Probably at Disney they didn’t expect that The Mandalorian and Grogu would end up being the most “yes, but the truth is no” movie of the year. Light years away from what was expected and grossing, by far, less than any other movie in the saga, it currently holds at 167 million dollars, but that figure will likely not withstand the attack this weekend from Backrooms and the following ones at the start of the summer season. But the absolute humiliation came this Wednesday. This is (not) the way This Wednesday, the movie intended to be one […]
Probably at Disney they didn’t expect that The Mandalorian and Grogu would end up being the most “yes, but actually no” movie of the year. Light years away from what was expected and grossing, by far, less than any other movie in the saga, it currently stands at 167 million dollars, but that figure is unlikely to withstand the onslaught this weekend from Backrooms and the following ones at the start of the summer season. But the absolute humiliation arrived this very Wednesday.
This is (not) the way
This Wednesday, the movie intended to be one of the blockbusters of the year has fallen under its own weight. And its replacement at number 1 has been none other than Obsession, the obsession (ha, ha) of the year in the horror genre. It cost only 1 million dollars and has already grossed 90 worldwide, potentially reaching much, much more. That’s what you call profitability.
In fact, it is one of the few movies in modern history that, instead of declining week by week, has increased its revenue. Specifically, the 5.6 million raised on Wednesday is 75% more than last week. The question is whether it will be able to continue facing, week by week, the blockbusters that will be coming, especially considering that Blumhouse apparently wants to release it right now on VOD, which would be one of the worst moves in the history of the modern industry.
It is clear that to succeed in today’s cinema, sometimes you have to take risks. It’s no longer as simple as putting the name of a saga and a number, and expecting the fans to come. You have to be creative: Do you want to multiply your money? Do a lot with very little. Nothing to lose, so much to gain! Let Hollywood executives engrave this in their minds.
There is only one thing that Hideo Kojima likes more than making weird video games with long cutscenes: going to the movies and sharing his opinions so that we all know what he thinks. What a character. Aware that a large part of the audience is guided by his recommendations, the genius and creator of Metal Gear Solid has never hesitated to be brutally honest when he goes to the movies… Or, as is the case here, surprising us with details about how a movie he enjoyed was made. Kojima feels the Force without caring one bit about what the critics or the box office say about The Mandalorian […]
There is only one thing that Hideo Kojima likes more than making weird video games with long cutscenes: going to the movies and sharing his opinion so that everyone knows what he thinks. What a character he is. Aware that a large part of the audience is guided by his recommendations, the genius and creator of Metal Gear Solid has never hesitated to be brutally honest when he goes to the cinema… Or, as is the case here, surprising with details about how a movie he enjoyed was made.
Kojima Feels the Force
Without caring a bit about what the critics or the box office say about The Mandalorian & Grogu, Kojima has reflected on his experience with the saga: “In 2019 I had only seen the beginning of The Mandalorian while examining the virtual production technology used to film it, but this time I had no trouble diving in“. In other words: he had a blast.
“Action, chases, close-quarters combat, sword fights, shootouts, death battles, aerial fights, giant monsters, giant mechs. A “free-for-all”. CGI, puppets, special makeup, animatronics, stop motion. Even the craftsmanship behind the scenes seems to have given it their all. X-Wings, AT-ATs, AT-RTs, speeders, stormtroopers, droids. Almost every element of the saga is there. A fun spectacle made with artisan skills by Jon Favreau”. Honestly? It’s not the best movie of the year by any means, but it’s true: few can match its entertainment value.
I watched “Star Wars: The Mandalorian and Grogu”in IMAX. Back in 2019, I had only seen the opening of The “Mandalorian” while examining the LED-shot “virtual production” technology, but this time I had no problem diving in. Action, car chases, close-quarters combat, sword fights,… pic.twitter.com/mEu26Zr3UH
I don’t know if The Mandalorian and Grogu will recoup the money that Disney has spent on it (especially on the promotional campaign), but I hope it does, because we need more movies like this. That show that franchises and sagas can also have smaller, more contained chapters, where the fate of the multiverse is not always at stake. That it can simply be a spectacular entertainment.
Disney has acknowledged that they are having trouble reaching the young audience. Star Wars appeals to the audience over 30 years old, but it seems that it no longer captures the attention of children as it used to. If we add to that the fact that the series are performing much worse than they expected, it seems they have a creative crisis on their hands. Especially considering that it has been seven years since we had a new Star Wars movie, leading to the thought that this very, very distant universe may be in crisis. Especially because The Mandalorian and Grogu have been openly despised by the […]
Disney has acknowledged that they are having trouble reaching the young audience. Star Wars appeals to the audience over 30 years old, but it seems that it no longer captures the attention of children as it used to. If we add to that the fact that the series are performing much worse than they expected, it seems they have a creative crisis on their hands. Especially considering that it has been seven years since we had a new Star Wars movie, leading one to think that this very, very distant universe may be in crisis. Especially because The Mandalorian and Grogu has been openly despised by critics.
A Movie with Little Sense
The Mandalorian is a series that, upon its release, was highly appreciated. Directed by Jon Favreau, it knew how to do everything a science fiction franchise needs today to be relevant. Having a charismatic character, an adorable pet that people want to cuddle, making an intelligent mix of genres, and having a hopeful tone more anchored in adventure than anything else. A winning formula that has systematically worked in recent years, as Project Hail Mary has demonstrated.
In fact, the first two seasons were a great success. Both critics and audiences greatly enjoyed the adventures of the Mandalorian and Grogu, affectionately dubbed Baby Yoda by the public. The problem is that in the third season, things started to go awry. The critics were less than enthusiastic about an erratic season that seemed unclear about where it wanted to go, and the audience responded in a similarly lukewarm manner: the numbers were not terrible, but they were not those of the first two seasons. And the public discourse was not as enthusiastic as in the first two seasons, beginning to show signs of fatigue.
The Mandalorian and Grogu is a conclusion for the series in the form of a movie. With everyone involved in it, it aims to be a big celebration for the fans. But the question is, are there still fans of The Mandalorian to justify it? And above all, does it make sense as a movie?
It seems that the answer, especially for the second part, is no. The critics have slammed the movie, accusing it of being like an extended episode, but worse produced, without really being satisfying in any possible sense. Except for the aspects where there have never been complaints. The Mandalorian is great, Grogu is adorable, and the music is excellent, but the CGI, the action, and the aesthetics do not seem like those of a movie, with a quality far below what one would expect from a high-budget film. Not to mention a production from Disney. Especially from a series that stood out precisely for the care of all these aspects.
A galaxy far, far away that does not excite
That criticism and the audience do not always go hand in hand is not something unknown. But with The Mandalorian and with Star Wars, in general, there tends to be some overlap. Something that is not good news for Disney, even with extremely pessimistic projections from experts.
According to analysts, the movie will make 80 million dollars in its first four days of screening. An excellent figure for any other movie, but disastrous for a Star Wars film: no movie in the franchise has ever made less than 100 million. Some of them have been considered failures because of this. Something that suggests that The Mandalorian and Grogu may be the beginning of something that was already being noticed in the series. People may not be as into Star Wars as they were ten years ago.
The numbers after its premiere, in any case, have been somewhat better than expected. With 12 million dollars on its first day, forecasts have now increased to 90 million. Does this mean that The Mandalorian and Grogu is on its way to being a surprise success? No. It means it could be a smaller failure than expected. But unless it ends up making much larger numbers, it seems that it will spawn a conversation that no one wants to have. That perhaps Disney is exhausting its franchises.
Perhaps the audience is no longer there. They are tired of Star Wars. It has been decades of the same franchise, of cultural supremacy, and not always quality that lives up to the myth. It is possible that it just needs a break or to find the right key. It is impossible to know. Perhaps, yes, Star Wars is exhausted and is no longer as interesting as before. But what seems evident is that The Mandalorian and Grogu are no longer as captivating as in their first two seasons. And Disney must start to consider what they are doing with Star Wars.
Although some of us (I admit) find it hard to understand why The Rise of Skywalker grossed over 1 billion dollars at the global box office, the truth is that seven years have passed, and many things in between: the audiovisual landscape has changed completely and the arrival of Disney+ has turned Star Wars from an event into a mere habit. And of course, it has completely dampened the premiere of The Mandalorian and Grogu, which is far from being “grand.” From bad to worse For now, we only have data from […]
Although for some (I admit) it is hard to understand why The Rise of Skywalker grossed over 1 billion dollars at the global box office, the truth is that seven years have passed, and many things in between: the audiovisual landscape has completely changed and the arrival of Disney+ has made Star Wars go from being an event to becoming a mere habit. And of course, it has completely dampened the release of The Mandalorian and Grogu, which is far from being “a grand affair”.
From bad to worse
For now, we only have data from the previous passes, which have grossed 12 million dollars. And what does that mean? For now, nothing, but it is important to note that Han Solo: A Star Wars Story grossed 14.1 million in the same period, so things do not look good for this television spin-off. It is true that it is almost impossible for, as happened with that one, The Mandalorian and Grogu to lose money thanks to its tight budget, but everything will depend on the word-of-mouth from the audience.
For every action, there is a consequence, and in the case of Disney, which has decided to live large during the franchise era, this is to endure the devaluation of its brand. There was a limit that has been greatly exceeded, and now the only question is whether the weekend will manage to place the spin-off of The Mandalorian in a privileged enough position to surpass Han Solo. This, I assure you, is not what they expected.
There is no other family movie until Toy Story 5, and that might save it, but right now box office fans (and there are some, it’s a whole science) don’t really know what to expect from this weekend which, quietly, will mark the future of Star Wars. If we’re lucky, the future of all franchises. Let’s cross our fingers.
With a 60% approval rating on Rotten Tomatoes, The Mandalorian and Grogu barely escape being a flop. It hasn’t helped that an audience already somewhat hesitant to see the movie has encountered a divided critique regarding the new installment of Star Wars. Honestly: having seen it, I can confirm that it is as entertaining and fun as it is forgettable, a weekend snack, an old-fashioned summer movie. But of course, in times of great competition, perhaps that is not enough. In a failure that is very, very close… Talk […]
With a 60% approval rating on Rotten Tomatoes, The Mandalorian and Grogu barely escapes a failing grade. It hasn’t helped that an audience already somewhat hesitant to see the movie has encountered a divided critique regarding the new occurrence of Star Wars. Honestly: having seen it, I can confirm that it is as entertaining and fun as it is forgettable, a weekend snack, an old-fashioned summer movie. But of course, in times of great competition, perhaps that is not enough.
In a very, very close failure…
Talking about success or failure with a movie like The Mandalorian and Grogu is very relative. After all, the movie is the cheapest in the saga since 2005 (not adjusted for inflation) with only 165 million dollars. This looks different considering that, according to box office projections, it is expected to gross 80 million in the United States and another 80 overseas in its opening weekend. Yes, it is very low for a Star Wars movie, but it will recover the money spent and yield some profit by the end of its run. Not too bad.
If it manages to reach that figure, it will improve upon what is currently the worst opening of the saga, Solo: A Star Wars Story, which had to settle for 155 million worldwide during its opening weekend. That one ended up, by the way, taking in 392 million and was considered such a flop that they immediately halted all the spin-offs they had planned to accompany the new trilogy. What will happen with The Mandalorian and Grogu after the relative failure? It’s still up in the air.
It should be noted that The Mandalorian and Grogu has no competition, at least until June 5, with the premiere of He-Man and the Masters of the Universe, and Scary Movie. Perhaps, after all, it can scrape together a few more dollars based on nostalgia, and hopefully, good word-of-mouth even from those who were completely fed up after the third season of the series. That’s the way.
Do you remember when film directors used movie theaters to reach audiences and television (or YouTube) to announce their new projects? The good old days. Now, from Quentin Tarantino, who destroyed the legacy of Kill Bill, to series like Star Wars: Underworld Stories that can be seen first on Fortnite, and then, if at all, on other platforms. How could Mando not join this trend? Grogu achieves a masterful victory. Now you just need to connect to Fortnite, specifically to an island designed for that purpose, to enjoy the first 10 minutes of […]
Do you remember when movie directors used cinemas to reach audiences and television (or YouTube) to announce their new projects? The good old days. Now, from Quentin Tarantino, who shattered the legacy of Kill Bill, to series like Star Wars: Underworld Stories can be seen first on Fortnite, and then, if at all, on other platforms. How could Mando not join this trend?
Grogu achieves a masterful victory
Now you just need to connect to Fortnite, specifically to an island designed for this purpose, to enjoy the first 10 minutes of The Mandalorian And Grogu. Even more! On May 26, the very director, Jon Favreau, will appear to answer fans’ questions. I don’t want to sound like an old man shouting at a cloud, mind you: it makes sense, and after all, film producers have to go where their audience is. And the audience for this movie is currently achieving masterful victories in Fortnite.
Not only will part of the movie be shown, but players will also be able to explore Nevarro, the planet from The Mandalorian, which the team has recreated down to the smallest detail. They will even be able to help Grogu complete small missions, and the reward for staying 20 minutes on the island will be… well, getting a loading screen with concept art from the movie. It’s definitely worth it, yes. Wow, amazing, a loading screen.
Additionally, of course, the campaign wouldn’t be complete without a suit that you can buy in the store and the possibility, since last month, of designing islands based on Star Wars, being able to use characters, tools, locations, weapons, or whatever you want, in a very obvious desperation to reach a new audience. Kids, come get to know Star Wars, it’s really “cool.” Is “cool” still a thing, kids? ¿Six-seven?
Jon Favreau, director of the highly anticipated movie The Mandalorian and Grogu, has responded to criticisms suggesting that the film is simply an extended episode of the series. In a recent interview with SFX magazine, Favreau defended his vision for the project, emphasizing that the goal was to create a truly unique cinematic experience. “I want people to wonder if this is just the TV show on the big screen. The only way to answer that question is to sit in a theater and watch it,” the director stated. He doesn’t want anything to be lost by the […]
In a recent interview with SFX magazine, Favreau defended his vision for the project, emphasizing that the goal was to create a truly unique cinematic experience. “I want people to wonder if this is just the TV show on the big screen. The only way to answer that question is to sit in a theater and watch it,” the director stated.
Doesn’t want anything to be lost along the way
Scheduled to premiere in theaters on May 22, The Mandalorian and Grogu introduce an innovative format by including opening credits instead of the traditional text crawl at the beginning of the movie. This choice aims to create a clear distinction between the television and cinematic formats, raising expectations about what viewers can expect from this new installment.
Pedro Pascal returns to reprise his role as Din Djarin, alongside a new cast that includes the legendary Sigourney Weaver and Jeremy Allen White, adding an air of mystery and excitement surrounding a plot that, so far, remains shrouded in secrecy. The details about the story have largely been kept hidden, which has caused confusion among fans, especially after the recent advertising campaign that included a disappointing spot during the Super Bowl.
The original series The Mandalorian, broadcast on Disney Plus, has been a resounding success, having completed three seasons and given rise to a spin-off series called The Book of Boba Fett. The anticipation for The Mandalorian and Grogu continues to grow, especially after the reveal of more than 15 minutes of footage at CinemaCon, where the impressive opening of the movie was showcased.
Almost seven years have passed since the last Star Wars release in theaters, when ‘The Rise of Skywalker’ was presented in December 2019. However, the cinematic drought of the famous franchise is about to end. The highly anticipated release of ‘The Mandalorian and Grogu’ is scheduled for May 22 and the official trailer is already available. So say we all This new film is presented as a spin-off and continuation of the acclaimed series ‘The Mandalorian’, which has revitalized the saga and whose development of a fourth season was left in limbo. The movie […]
Almost seven years have passed since the last Star Wars release in theaters, when ‘The Rise of Skywalker’ premiered in December 2019. However, the cinematic drought of the famous franchise is about to end. The highly anticipated premiere of ‘The Mandalorian and Grogu’ is scheduled for May 22 and the official trailer is already available.
So say we all
This new film is presented as a spin-off and continuation of the acclaimed series ‘The Mandalorian’, which has revitalized the saga and whose development of a fourth season was left in limbo. The movie seems to replace those unproduced episodes and delves into the adventures of Din Djarin and Grogu, who align with the New Republic in a context marked by the presence of warlords on the outer rim planets of the galaxy.
Pedro Pascal returns in his leading role, and in the trailer images, he is seen more than in the entire series, suggesting that his presence will be significant in this new narrative. Joining Pascal in the cast are renowned actors such as Sigourney Weaver, who will play Ward, leader of the New Republic’s Adelphi Rangers, and Steve Blum, who will reprise his role as Zeb, a captain from ‘Star Wars Rebels’. Jeremy Allen White will portray Rotta the Hutt, Jabba’s son, and Jonny Coyne will play an imperial warlord.
The creators of the series, Dave Filoni and Jon Favreau, will once again take on the roles of writer and director, continuing their successful collaboration in ‘The Mandalorian’. With this new release, Star Wars fans can expect not only an exciting narrative but also a triumphant return to the big screen for this iconic franchise.
The Star Wars universe receives a new chapter with the announcement of the feature film titled The Mandalorian and Grogu. However, this new project is not what fans were expecting, as it follows the narrative of the successful Disney+ series, instead of continuing with the central plots of the saga. This announcement comes six years after the release of The Rise of Skywalker, the last cinematic installment that closed the most recent trilogy. A continuation of the series with no connection to the saga In a recent interview, filmmaker Ron Howard shared anecdotes about the creation of […]
The Star Wars universe receives a new chapter with the announcement of the feature film titled The Mandalorian and Grogu. However, this new project is not what fans were expecting, as it follows the narrative of the successful Disney+ series, rather than continuing with the central plots of the saga. This announcement comes six years after the release of The Rise of Skywalker, the last cinematic installment that concluded the most recent trilogy.
A continuation of the series disconnected from the saga
In a recent interview, filmmaker Ron Howard shared anecdotes about the creation of the Star Wars prequels, revealing that George Lucas considered him his third choice to direct them, after rejections from Steven Spielberg and Robert Zemeckis. Howard commented that, despite the possible honor, the challenge of continuing the saga was overwhelming: “No one wanted to follow it at that time”, mentioning his experience on Willow, where he felt limited by Lucas’s vision.
George Lucas, the creator of the franchise, has been the subject of discussion for his controversial opinions. In a recent interview, he mentioned that Jar Jar Binks is his favorite character, which has generated negative reactions among many fans. Additionally, Lucas explained why he decided to hand over the direction of the new films to J.J. Abrams, citing the pressure of criticism and the lack of creative freedom as reasons to step away from the project.
One of Lucas’s most criticized decisions was the controversial modification of the scene between Han Solo and Greedo, arguing that he wanted to portray Solo as a hero who doesn’t shoot first. Finally, he revealed that he has not used social media or emails since the year 2000, reaffirming his preference for privacy in the digital age.
The first trailer for The Mandalorian and Grogu, the feature film set to hit theaters on May 22, 2026, has rekindled interest in the ‘Star Wars’ franchise, a universe that, despite its vastness, has left some fans feeling apathetic. This is the case of a critic who has expressed his disinterest in most recent productions, excluding the acclaimed series ‘Andor’. However, this first preview has managed to reignite enthusiasm for the adventures of Din Djarin and his companion Grogu. A cast worthy of […]
The first trailer for The Mandalorian and Grogu, the feature film set to hit theaters on May 22, 2026, has rekindled interest in the ‘Star Wars’ franchise, a universe that, despite its vastness, has left some fans feeling apathetic. This is the case for a critic who has expressed disinterest in most recent productions, excluding the acclaimed series ‘Andor’. However, this first preview has managed to reignite enthusiasm for the adventures of Din Djarin and his companion Grogu.
A cast worthy of the saga
The movie, which will feature a renowned cast including Pedro Pascal, Sigourney Weaver, Jonny Coyne, and Jeremy Allen White, will be directed by Jon Favreau, who will also co-write the script alongside Dave Filoni. These names generate considerable expectations, as both have been instrumental in the evolution and consolidation of the narrative of ‘Star Wars’ in the recent era. Although details about the plot have not been revealed, the trailer promises intense action with iconic creatures and vehicles from the vast galactic world.
The development of the fourth season of ‘The Mandalorian’ has been affected by union strikes in Hollywood during 2023, leading Lucasfilm to prioritize the movie over the continuation of the series. This has left fans in a state of uncertainty about the future of the program, but the community seems willing to hold on to hope for a renewal, despite the challenges it faces.
In this new stage, ‘Star Wars’ followers are divided; while some express their skepticism, others eagerly await the next chapter that will bring ‘The Mandalorian and Grogu’. With the arrival of the trailer, expectations have grown, leaving fans eager for this new production to capture the essence that made the ‘Star Wars’ universe a cultural phenomenon.
