with his long career
With a legacy that includes acclaimed performances in films like Wall Street and The Gambler, Douglas is a benchmark in the film industry. Shis recognition as an actor is not only based on his box office successes but also on his ability to choose complex and challenging roles that resonated with both audiences and critics alike.
Douglas highlighted that his career has been a rich adventure full of experiences, and he expressed his satisfaction with the work he has done so far. However, he made it clear that, at this stage of his life, he does not feel pressured to return to acting unless a project comes along that sparks significant interest. I have had a very good time in this job, but I am completely fine with not returning to acting unless a unique opportunity arises, said the actor.
This announcement has led many to speculate about Douglas’s future in the industry. Although his decision to stay away from active acting is backed by his desire to enjoy new chapters in his life, it also leaves the door open to the possibility that an intriguing script or role could make him reconsider his stance. Douglas, with his rich filmography and his status as a cinema legend, will continue to be a prominent figure, regardless of his decision to act again.
The wait for Kathryn Bigelow’s new film, titled A House of Dynamite, has come to an end. This exciting project from the acclaimed director, known for her work on the Oscar-winning The Hurt Locker, will premiere in theaters during the month of October and will be available on Netflix starting October 24. The film, written by Noah Oppenheim, focuses on an imminent threat: the launch of an unattributed missile towards the United States and the frantic race to determine its origin. Bigelow’s A House of Dynamite promises to keep the audience on the edge of […]
The wait for Kathryn Bigelow’s new film, titled A House of Dynamite, has come to an end. This exciting project from the acclaimed director, known for her work on the Oscar-winning The Hurt Locker, will premiere in theaters during the month of October and will be available on Netflix starting October 24. The film, written by Noah Oppenheim, focuses on an imminent threat: the launch of an unattributed missile towards the United States and the frantic race to determine its origin.
Bigelow Seal
A House of Dynamite promises to keep the audience on the edge of their seat, combining Bigelow’s characteristic dramatic tension with a narrative that touches on themes of national security and the unpredictability of modern conflict. The plot revolves around the reactions of various entities —governments, military, and experts— who are forced to join forces to uncover the background of the attack, which could have significant global repercussions.
Bigelow has demonstrated in her previous works how war and strategy can be presented from a human and emotional perspective, using action to explore the cost of conflict. With a script by Oppenheim, known for his ability to create moving narratives, A House of Dynamite is expected to offer both entertainment and a deep reflection on the fragility of peace.
With Bigelow’s commitment to representing reality in a raw and honest way, the film is not only a political thriller but also a commentary on international tensions in an increasingly volatile world. Moviegoers will be paying attention to this work, which promised to be one of the most anticipated releases of the year and could open the door to new discussions about the conflict and its representation in cinema.
Amazon Studios has announced the development of a new thriller titled ‘Ally Clark’, which will feature the acting and production of the renowned actress Viola Davis, an Oscar winner. This project is presented as a promising feat in Davis’s career, who returns to the Amazon platform after the notable success of ‘G20’, her most recent action thriller. The film ‘G20’ not only captivated the audience but also ranked number one on the Nielsen movie list during its opening week. Several Oscars in this project Besides Davis, the […]
Amazon Studios has announced the development of a new thriller titled ‘Ally Clark’, which will feature the acting and production of the renowned actress Viola Davis, an Oscar winner. This project is presented as a promising feat in Davis’s career, who returns to the Amazon platform after the notable success of ‘G20’, her most recent action thriller. The film ‘G20’ not only captivated the audience but also ranked number one on Nielsen’s list of movies during its opening week.
Several Oscars in this project
In addition to Davis, the production of ‘Ally Clark’ will feature the participation of Irwin Winkler, another prominent Oscar winner known for his work on acclaimed films like ‘Rocky.’ The collaboration between these two iconic figures in the film industry suggests a commitment to quality and excellence in storytelling, which has sparked interest among critics and fans of the thriller genre.
The choice of Viola Davis as the lead reflects Amazon Studios’ trend of attracting prominent talent for its projects, especially in a market where high-quality original content is becoming increasingly competitive. The actress has been praised not only for her acting ability but also for her commitment to challenging roles that encompass a variety of social and emotional themes.
For the moment, the exact release date of ‘Ally Clark’ is unknown, and more details are expected to be revealed in the coming months. Given the recent positive reception of ‘G20’, there are high expectations about how this new project will resonate with the audience. With Viola Davis at the helm, ‘Ally Clark’ is likely to generate a high level of anticipation both within and outside the film community.
