The Witcher 3 - Softonic English

The Witcher 4 faces the greatest unimaginable pressure: to be the successor to The Witcher 3

CD Projekt Red faces the monumental challenge of developing The Witcher 4, a project that comes with the heavy burden of expectations generated by its predecessor, The Witcher 3. Considered by many as one of the best video games in history, this last title has sold over 60 million copies and has raised the standards of storytelling and design in the RPG genre. Thus, the Polish studio must find a way to surpass this masterpiece without losing the essence that captivated a vast community of players. A game with all the expectations of being […]

A game with all the expectations of being the successor to a great game

Philipp Weber, narrative director of the new title, expressed in a recent interview that the team is not obsessed with sales figures or reviews. Instead, their focus is on keeping alive the design philosophy that made The Witcher 3 great. “We want to do justice to the legacy of The Witcher 3 by maintaining that way of thinking: how to create a game, how to care for every detail, how to tell stories,” Weber explained.

However, the challenge is considerable, as fans expect a sequel that, while fresh, respects the universe established by the third installment. Weber admitted the pressure the team feels to meet these expectations, reflecting on how to surpass something that many consider insurmountable. “Many people will love The Witcher 4, and hopefully, they will be the same ones who loved The Witcher 3, because the philosophy remains the same,” the developer commented.

Despite the fact that no concrete details have been revealed about gameplay, story, or release date, CD Projekt Red has a unique opportunity to innovate in the world of The Witcher. The challenge now lies in finding a balance between respect for the legacy and the implementation of new ideas that revitalize the series, ensuring that both veterans and new players find in this title an experience worthy of its predecessor.

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The vampire game from the director of The Witcher 3 will have missions like those in The Legend of Zelda: Breath of the Wild

Rebel Wolves has released an extensive video showcasing a gameplay walk-through of a mission from their upcoming vampire RPG titled Blood of Dawnwalker. This game, which marks the debut of the studio founded by former members of CD Projekt Red, has captured the attention of fans by combining storytelling elements with non-linear gameplay. Approach the world your own way Just like in The Legend of Zelda: Breath of the Wild, players in Blood of Dawnwalker will have the freedom to tackle missions in an unconventional manner. In the video, […]

Rebel Wolves has released an extensive video showcasing a gameplay walk-through of a mission from their upcoming vampire RPG titled Blood of Dawnwalker. This game, which marks the debut of the studio founded by former members of CD Projekt Red, has captured the attention of fans by combining storytelling elements with non-linear gameplay.

Approach the world your own way

Just like in The Legend of Zelda: Breath of the Wild, players in Blood of Dawnwalker will have the freedom to approach missions in an unconventional way. The video highlights the imposing fortress of Greifberg, which has fallen under the control of a vampiric regime and has imprisoned the protagonist Coen’s family. The game’s design offers players the opportunity to infiltrate the castle at any time, although with a huge challenge, as they are given only 22 in-game days to complete the main mission.

This sense of urgency, combined with the “narrative sandbox” structure, allows players to experience the story in a unique way, adapting to their own decisions and play style. The design director, Daniel Sadowski, has commented that while players may attempt to tackle the castle as soon as they wish, the so-called “high-risk missions” are, in fact, extremely challenging with a limited starting team.

The story of Blood of Dawnwalker centers around Coen, an intriguing character who is human during the day and a vampire at night, adding an extra nuance to the game’s narrative. Although the release is scheduled for next year, an exact date has not yet been confirmed, creating an air of anticipation among RPG enthusiasts and fans of Rebel Wolves productions.

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CD Projekt RED claims that with The Witcher 4 they want to strengthen one of the weakest aspects of the previous installment

The studio CD Projekt Red, known for its successful title The Witcher 3, has adopted an agile and dynamic approach in the development of its next installment, The Witcher 4. Philipp Weber, the game’s narrative director and former mission designer in the acclaimed RPG, emphasized that the studio’s philosophy is based on generating ideas quickly and iterating on them until the final release of the video game. This methodology has allowed CD Projekt Red to maintain a creative and passionate essence, reinforced by its tendency to hire people who have been modders, like Weber, who began his career improving the […]

A greater emphasis on the narrative

Weber shared anecdotes about his arrival at the studio, where the team, composed at that time of approximately 160 employees, was characterized by a “scrappy” energy and a relaxed work environment. His first job consisted of putting mission ideas into a Google document, which reinforces the notion that creativity is fostered in a less formal setting. “We do things quickly, effectively, and without much concern for initial perfection,” he assured.

One of Weber’s most notable promises for The Witcher 4 is the elimination of fetch quests, a decision that indicates a significant evolution in the game’s mission design. In light of this, the team is committed to providing a more substantial and immersive narrative for players, likely in response to the criticism received about previous missions that lacked depth.

As CD Projekt Red continues to develop its legacy, the combination of new ideas and a focus on iteration promises to keep expectations high among fans of the series, with the hope that The Witcher 4 will transform gaming experiences, just as its predecessor did.

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If you thought that Cyberpunk 2077 would no longer receive any more patches, it's because its studio had deceived you

CD Projekt has announced that the highly anticipated patch 2.3 for Cyberpunk 2077 will arrive on June 26. This new patch is part of an ongoing effort by the studio to improve the gaming experience, following significant updates in recent months. During a recent developer stream, the community was informed about this new patch that promises to include quality of life improvements, bug fixes, and potentially new content or missions, which has generated expectations among fans. A new patch to further polish a game with a long history of fixes Despite […]

CD Projekt has announced that the highly anticipated patch 2.3 for Cyberpunk 2077 will arrive on June 26. This new patch is part of the studio’s ongoing effort to improve the gaming experience, following significant updates in recent months. During a recent developer stream, the community was informed about this new patch that promises to include quality of life improvements, bug fixes, and potentially new content or missions, which has generated excitement among fans.

A new patch to finalize polishing a game with a long history of fixes

Despite the enthusiasm for the progress that CD Projekt is making with Cyberpunk 2077, many players choose to take a moderate approach, considering past experiences where promises have not always been fulfilled. The online community has expressed that it could be about minor updates, such as quality adjustments, new cosmetic content, or perhaps some new missions, but with caution regarding the possibility of major changes.

Additionally, there are rumors indicating that there could be new downloadable content in development for the game. According to comments from a narrative designer, who is mentioned to have worked on the development of side missions for an upcoming expansion, the possibility arises that new adventures will be added to the world of Night City, although specific details are still scarce.

In parallel, CD Projekt has revealed that Cyberpunk 2 has left the conceptual phase and is now in pre-production, and is also working on a new patch for The Witcher 3, demonstrating its commitment to continue supporting multiple titles. With these moves, the future of Cyberpunk 2077 looks full of possibilities, although players remain attentive to see what will really be offered with the new patch.

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This spiritual successor to Skyrim and The Witcher 3 is taking Kickstarter by storm

The Kickstarter platform has established itself as a vital resource for small video game studios seeking community funding to develop their projects. In this context, Hawthorn has captured the attention of fans, raising 100,000 euros in just 24 hours, out of a total of 178,235 euros needed to access the early phase. This rapid support indicates a remarkable interest from the community. Hawthorn is a life simulator that stands out for featuring animals as protagonists in a charming rural setting. The plot includes an imminent threat that will disturb the peace of the […]

The Kickstarter platform has established itself as a vital resource for small video game studios seeking community funding to develop their projects. In this context, Hawthorn has captured the attention of fans, raising 100,000 euros in just 24 hours, out of a total of 178,235 euros needed to access the pre-order phase. This rapid support indicates a remarkable interest from the community.

Hawthorn is a life simulator that stands out for having animals as protagonists in a charming rural setting. The plot, which includes an imminent threat that will disturb the peace of the idyllic landscape, has sparked comparisons with other popular titles like Stardew Valley. Players will have to face a series of challenges and tasks, as well as take advantage of seasonal changes in their adventure. Character customization and skill development will be key components of the gaming experience.

Behind Hawthorn is a team with experience in acclaimed titles such as The Elder Scrolls V: Skyrim and The Witcher 3, which adds a factor of trust for potential sponsors. Although some team members may not have been directly involved in the design or programming, their connection to these great games raises expectations for the project.

The campaign on Kickstarter not only seeks funding but also invites the community to be part of the development, allowing their opinions and suggestions to influence the progress of the game. This dynamic of collaboration between creators and players is an element that has gained relevance in the industry, elevating Hawthorn’s potential to a new level, if it develops as promised.

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Former developer of The Witcher 3 confesses: they didn't know if people would want an elaborate story in their open world

Mateusz Tomaszkiewicz, former mission designer of The Witcher 3, has shared details about his new project, Blood of Dawnwalker, a dark fantasy RPG in an open world that he is developing at Rebel Wolves. In a recent interview, Tomaszkiewicz revealed that the game will feature an innovative mechanic in which time is considered a resource, which could pose a challenge for some players. However, the designer is well aware of the risks in video game development, especially after his experience with The Witcher 3, the first title in the series that fully adopted a format […]

Mateusz Tomaszkiewicz, former mission designer of The Witcher 3, has shared details about his new project, Blood of Dawnwalker, a dark fantasy RPG in an open world that he is developing at Rebel Wolves. In a recent interview, Tomaszkiewicz revealed that the game will feature an innovative mechanic in which time is considered a resource, which could pose a challenge for some players. However, the designer is well aware of the risks in video game development, especially after his experience with The Witcher 3, the first title in the series that fully adopted an open world format.

There were doubts about whether it was a good idea to develop the game’s narrative so much

Tomaszkiewicz recalled that, just like in Blood of Dawnwalker, during the development of The Witcher 3 they had doubts about integrating a complex story within an open environment. “There were doubts about whether the audience would really want an extensive narrative in a game of this nature,” he commented. However, the results speak for themselves, as the title has been acclaimed as one of the best RPGs of all time, highlighting its successful fusion of expansive storytelling techniques typical of more linear RPGs.

As more details about Blood of Dawnwalker are revealed, industry experts are watching how this “time as a resource” mechanic will be received by the public. While some may interpret this innovation as a sign of risk, Tomaszkiewicz seems convinced that originality can prevail over initial concerns. With his legacy in The Witcher 3, fans hope that Blood of Dawnwalker can not only meet but exceed the expectations set by its predecessor. For now, the community remains intrigued, awaiting more information about this new proposal from Rebel Wolves.

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This RPG promises an experience similar to The Witcher 3, but shorter

Developed by Rebel Wolves, a studio made up of veterans from CD Projekt RED, The Blood of Dawnwalker is shaping up to be a promising dark fantasy RPG in an open world. Following the release of its first trailer, player interest has grown significantly, even though the game’s release is still some time away. The AAA quality Mateusz Tomaszkiewicz, the creative director of the title, has participated in several interviews where he has shared surprising details about the direction of the project. In particular, he has focused on the intention to offer a high-quality experience similar to […]

Developed by Rebel Wolves, a studio made up of veterans from CD Projekt RED, The Blood of Dawnwalker is shaping up to be a promising dark fantasy open-world RPG. Following the release of its first trailer, player interest has grown significantly, even though the game’s release is still some time away.

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The AAA quality

Mateusz Tomaszkiewicz, creative director of the title, has participated in several interviews where he has shared surprising details about the direction of the project. In particular, he has focused on the intention to offer a high-quality experience similar to that of The Witcher 3, although with a significantly shorter duration, estimating between 30 and 40 hours of campaign. This will represent a change in the narrative, making it tighter and more direct compared to CD Projekt RED’s previous works.

A when asked about the game’s classification, Tomaszkiewicz has been clear in stating that they do not seek to be categorized as a AA or AAA title. In terms of quality, we are definitely looking at AAA because that is where we come from, he commented. However, he also emphasized that their focus is on creating a game that, although shorter, maintains a solidity comparable to the acclaimed RPG of 2015. The comparison to a monster like The Witcher is foolish, he added, referring to the length and complexity of the previous installment that allowed players to accumulate hundreds of hours.

The close relationship of the team with the development of The Witcher 3 serves as a solid foundation, although with the aim of achieving a challenging balance between quality and duration. As the release approaches, the gaming community is becoming increasingly excited about the potential that The Blood of Dawnwalker promises to offer.

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"Simply, enough": The pleas of an industry veteran in the face of overly long games

“How great, another 150-hour game,” said no one ever. And by “no one,” I also mean Josh Sawyer, a veteran video game developer known for his work on titles like Fallout: New Vegas and Pillars of Eternity, who has expressed his discontent with the current trend in the video game industry that dictates the need to create increasingly longer experiences. In a recent video posted on his YouTube channel, Sawyer stated that it’s not necessary for video games to expand massively, citing examples like Skyrim and The Witcher 3. “We don’t need to make them […]

“Great, another 150-hour game,” said no one ever. And by “no one,” I also mean Josh Sawyer, a veteran video game developer known for his work on titles like Fallout: New Vegas and Pillars of Eternity, who has expressed his discontent with the current trend in the video game industry that dictates the need to create increasingly longer experiences. In a recent video posted on his YouTube channel, Sawyer stated that it’s not necessary for video games to expand massively, citing examples like Skyrim and The Witcher 3. “We don’t need to make them bigger. Just stop. I don’t think most players want games that are six times bigger than Skyrim or eight times bigger than The Witcher 3”, he indicated.

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More hours! It’s war!

Sawyer’s perspective highlights the importance of the quality of the gaming experience rather than its duration. According to him, it is not essential to reach the end credits of a game to fully enjoy it. This analysis aligns with opinions previously expressed by other industry experts, such as Shawn Layden, who has also raised questions about the future direction of video games.

The latest project led by Sawyer, Pentiment, presents a more moderate approach, with an approximate duration of 20 hours. This represents a clear opposition to the culture of extensive games, where many titles currently require dozens of hours to complete. Sawyer mentions that, within a reasonable margin, developers can make games a little bigger or smaller, as long as they manage to offer a rich and entertaining experience without falling into repetition or monotony.

Over time, it will be interesting to see if Sawyer’s words will have an impact on the design and development of video games. The discussion about the length and quality of gaming experiences remains relevant and could shape the future direction of the industry.

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The director of The Witcher 3 announces a vampire game and promises that it is not what you expect

Rebel Wolves, a new video game studio founded by Konrad Tomaszkiewicz, known for his work on The Witcher 3: Wild Hunt, has announced its first project titled The Blood of Dawnwalker. This title will delve into a dark and fantastical world, focusing on the character of Coen, a protagonist who experiences an unusual duality: human during the day and vampire at night. The narrative of The Blood of Dawnwalker is inspired by popular archetypes like Dr. Jekyll and Mr. Hyde, offering a unique exploration of the hero’s duality. Tomaszkiewicz has commented that his intention was to move away from […]

Rebel Wolves, a new video game studio founded by Konrad Tomaszkiewicz, recognized for his work on The Witcher 3: Wild Hunt, has announced its first project titled The Blood of Dawnwalker. This title will delve into a dark and fantastical world, focusing on the character of Coen, a protagonist who experiences an unusual duality: human during the day and vampire at night.

The narrative of The Blood of Dawnwalker is inspired by popular archetypes like Doctor Jekyll and Mr. Hyde, offering a unique exploration of the hero’s duality. Tomaszkiewicz has commented that his intention was to move away from traditional superheroes to create a more complex and vulnerable character, who must face his weaknesses during the day and develop supernatural abilities at nightfall. This duality promises to provide a new dimension to the game’s narrative development.

One of the most innovative features of The Blood of Dawnwalker is its time-as-a-resource mechanic. Every time Coen completes a mission, the game’s clock advances, forcing players to choose how to use their time effectively. This choice dynamic not only influences game progression but also affects story development, giving players the opportunity to customize their experience in an interconnected narrative environment.

A Game with the Spirit of The Witcher 3

This interconnection of decisions and consequences promises to avoid the common feeling in some RPGs where choices seem to be mere decoration. According to Tomaszkiewicz, the player’s decisions will have a real impact on Coen’s story and his fight against a dangerous faction of vampires. The combination of a unique cinematic experience and a sandbox narrative could redefine the way players engage with the story, creating a sense of agency that has been longed for in the genre.

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It is likely that The Witcher 4 will no longer feature Geralt as a punishment to his voice actor

It’s been practically ten years since the release of The Witcher 3, and fans of the Butcher of Rivia are still eagerly awaiting the fourth installment that CD Projekt is creating, step by step, without even advancing a release date yet. However, in August, we saw the light at the end of the tunnel: Doug Cockle, who voiced the witcher in the previous games, announced that although he wouldn’t be the protagonist, Geralt would return in one way or another. Spoiler: in the end, maybe not. Lost in the Continent According to reports, CD Projekt wasn’t too pleased […]

It has been almost ten years since the release of The Witcher 3, and fans of the butcher of Rivia are eagerly awaiting the fourth installment that CD Projekt is still creating, step by step, without even advancing the release date yet. However, in August we saw the light at the end of the tunnel: Doug Cockle, who voiced the witcher in the previous games, announced that although he would not be the protagonist, Geralt would return in one way or another. Spoiler: in the end, maybe not.

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Lost on the continent

According to reports, CD Projekt was not pleased that the actor was openly sharing (widely known) secrets of the game, and they decided to remove him without much fuss. After all, the game is going to be a success, with or without him. But now we have learned that, at the time, Cockle was carried away by rumors and admitted to speaking without knowing.

As he stated, “I went online and said something about it, and then I got a slap from CD Projekt because… I don’t know how true it is. I believed a rumor, I thought I saw someone from CD Projekt saying that Geralt would be in The Witcher 4 but that he wouldn’t be the main character, and now I don’t know if that’s true, because they came and told me ‘We haven’t said anything, shut up!'”. If Geralt doesn’t appear, you know who to blame.

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