The new Netflix docuseries, The Dinosaurs, has achieved monumental success since its premiere on March 6, becoming number 1 in 57 countries just hours after its launch. With a perfect score of 100% on Rotten Tomatoes, the series has made clear the great interest of the public, which had already shown enthusiasm after the trailer’s release. A series with documentary purposes Created by Dan Tapster and with Steven Spielberg as producer, The Dinosaurs not only capitalizes on the nostalgia generated by its famous Jurassic Park, but also benefits from […]
With a perfect score of 100% on Rotten Tomatoes, the series has made it clear the great interest of the public, which had already shown enthusiasm after the trailer was released.
A series with documentary purposes
Created by Dan Tapster and with Steven Spielberg as producer, The Dinosaurs not only capitalizes on the nostalgia generated by his famous Jurassic Park, but also benefits from the influence and recognition of the filmmaker.
Although Spielberg is not the director of the series, his involvement has been crucial in attracting viewers’ attention, highlighting the connection between his work in the world of dinosaurs and this new proposal.
The docuseries is divided into four episodes that cover the history of dinosaurs from their appearance in the Triassic period to their abrupt extinction during the Cretaceous-Paleogene event, which occurred about 66 million years ago. This narrative offers a unique opportunity for viewers to discuss the fascinating evolution of these prehistoric creatures.
The renowned narrator Morgan Freeman adds a distinctive touch to the production, guiding the audience through the episodes with his unmistakable voice.This combination of educational content and Freeman’s masterful narrative style has undoubtedly contributed to the series’ appeal, which promises to maintain its popularity while continuing to captivate lovers of natural history and entertainment.
Netflix has demonstrated its willingness to invest considerable sums of money in film productions, as evidenced by the ambitious project Electric State. However, despite its efforts, the company has yet to release a film that matches the titans of Hollywood cinema in terms of cost and production. Although this could change, as recently Jurassic World: Dominion joined its catalog, quickly reaching the top in popularity on the platform. As expensive as actually building Jurassic World: Dominion has not only become a streaming phenomenon, but […]
Netflix has shown its willingness to invest considerable sums of money in film productions, as evidenced by the ambitious project Electric State. However, despite its efforts, the company has yet to release a movie that matches the titans of Hollywood cinema in terms of cost and production. Although this could change, as recently Jurassic World: Dominion joined its catalog, quickly reaching the top in popularity on the platform.
So expensive to really build the park
Jurassic World: Dominion has not only become a streaming phenomenon, but it also holds the title of being the most expensive movie in history, with an initial cost of 584 million euros. Fortunately for Universal, the tax benefits provided by the UK government allowed that final expenditure to be reduced to 465 million euros. Despite these impressive numbers, it remains a challenge to recoup this investment, especially considering the mixed reviews it has received.
The movie, although it managed to gross over $1.004 billion at the box office, has been labeled by some critics as the least effective of the franchise, calling its artistic quality into question. The production delays caused by the coronavirus pandemic played a crucial role in the escalation of costs, in addition to the high salaries of its star cast, which includes veterans like Sam Neill, Laura Dern, and Jeff Goldblum.
Despite these criticisms, the Jurassic World saga continues to attract audiences and demonstrates the power of its brand. However, many fans and critics agree that the final installment of this trilogy failed to meet the high expectations that had been set, leaving the audience wanting a more enriching adventure.
Orbx Studios, in collaboration with Universal Pictures, has announced the release of Jurassic World: Archipelago, a new paid add-on for Microsoft Flight Simulator 2024. This DLC will allow players to explore in great detail the iconic Isla Nublar and Isla Sorna, central locations of the Jurassic Park franchise, just as they were months before the events of the first movie starring Chris Pratt. Users will be able to enjoy an operational park environment, where the recreation of prehistoric creatures such as the Tyrannosaurus rex, the Brachiosaurus, and the Velociraptor is presented with a remarkable level of detail. Now it is possible […]
Orbx Studios, in collaboration with Universal Pictures, has announced the release of Jurassic World: Archipelago, a new paid add-on for Microsoft Flight Simulator 2024. This DLC will allow players to explore in great detail the iconic Isla Nublar and Isla Sorna, central locations of the Jurassic Park franchise, just as they were months before the events of the first movie starring Chris Pratt. Users will be able to enjoy an operational park environment, where the recreation of prehistoric creatures such as the Tyrannosaurus rex, Brachiosaurus, and Velociraptor is presented with a remarkable level of detail.
Now it is possible to fly over the most fascinating and terrifying island in the world
The addon will not only be limited to free exploration but will also include structured activities such as VIP transportation and photo tours. In addition, Jurassic World: Archipelago will offer a variety of customized landing strips and helipads, along with adapted facilities in Costa Rica, which will facilitate players’ flying experience in this recreation of the Archipelago of the Five Deaths.
The estimated release date for this add-on is late August and early September 2024, with the possibility of it also being available for Flight Simulator 2020 later on. This news comes at an exciting time, as rumors are circulating about the development of an eighth installment of Jurassic Park, which could add even more content for fans of the saga.
In addition, the series fans are eagerly awaiting two additional projects: Jurassic World: Evolution 3 and Jurassic Park: Survival, the latter presented as a cinematic adventure with horror elements that will take place on Isla Nublar, just hours after the end of Spielberg’s original film. Undoubtedly, these developments continue to keep the excitement alive around the famous franchise.
Steven Spielberg, the renowned director and producer from Hollywood, made a bold decision at the age of 23 when he left California State University, where he was studying Film and Electronic Arts, to immerse himself in the world of cinematography. This move allowed him to land his first professional job in the same year, a brief segment in the anthology telefilm Night Gallery, after securing a contract in Hollywood thanks to his short film Amblin. This choice, criticized by some, quickly proved to be the right one; before long, Spielberg began to build his legacy with films that would mark the history of cinema. The graduate with the […]
Steven Spielberg, the renowned director and producer from Hollywood, made a bold decision at the age of 23 by leaving California State University, where he was studying Film and Electronic Arts, to dive into the world of cinematography. This move allowed him to land his first professional job in the same year, a brief segment in the anthology telefilm Night Gallery, after securing a contract in Hollywood thanks to his short film Amblin. This choice, criticized by some, quickly proved to be the right one; before long, Spielberg began to build his legacy with films that would mark the history of cinema.
The graduate with the most prestigious career jobs in the world
Years later, in 2001, Spielberg decided to return to academia to complete his degree in Film, an act he considered fundamental despite his remarkable career. He had already directed iconic films such as Jurassic Park and Schindler’s List. For this occasion, the acclaimed director did not attend classes in a conventional manner; instead, he presented projects related to his works, such as a project for the Paleontology class where he submitted his famous film Jurassic Park, and for Advanced Cinematography, where he presented Schindler’s List.
During his graduation, at the age of 55, Spielberg was greeted with a standing ovation from his peers, highlighting the respect and admiration he inspired throughout his career. In an emotional speech, he expressed: “Completing the requirements for my degree 33 years after finishing my studies marks my longest post-production schedule”. This return to education reflects Spielberg’s desire to reaffirm the importance of academic training, regardless of the success already achieved in his profession.
Jurassic World: Dominion, a film by Colin Trevorrow, part of the Jurassic Park franchise, has grossed $1.671 billion, establishing itself as a commercial phenomenon in Hollywood that reflects a growing demand for dinosaurs on the big screen. Despite criticism regarding the lack of originality in current proposals, box office numbers indicate that viewers want more prehistoric adventures, which has led this sequel to become one of the most lucrative machines in contemporary cinema. Jurassic Park always wins Two decades after John Hammond’s iconic attempt to open a […]
Jurassic World: Dominion, a film by Colin Trevorrow, part of the Jurassic Park franchise, has grossed $1.671 billion, establishing itself as a commercial phenomenon in Hollywood that reflects a growing demand for dinosaurs on the big screen.
Despite the criticism regarding the lack of originality in current proposals, box office numbers indicate that viewers want more prehistoric adventures, which has led this sequel to become one of the most lucrative machines in contemporary cinema.
Jurassic Park always wins
Two decades after John Hammond’s iconic attempt to open a theme park, the story of Jurassic World finally takes shape on Isla Nublar, where reborn creatures and new hybrids are the main attraction for millions of annual visitors.
However, the plot also reflects a condemnation of the greed inherent in the creation of a park of this kind, evoking the criticism of the original film and showing the consequences of extreme commercialization.
Despite its commercial success, the film has received mixed reviews, especially in comparison to Steven Spielberg’s masterpiece. It is argued that Trevorrow fails to capture the sense of wonder that characterized the first installment, resulting in a narrative considered schematic and interchangeable characters.
The performances of Chris Pratt and Bryce Dallas Howard, while effective, do not elevate the material as a whole, while the visual effects, although present, do not stand out notably.
The feeling of being in front of a show that progressively loses strength has led many critics to agree that, although enjoyable at times, this sequel lacks the magic that made the original film a timeless classic.
As interest in dinosaurs continues, the question remains what direction the franchise will take in the future and whether it will be able to regain the glory of the past.
Jurassic Park is a masterpiece. We can all agree on that, right? Well, even Steven Spielberg himself wants it to remain that way, without any more nods in the modern films of the saga. Gareth Edwards, director of the new installment of the franchise, Jurassic World: The Rebirth, has revealed that, at Steven Spielberg’s recommendation, all references and nods to the previous works of the legendary filmmaker were removed from the film. This decision, although difficult for Edwards, was met with understanding due to his admiration for Spielberg and his career. In a recent conversation with Vanity Fair, the director […]
Jurassic Park is a masterpiece. We can all agree on that, right? Well, even Steven Spielberg himself wants it to remain that way, without any more nods in the modern films of the saga. Gareth Edwards, director of the new installment of the franchise, Jurassic World: The Rebirth, has revealed that, at Steven Spielberg’s recommendation, all references and nods to the previous works of the legendary filmmaker were removed from the film. This decision, although difficult for Edwards, was met with understanding due to his admiration for Spielberg and his career. In a recent conversation with Vanity Fair, the director expressed his appreciation for the veteran filmmaker’s experience and commented that, in his opinion, Spielberg was right to suggest this approach.
References? That’s a thing of the Jurassic
Edwards, known for his work on Rogue One and The Creator, expressed his mixed feelings about having to get rid of some nods that he found hilarious. However, despite the changes, he omitted that he had left certain less obvious references that pay homage to Spielberg’s legacy. According to the director, one of these ‘easter eggs’ is hidden at the beginning of the film, a detail that could have delighted Spielberg himself, who is known for including tributes in his work.
This approach aligns with the tradition that Spielberg started in Jurassic Park in 1993, where he made a nod to his iconic film Jaws. In that film, the character Dennis Nedry, played by Wayne Knight, is enjoying the classic shark movie on a screen, something particularly noteworthy, given that the movie is now 50 years old. Edwards, aware of Spielberg’s legacy, has chosen to follow that line of subtle homage, removing the obvious nods but preserving the essence of the tribute throughout his new work.
La película Jurassic World Rebirth ha tenido un comienzo impresionante en la taquilla internacional, recaudando 171 millones de dólares en 81 mercados durante su fin de semana de apertura. Desde su lanzamiento el miércoles, la producción ha acumulado un total de 318 millones de dólares en todo el mundo. Esta entrega marca la séptima entrada en la exitosa saga de
The movie Jurassic World Rebirth has had an impressive start at the international box office, grossing $171 million in 81 markets during its opening weekend. Since its release on Wednesday, the production has accumulated a total of $318 million worldwide. This installment marks the seventh entry in the successful Jurassic World saga, which has captured the attention of global audiences for over a decade.
Una película con grandes estrellas y dinosaurios aún más grandes
The film, featuring acclaimed performances by Scarlett Johansson, Jonathan Bailey, and Mahershala Ali, promises not only to continue the tradition of action-packed adventures that characterize the franchise but also to attract a new audience with its fresh and exciting narrative. The blend of advanced cinematic technologies and an intriguing script seems to resonate well with viewers, resulting in solid box office earnings.
Since its first installment, the series has managed to maintain its relevance in popular culture, and Jurassic World Rebirth is no exception. Dinosaur and survival story fans find in this installment yet another reason to return to the cinema. The film has not only been well received by the audience, but it has also started to generate conversation on social media, where viewers have shared their reactions and expectations.
Con esta destacada apertura, Jurassic World Rebirth se posiciona como uno de los principales contendientes en la taquilla este año, reafirmando la capacidad de la franquicia para atraer tanto a los fanáticos de toda la vida como a una nueva generación de cinéfilos. A medida que continúan las proyecciones, se espera que la película mantenga su exitosa trayectoria a nivel internacional. Esto podría significar que, si las tendencias se mantienen, sus números en taquilla aumentarán significativamente en las próximas semanas.
When Steven Spielberg was watching how the filming of Jurassic Park was almost ruined by a hurricane, he surely wasn’t thinking that 30 years later the movie would lead to a franchise of six sequels and that in 2025, in fact, Jurassic World: The Rebirth would be released, the second reboot of the saga that promises to rake in millions and millions of dollars in a summer filled with releases in theaters. But Jurassic Park is much more than cinema: along with the sequels, there is a whole transmedia franchise in which […]
When Steven Spielberg was watching how the filming of Jurassic Park was almost ruined by a hurricane, he surely wasn’t thinking that 30 years later the movie would lead to a franchise of six sequels and that in 2025, in fact, Jurassic World: The Rebirth would be released, the second reboot of the saga that promises to rake in millions and millions of dollars in a summer filled with releases in theaters. But Jurassic Park is much more than cinema: alongside the sequels, there is a whole transmedia franchise in which many things are canon, others we have forgotten, and others are absolute craziness just for fans. Shall we take a look at a saga that started many millions of years ago?
Comics
You can’t imagine the number of comics that have continued the story of Jurassic Park since its release in 1993. In fact, the same month the movie hit theaters, it was accompanied by a four-issue adaptation of the film that also included a small prequel. From there, the wild dinosaur West: sequels, prequels, and spin-offs of all kinds accumulated over 28 issues where, among other things, we could see the return of Alan Grant and the characters from the first part in Return to Jurassic Park… which was invalidated by The Lost World, which had its own adaptation in 1997 before completely leaving the comic branch.
Until 2010! IDW continues to publish series and series of Jurassic Park and Jurassic World comics featuring heavyweights like John Byrne or Frank Miller (who did a cover). If after all these new adventures you still want more, Universal released a “motion comic” of Jurassic World: Fallen Kingdom showcasing the attacks of the dinosaurs in the world after the movie. If you are left wanting teeth and claws, it’s because you want to.
Video Games
In 1994, Ocean Software released, after the corresponding adaptations, Jurassic Park 2: The Chaos Continues for SNES, in which Grant has to return to Isla Nublar after InGen’s competitor, BioSyn, decided to take over the place. In the end, it was all an excuse for a side-scrolling shooter where you had to attack humans and a couple of dinosaurs (the T-Rex and the velociraptors), and it also had its shabby version for Game Boy.
Then came the moment for 3DO to launch another sequel, Jurassic Park Interactive, where players had to save different people by overcoming the mini-games left behind by Dennis Nedry, the villain from the first part. In the videos -the supposed strong point of the game- stunt doubles of the actors were used. That’s the level. In 1998, the PC saw the arrival of Trespasser, a supposed sequel to The Lost World in which we control Anne, the survivor of an accident who must survive as best as she can on Isla Nublar… And it was rated as the worst game of its year. A total success.
There has been much more! Fighting games, spin-offs of Jurassic Park III, park builders like SimCity, mini-games… And, of course, the Telltale graphic adventure that took place after the first part where the goal is to recover a basket full of dinosaur embryos that Dennis Nedry stole in the movie. In the end, you could choose between two ways to finish: either destroying the embryos or letting the T-Rex eat the protagonist. One is a “good” ending, the other let’s say not so much. Oh, yes! And if what you want is a simpler game, Jurassic World Alive is a kind of Jurassic Pokémon Go. Few offer you so much with a single saga.
Novels
You might think, “Well, of course, the two by Michael Crichton, right?” And yes. But also, Scott Ciencin wrote three adventures that are a spin-off of Jurassic Park III, in 2018 Tess Sharpe perpetrated The Evolution of Claire, a prequel based on Claire Dearing during the summer she was an intern at the park, and in 2022 the same author created Maisie Lockdown Adventures, two children’s novels that came out after Jurassic World: Dominion because, well, why not: if a few cents can be made, then they will be well made.
TV Series
Although for years there was talk of a children’s spin-off of Jurassic Park that would air on Saturdays on television, the truth is that fans had to wait until 2020 to see on Netflix Cretaceous Camp, which lasted 50 episodes and is surprisingly considered canon, as it takes place before, during, and after Jurassic World. When it ended, a direct sequel, Dino Chaos Theory, began, which will premiere its fourth season in November and in which the group reunites to fight against a global conspiracy. Seeing that we have continued to have a franchise to enjoy, do not worry: things will probably end well.
Ah! But there is so much more to expand your Jurassic knowledge! A play, up to seven attractions in theme parks, two short films, countless merchandise… Who said that “dino-mania” is a thing of the past?
Steven Spielberg, one of the most iconic figures in cinema, has admitted that his sequels, particularly The Lost World, are considerably inferior to his original works, such as Jurassic Park. During a recent interview, the director reflected on his work on these continuations, acknowledging that his drive and enthusiasm for the story significantly diminished during the production of The Lost World. Spielberg stated that this discouragement resulted in a film that prioritized action over narrative, straying from what he really wanted to express. Spielberg is not exactly thrilled with what they do with his films In several comments […]
Steven Spielberg, one of the most iconic figures in cinema, has admitted that his sequels, particularly The Lost World, are considerably inferior to his original works, such as Jurassic Park. During a recent interview, the director reflected on his work on these continuations, acknowledging that his drive and enthusiasm for the story significantly diminished during the production of The Lost World. Spielberg stated that this discouragement resulted in a film that prioritized action over narrative, straying from what he truly wanted to express.
Spielberg is not exactly thrilled with what they do with his movies
In several comments over the years, Spielberg has been honest about his creative ups and downs, even in projects that were acclaimed, such as Jaws. Despite his success, the filmmaker recalled that during the filming of Jaws, he suffered from artistic block and felt unhappy, which led him to question his artistic direction. “My sequels are not as good as the originals because I get too confident,” he noted in an interview with The New York Times, insisting that both The Lost World and Jurassic Park are examples of this pattern.
Faced with his disappointment with The Lost World, Spielberg decided to change his approach to the Jurassic franchise. He chose to be the executive producer of Jurassic Park III, handing over the direction to Joe Johnston. This change in role has also been observed in the more recent installments of the Jurassic World franchise, where other filmmakers like Colin Trevorrow and J.A. Bayona have been trusted. Rumors suggest that Spielberg’s departure from the director’s role in these sequels reflects his quest to revitalize his creative career and avoid repeating past mistakes.
SkyShowtime is a streaming platform from which you can stream series, movies, and entertainment programs in video on demand (VOD) format. It is an ambitious project by SkyShowtime Limited, available in Spain and 20 other countries in the European Union and its area of influence, such as Norway or Bosnia and Herzegovina. SkyShowtime aims to carve out a niche in the market thanks to its very competitive prices. Thus, they will compete with services like Netflix or Disney +, two similar platforms that have increased their prices recently.
Founded in 1975 by George Lucas, Industrial Light & Magic has established itself as a pioneer in the world of visual effects, participating in over 300 iconic films such as Star Wars and Jurassic Park. Its work has revolutionized the way cinema is experienced, making ILM an undisputed reference in the industry. In 2022, the release of the documentary series Light & Magic on Disney+ offered an intimate look at the legacy of this company and its influence on modern cinema, being acclaimed by both critics and audiences. A return to continue […]
Founded in 1975 by George Lucas, Industrial Light & Magic has established itself as a pioneer in the world of visual effects, participating in over 300 iconic films such as Star Wars and Jurassic Park. Sits work has revolutionized the way cinema is experienced, making ILM an undisputed benchmark in the industry. In 2022, the release of the documentary series Light & Magic on Disney+ offered an intimate look at the legacy of this company and its influence on modern cinema, being acclaimed by both critics and audiences.
A return to further explore the importance of special effects
The second season of Light & Magic will premiere on April 18, and it promises to delve even deeper into the impact of ILM on the film industry. Directed by Joe Johnston, this installment will focus on key moments in film history, from the Star Wars prequel trilogy to movies like Twister and Pirates of the Caribbean. Unlike its first season, which followed a strict timeline, this new installment will allow for a more dynamic narrative, exploring how ILM’s technological advancements facilitated ideas that would otherwise have remained in George Lucas’s mind.
ILM has not only left its mark on iconic franchises, but it has also been behind recent projects like Star Wars: Skeleton Crew and has worked on Oscar-nominated films, such as Gladiator 2 and Alien: Romulus. Its ability to tackle technological challenges has been crucial in the evolution of visual effects in cinematography, allowing ILM to stay at the forefront in this field.
With exclusive material and interviews with key figures in the industry, the second season of Light & Magic is a must-see for film and technology lovers, where viewers can discover the secrets behind the magic that has defined generations of filmmakers and audiences alike.
