Ron Perlman, the iconic actor known for his work in both film and video games, has been the voice of almost all the titles in the Fallout series since its launch in 1997. In a recent interview on The Joe Vulpis Podcast, Perlman revealed that his involvement in the franchise began in an unexpected way: “They gave me 40 dollars and a sandwich,” he recounted about his first collaboration with Interplay. Despite his low expectations, the first game sold 100,000 copies by the end of 1997, surpassing initial predictions and surprising Perlman himself. A man […]
Ron Perlman, the iconic actor known for his work in both film and video games, has been the voice of almost all titles in the Fallout series since its launch in 1997. In a recent interview on The Joe Vulpis Podcast, Perlman revealed that his involvement in the franchise began in an unexpected way: “They gave me 40 dollars and a sandwich,” he recounted about his first collaboration with Interplay. Despite his low expectations, the first game sold 100,000 copies by the end of 1997, surpassing initial predictions and surprising Perlman himself.
A Grateful Man
Over the years, Perlman has narrated several installments of the saga, but curiously, he has never played any of the games. “I’m not a gamer […] I don’t know which game goes with which team,” he admitted, pointing out his disconnection from the world of video games. His experience with Fallout boils down to recording a few lines of dialogue and receiving his payment, leaving the franchise as a “mystery” to him.
On the other hand, opinions about Bethesda’s approach to the series have been a topic of conversation. A leader of the New Vegas project has suggested that, although Bethesda has no animosity towards Fallout, it seems they do not fully understand its roots and, possibly, are not interested in them. This lack of connection has led to debates among fans about the direction of the franchise in its latest installments.
The story of Perlman and his relationship with Fallout is a reminder of how, sometimes, great phenomena in pop culture arise from unexpected decisions and initial lack of recognition. Still, the series has managed to become a true icon of the RPG genre, which raises the question: what does the future hold for Fallout and its legacy in the video game industry?
Taylor Swift, the acclaimed singer, has announced the release of two ambitious projects on Disney+: a concert film titled The Eras Tour | The Final Show and a six-episode docuseries dedicated to her historic tour, both available starting December 12. This tour has marked a milestone in Swift’s career, symbolizing a significant closure in her relationship with fans. Taylor, the cinematographer In an emotional message shared on her Instagram account, Swift expressed: “We knew it was the end of an era. We wanted to remember every moment.” These words reflect the […]
Taylor Swift, the acclaimed singer, has announced the release of two ambitious projects on Disney+: a concert in the form of a movie titled The Eras Tour | The Final Show and a six-episode docuseries dedicated to her historic tour, both available starting December 12. This tour has marked a milestone in Swift’s career, symbolizing a significant closure in her relationship with fans.
Taylor, the cinematographer
In an emotional message shared on her Instagram account, Swift expressed: “We knew it was the end of an era. We wanted to remember every moment”. These words reflect the intense emotional connection she has with her audience, as well as her desire to capture the essence of a tour that has resonated deeply throughout her musical journey. The Eras Tour, which has been one of the most successful in history, has attracted thousands of fans around the world, becoming a cultural phenomenon.
The concert film promises to offer an immersive experience, allowing viewers to experience the magic and energy of live shows. For its part, the docuseries will give fans a behind-the-scenes look, exploring not only the creative aspects of the tour but also the planning and challenges that Swift and her team faced during this ambitious project.
With this announcement, Taylor Swift reaffirms her commitment to her community of followers, recognizing the importance of every moment along the journey. The upcoming releases on Disney+ promise to not only capture the music but also the stories and emotions that accompany each performance, offering a celebration of the unique connection between the artist and her audience.
Fox Entertainment has announced a significant investment in Holywater, an innovative technology firm based in Ukraine that specializes in the production of vertical videos. This strategic move marks Fox’s entry into the world of microdramas, a format that is gaining popularity on social media platforms and that adapts to new content consumption trends. Is Quibi coming back? The investment, the financial terms of which have not been disclosed, reflects Fox Entertainment’s growing interest in expanding its digital content portfolio through collaborations with emerging companies in the tech sector. The choice of Holywater […]
Fox Entertainment has announced a significant investment in Holywater, an innovative technology firm based in Ukraine that specializes in the production of vertical videos. This strategic move marks Fox’s entry into the world of microdramas, a format that is gaining popularity on social media platforms and that adapts to new content consumption trends.
Is Quibi coming back?
The investment, the financial terms of which have not been disclosed, reflects Fox Entertainment’s growing interest in expanding its portfolio of digital content through collaborations with emerging companies in the tech sector. The choice of Holywater as a strategic partner is not coincidental, given its focus on creating videos specifically designed to be consumed on mobile devices, an expanding market that is redefining entertainment consumption.
As part of the agreement, Fox Entertainment Studios has committed to creating and producing a continuous portfolio of content alongside Holywater. This commitment underscores the intention of both companies to collaborate on the development of content that resonates with current audiences, who are increasingly inclined towards quick and accessible viewing formats. The union of Fox with Holywater could lead to a series of innovative and engaging productions that leverage the technological capabilities of the Ukrainian company.
This move not only underscores Fox Entertainment’s ambition to diversify its offerings but also its willingness to support a startup in the global tech scene. All of this occurs in a context where vertical content is becoming a standard in the industry, and where creativity and technology must go hand in hand to capture the audience’s attention.
In a recent meeting during the fifth edition of Iberseries & Platino Industria, Bibiana González, head of unscripted content at HBO Max Spain, presented her strategy for programming local documentaries. Addressing an audience mostly composed of industry producers, González emphasized the need for content proposals to have the potential to generate national debate. Her major bet for the future lies in documentaries. González explained that one of the key objectives is to offer a documentary lineup that not only entertains but also encourages reflection and the […]
In a recent meeting during the fifth edition of Iberseries & Platino Industria, Bibiana González, head of unscripted content at HBO Max Spain, presented her strategy for programming local documentaries. Addressing an audience mostly composed of industry producers, González emphasized the need for content proposals to have the potential to generate national debate.
Their big bet for the future lies in documentaries
González explained that one of the key objectives is to offer a selection of documentaries that not only entertain but also provoke reflection and discussion on issues relevant to society. This approach aims to differentiate HBO Max in an increasingly competitive media landscape, where the quality of narratives is essential to attract viewers.
In addition, the possibility of developing longer series or documentaries is being evaluated as part of the new programming. This initiative could facilitate a deeper exploration of the proposed topics, allowing for a greater connection with the audience by addressing current issues in a more extensive and detailed manner.
The presentation by González was well received by the attendees, who saw it as an opportunity for local creators to collaborate in the production of meaningful content. HBO Max’s intention is to position itself not only as a space for entertainment but also as a catalyst for important conversations within Spanish culture.
As the entertainment industry evolves, HBO Max’s proposal under González’s directioncould pave an interesting path for the creation of documentaries in Spain and the potential they have to resonate with a broader audience.
One of the great evils that the possibility of watching all the series we want whenever we want has brought us, in a kind of unquenchable feast, is the unfair cancellation of our favorite shows. Yes, series like Stranger Things or Wednesday will never have problems moving forward, but… what about the smaller ones? We never found out how the cliffhanger of Galavant ended, or the last tour of the girls from GLOW, or if in My Name is Earl he managed to complete his quest. But at least these were able to shine for more than one season and establish themselves. However, there are a few series […]
One of the great evils that the possibility of watching all the series we want whenever we want, in a kind of unquenchable feast, has brought us is the unfair cancellation of our favorite shows. Yes, series like Stranger Things or Wednesday will never have problems moving forward, but… what about the smaller ones?
We never knew how the cliffhanger of Galavant ended, or the last tour of the GLOW girls, or if My Name is Earl managed to complete his quest. But at least, these were able to shine for more than one season and establish themselves. However, there are a few series that after their first batch of episodes fade away… And they didn’t deserve it. Today we take you on a walk through injustice: 5 series that only had one season and certainly needed another chance.
Firefly
“I don’t care, I’m still free, you can’t take the sky from me”, the phrase they sang in their unusual opening theme perfectly encapsulates what Firefly is, a series created by the now-canceled Joss Whedon that, back in 2002, became a real hit among series fans. It had 14 episodes and a movie, Serenity, but sadly we never heard more about this space pulp series that remains influential today. A gem to rediscover, even if it’s too late for a “legacy sequel”.
BrainDead
This may not have been the most well-known series in the world, but its first season is an absolute delight that predicted the current state of politics. In it, some space bugs that can control the brain invade those of American politicians, who start to behave in ways that are, let’s say, strange. You also have to add its fantastic “Previously on BrainDead” themes, performed by Jonathan Coulton, and the result is the most outrageous satire in the history of television series. It aired in 2016, but you have to dig to find it!
Freaks and Geeks
In 1999, when the world was much more naive than it is now, Paul Feig brought to life one of the most defining series in history, starring actors who would later become stars, such as Linda Cardellini, James Franco, Seth Rogen, and Jason Segel, to the rhythm of Bad Reputation by Joan Jett. Its 18 episodes are absolutely incredible, a masterpiece of tragicomedy that deserves much more respect and remembrance from self-proclaimed series enthusiasts. In its day, NBC canceled it leaving 3 episodes unaired, but time has turned it into a cult series, and rightly so. To rescue and watch over and over again.
Studio 60
The sadly remembered Matthew Perry starred in a series about Saturday Night Live in 2006… but without mentioning the legendary comedy show at any moment. To be honest, only the first episodes lived up to what was expected from Aaron Sorkin, and then it got a bit lost in its own plot, but despite everything, it is worth remembering Studio 60 as one of the most promising series in history. Sadly, NBC did not see it that way and didn’t even give it a second chance. Another cult series for the scrap heap.
This shit is too much for me
After the success of The End of the F***ing World, Netflix decided to make another series based on a graphic novel by Charles Foreman, This Shit Is Too Much for Me, about a troubled teenager who gains superpowers. There are only 7 episodes that ended up promising more, but left us wanting: the streamer canceled it due to apparent COVID-related issues, but we wouldn’t have minded waiting until the end of the pandemic to see a season 2. It will always live on in our memory. What a pity!
There was a time when television was not consumed like fast food, and it needed some way to hook people from episode to episode. To ensure that when a season ended, they would be there for the next one because they needed to know how everything continued. The technique was not invented by television, of course: cliffhangers had existed since the paperback novel and were later adopted by movie serials, where the protagonists always ended up in an impossible situation from which they possibly could not survive. Or could they? Come back next week to find out! But, without a doubt, if […]
There was a time when television was not consumed like fast food, and it needed some way to hook people from episode to episode. To ensure that when a season ended, they would be there for the next one because they needed to know how everything continued. The technique was not invented by television, of course: cliffhangers have existed since the pocket novel and were later adopted by movie serials, where the protagonists always ended up in an impossible situation from which they possibly could not survive. Or could they? Tune in next week to find out!
But, without a doubt, if anyone has taken the cliffhanger to the level of art, it is television, which over the years has created more and more implausible situations that leave you on the edge of your seat wondering what just happened. Today we are going to review 5 times an episode left us wanting more and more, spending days (in the best case) or months (in the worst) until the question was resolved. Ready to dive into a sea of memories and frustration? Let’s go!
24 – The president is behind it all
The fifth season of 24 was the craziest of all, right from its first scene, where they killed off memorable characters that had been with viewers since the first of Jack Bauer’s endless days. However, things kept escalating and escalating until the end of episode 16, where we discovered that behind all the scheming, evil deeds, and plots was Charles Logan, the very President of the United States, who became the ultimate villain. The series peaked here, and it was impossible to reach this level of surprise mixed with genuine fascination again. A marvel.
Friends – I Take You, Rachel
In the summer of 1998, I watched this last minute of season 4 over and over like a crazy person, repeating that “I take you, Rachel” and letting it engrave in my memory as a canonical event. It was the first time, I think, that a television series really left me in suspense, not knowing what was going to happen next. By the way, in that same episode, it was revealed that Chandler and Monica had a night of passion, which led to one of the best couples in sitcom history. If Friends was incredible, what the hell.
Paradise – We live where we live
Last season we had all kinds of crazy TV cliffhangers, from the incredible surprise of Sugar to, of course, the ending of the first episode of Paradise, where it was revealed that the two timelines of the series were divided between life before living locked in an underground city and after, with very few having survived the end of the world. If after that ending you don’t want to keep watching to see what happens next, then nothing can surprise you anymore.
Lost – We have to go back!
We spent 3 seasons trying to escape from the island of Lost, and the mysteries piled up until the creators decided to blow everything up by revealing that Jack’s flashback was actually a flash-forward to the future, where he meets Kate and says the iconic line “We have to go back!”. No matter the more disappointing moments the series gave us later on: just for experiencing this surprise live, the journey was worth it.
Game of Thrones – The Rains of Castamere
If you had read the novels, you knew what was about to happen in the famous Red Wedding. In the penultimate episode of season 3 of Game of Thrones, everything blew up suddenly during the wedding of Edmure Tully and Roslin Frey. There, Robb Stark and his people are murdered and, in the end, Catelyn’s throat is slit. An unfair but very crazy ending. So much so that it was the only thing talked about for months. We all thought that, like in the books, Catelyn would return as Lady Stoneheart, but nothing happened, leaving us sad and heartbroken throughout Westeros.
Disney se encuentra en una encrucijada creativa, ya que el estudio busca contenido novedoso que atraiga a hombres jóvenes de la Generación Z, entre 13 y 28 años. Según informes, el liderazgo de Disney ha solicitado a los creativos de Hollywood propuestas de películas originales, dejando de lado los remakes y reboots que han caracterizado la estrategia de la compañía en años recientes. Este movimiento marca un cambio significativo en la forma en que Disney se quiere conectar con este público específico.
¿Qué le gusta a la chavalería?
A pesar de su robusto catálogo, que incluye numerosas series de Marvel y spin-offs de Star Wars en Disney Plus, el estudio ha visto una caída en los ingresos de su reciente lanzamiento, Los 4 Fantásticos: Primeros Pasos. Con una recaudación de poco más de 470 millones de dólares a nivel mundial, esta cifra se considera baja en comparación con el éxito de la franquicia de Marvel, a pesar de contar con una calificación del 86% en Rotten Tomatoes.
David Greenbaum, presidente de Disney Live Action Studios y 20th Century Studios, ha sido designado para encontrar este nuevo contenido que logre resonar con el público masculino joven. Sin embargo, la misión no es sencilla. Algunos analistas sugieren que Disney necesite un gran éxito viral, similar a un potencial Minecraft, para recapturar la atención de este segmento demográfico.
Aunque enfrenta desafíos, Disney también tiene motivos para mantener la esperanza, dado que ha tenido éxitos recientes como Inside Out 2 y la reimaginación de Lilo & Stitch. Además, el estudio anticipa lanzamientos prometedores como Avatar 3 y Zootrópolis 2, aunque estos títulos no parecen estar dirigidos específicamente a adolescentes varones. A medida que Disney refina su enfoque, la atención sobre cómo logrará atraer a estos jóvenes se intensificará en los próximos meses.
What is the strangest series you have ever heard of? It could be a strange concept like Heil Honey, I’m Home!, a sitcom where Adolf Hitler and Eva Braun turn out to be alive and are neighbors of a Jewish couple. Or maybe My Mother, The Car, where a woman, upon dying, becomes her son’s family car, a bit like Knight Rider but with humor (and love). Or, for example, have you heard of Manimal, the series about a professor who could turn into an animal to help the […]
What is the strangest series you have ever heard of? It could be a bizarre concept like Heil Honey, I’m Home!, a sitcom where Adolf Hitler and Eva Braun turn out to be alive and are neighbors of a Jewish couple. Or perhaps My Mother, The Car, in which a woman, upon dying, becomes her son’s family car, a bit like Knight Rider but with humor (and love). Or, for example, have you heard of Manimal, the series about a professor who could turn into animals to help the police solve crimes? Well, all of them pale in comparison to the oddity we are going to show you today.
They come from another world!
The list of bizarre shows is inevitable, from Mr. Smith, where a talking orangutan becomes a genius, to Teen Angel, where a teenager dies from eating a hamburger that was six months expired and returns to Earth as an angel to protect his best friend. Well, none of them will seem as strange as Aliens in the Family, a comedy that seems to have come from the intergalactic television of Rick and Morty and that, despite everything, had an incredible team behind it that could have turned it into a cult series if it had premiered today.
True to its title, Aliens in the Family introduces us to a single father, Doug, who meets a single mother, Cookie. What’s the problem? She is an alien with alien children, and now they have to try to live a normal life on Earth after their parents get married. Of course, the family consists of one boy and two human teenagers and three aliens who have no choice but to coexist. It may seem bizarre and you might wonder who greenlit such nonsense… until you see who is behind it.
Aliens in the Family is a creation of Jim Henson’s company, which was sold in a package along with the more interesting Muppets Tonight, which did last two seasons. What was the problem? That ABC wanted the Muppets, but not this other strange series, and they didn’t give it a chance: after airing two episodes in its TGIF format (a couple of hours of comedy every Friday night), they quickly pulled it and let it die four months later on Saturday mornings. And of course, it was never heard from again.
That said, those who saw it at the time as adults now remember it as little more than an aberration and a senselessness as original as it was failed, with humor similar to that of Family Guy (which would start three years later). In fact, although it wasn’t being sought, even at that time it was compared to Martian Chronicles, which had premiered just a couple of months earlier and did indeed go down in history (with no less than 6 seasons and 139 episodes).
The series would be absolutely lost if it weren’t for the work of the Internet Archive, which has it well preserved. And it has hardly been re-aired, there is no physical edition and streaming services seem to have the slightest interest in it. Who knows? What if we are looking at a cult series? Spoiler: it only takes watching a couple of videos to realize that, no matter how much Jim Henson is behind it, this is a horror.
Seth MacFarlane, the well-known creator of Family Guy and The Orville, has expressed his concern about the current trend in the film and television industry, which focuses on violence and dystopian narratives. In recent statements, MacFarlane argued that Hollywood has adopted a negative approach in its storytelling, which could have a discouraging effect on the audience. According to him, in a world full of uncertainties, it is essential to offer stories that inspire hope and optimism. McFarlane does not seem like the most appropriate person to make this reflection “It seems that nowadays everything […]
Seth MacFarlane, the well-known creator of Family Guy and The Orville, has expressed his concern about the current trend in the film and television industry, which focuses on violence and dystopian narratives. In recent statements, MacFarlane argued that Hollywood has adopted a negative approach in its storytelling, which could have a discouraging effect on the audience. According to him, in a world full of uncertainties, it is essential to offer stories that inspire hope and optimism.
McFarlane does not seem like the most appropriate person to make this reflection
“It seems that nowadays all I see are violent movies and dystopias on television,” MacFarlane commented. His call to action arises from a genuine desire to see more productions that offer the audience a positive perspective, instead of immersing them in pessimism. “That is exactly why I created The Orville, because when I look at what is available, I feel that we need more stories that uplift us and provide us with a sense of hope,” he added.
The series The Orville, which combines elements of comedy and science fiction, is a clear reflection of MacFarlane’s vision. In this project, the creator has sought to present plots that, although sometimes addressing complex themes, always result in optimistic and uplifting messages. This stands in stark contrast to the prevailing trend it critiques, in which violence and unease seem to dominate the screens.
MacFarlane’s proposal resonates with viewers who yearn for more positive narratives in a media landscape that, according to him, is saturated with a gloomy tone. As the industry continues to face criticism for its creative choices, MacFarlane’s words could spark a debate about the kind of stories that should be told today.
At some point, the squid game had to end, and it has been with the new miniseries ‘Indomable’, set in Yosemite National Park, that has dazzled Netflix subscribers since its release on July 17. With six episodes that intertwine suspense and stunning landscapes, the series has quickly captured the audience’s attention, dethroning Squid Game from the top spot in the popularity rankings on the platform. An indomitable spirit, then Starring renowned actors Eric Bana and Sam Neill, Indomable begins with the tragic fall of a young […]
At some point, the squid’s dominance had to end, and it has been with the new miniseries ‘Indomable’, set in Yosemite National Park, that has dazzled Netflix subscribers since its release on July 17. With six episodes that intertwine suspense and stunning landscapes, the series has quickly captured the audience’s attention, dethroning Squid Game from the top spot in the popularity rankings on the platform.
An indomitable spirit, indeed
Starring renowned actors Eric Bana and Sam Neill, Unstoppable begins with the tragic fall of a young climber on El Capitan, an event that raises the suspicions of agent Kyle Turner, played by Bana. Turner, a member of an elite unit of the National Park Service, initiates an in-depth investigation that reveals a landscape of hidden conflicts and repressed memories. Throughout the series, he is accompanied by Naya Vásquez, a young park ranger who brings freshness to the narrative as they together uncover clues that illuminate both the mystery of the accident and the agent’s past.
Since its arrival on the platform, Indomable has exceeded expectations, reaching the top spot in 86 territories and dominating in 78 countries. Despite the attention received by the Spanish series Superestar, focused on the phenomenon of Tamarismo, Indomable has managed to establish itself as the most-watched series globally. Often compared to titles like Yellowstone, this production showcases the influence of creator Mark L. Smith, known for his work on other successful projects in the genre.
This western thriller not only offers an intriguing script, but also highlights the natural beauty of Yosemite, making it a captivating backdrop that has left the audience wanting more. With its appeal and immersive narrative, Indomable firmly positions itself as a cultural phenomenon in today’s entertainment landscape.
