Tag: Ubisoft

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Splinter Cell is left without a director for its new game, about which we still know nothing

The development of the Splinter Cell remake has faced a new setback, as Ubisoft has confirmed the unexpected departure of its director, raising concerns among fans of the iconic franchise. According to a job posting published by the company, which was later removed, Ubisoft is looking for a new creative director to oversee key aspects of the game, including gameplay, gadget implementation, and enemy AI. A franchise that seems destined to have no more games This leadership change comes at a critical time, as Ubisoft has undergone an internal restructuring after […]

The development of the Splinter Cell remake has faced a new setback, as Ubisoft has confirmed the unexpected departure of its director, raising concerns among fans of the iconic franchise. According to a job posting published by the company, which was later removed, Ubisoft is looking for a new creative director to oversee key aspects of the game, including gameplay, gadget implementation, and enemy AI.

A franchise that seems destined to have no more games

This leadership change comes at a critical time, as Ubisoft has undergone an internal restructuring following a deal with Tencent and has recently lost other significant directors, such as the head of the Assassin’s Creed saga. The situation raises questions about the stability of the development of the Splinter Cell remake, which is once again without a leadership figure after David Grivel, who had been leading the project since its announcement in 2021, left the company in 2022.

Despite these difficulties, internal sources from Ubisoft have stated that the remake is still in development and is estimated to be released in 2026. However, fans’ concerns persist, especially due to the lack of concrete updates on the game’s progress. In contrast, the Splinter Cell franchise remains active thanks to its animated series on Netflix, which has been renewed for a second season, providing fans with some comfort amid the uncertainty of the video game.

The transformation of remakes into protagonists within the video game industry has made many fans eager, both for this project and for others that Ubisoft is developing. The loss of leadership in Splinter Cell, however, could impact the evolution of this title, leaving fans with more questions than answers on the way to its eventual release.

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The former director of the God of War studio is clear: "if a game is not fun, it is not worth the investment"

The video game industry in the West faces a discouraging outlook, with over 45,000 layoffs since the COVID pandemic in 2022. This phenomenon reflects the difficulty that studios and publishers face in adapting to rising production costs and changing player priorities. According to Meghan Morgan Juinio, former product development director at Santa Monica Studios, companies like EA and Ubisoft are likely to have to rethink their approach and develop smaller-scale games with more accessible budgets. We are heading towards a new video game paradigm In a recent interview in the […]

The video game industry in the West faces a discouraging landscape, with over 45,000 layoffs since the COVID pandemic in 2022. This phenomenon reflects the difficulty that studios and publishers face in adapting to rising production costs and the changing priorities of players. According to Meghan Morgan Juinio, former product development director at Santa Monica Studios, companies like EA and Ubisoft may need to rethink their approach and develop smaller-scale games with more accessible budgets.

We are heading towards a new paradigm of video games

In a recent interview at the Gamescom Asia x Thailand Games Show, Juinio emphasized that the most crucial aspect of a video game is its ability to entertain. “If a game is not fun, it is not worth the investment, whether it’s two million or 500 million dollars,” he stated. Despite the high expenses on graphics and music, fun must be the core of the player experience.

The growth of low-budget games, such as Clair Obscur and Peak, demonstrates that small developers can create viral hits, which calls into question the effectiveness of large publishers in producing titles that truly capture players’ attention. Juinio emphasized that, although iconic games like God of War will not disappear, we will see an increase in the development of smaller-scale titles by large companies, adapting to a more sustainable model.

As the demographics of players transform, with a large portion of them being adults over 35 years old, the challenges for games to reach a broad audience are evident. “We need to focus on building solid games that are truly fun to play,” concluded Juinio, pointing towards a future that could include fewer big-budget games but more accessible and appealing to a diverse audience.

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Splinter Cell: Blacklist confirms a second season for Netflix

The Netflix animated series, Splinter Cell: Deathwatch, has been renewed for a second season just one day after its release. This quick announcement suggests that the series is capturing the audience’s attention and has performed well in terms of viewership. The first season has been well received, although it has faced criticism for some elements, such as the lack of subtlety and the absence of the iconic voice actor Michael Ironside, who brought the protagonist Sam Fisher to life in the video game series. An animated series that has been a complete success Since 2013, Ubisoft has not […]

The Netflix animated series, Splinter Cell: Deathwatch, has been renewed for a second season just one day after its release. This quick announcement suggests that the series is capturing the audience’s attention and has performed well in terms of viewership. The first season has been well received, although it has faced criticism for some elements, such as a lack of subtlety and the absence of the iconic voice actor Michael Ironside, who brought the protagonist Sam Fisher to life in the video game series.

An animated series that has been a complete success

Since 2013, Ubisoft has not released a new game in the Splinter Cell franchise, with Splinter Cell: Blacklist being the last installment in the series. Although the company has confirmed that it is working on a remake of the original Splinter Cell game, details have been scarce and no significant updates have been provided in recent years.

Guillaume Dousse, director of Splinter Cell: Blacklist, has been appointed supervising producer of the second season of Splinter Cell: Deathwatch, where he will also direct the first episode. Dousse, a passionate fan of the franchise, has expressed his interest in revitalizing the world of Splinter Cell, although in a recent conversation he was unable to share information about the upcoming game in the series, mentioning that he did not have “the security clearance” to do so.

As fans continue to await news about the future of Splinter Cell video games, the reception of Deathwatch may suggest a renewed interest from Ubisoft in this acclaimed franchise. The blend of nostalgia and the promise of new stories could mark an exciting direction for followers of Sam Fisher and the stealth world he represents.

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The director of the animated series of Splinter Cell expresses his enthusiasm about the news of a hypothetical remake of the franchise

Ubisoft is developing a remake of the acclaimed Splinter Cell franchise, although details about its release date are limited. During a recent conversation, Guillaume Dousse, director of the animated series Splinter Cell: Deathwatch, expressed his excitement for the project, highlighting his long history as a fan of the game. However, he was unable to provide specific information about the remake due to security and confidentiality restrictions. He cannot talk about the details of it. Fans of the series have been waiting for more than ten years for a new Splinter Cell title, which has raised the […]

Ubisoft is developing a remake of the acclaimed Splinter Cell franchise, although details about its release date are limited. During a recent conversation, Guillaume Dousse, director of the animated series Splinter Cell: Deathwatch, expressed his excitement for the project, highlighting his long history as a fan of the game. However, he was unable to provide specific information about the remake due to security and confidentiality restrictions.

Cannot talk about the details of it

Fans of the series have been waiting over ten years for a new Splinter Cell title, which has raised expectations around the remake and the potential influence of the new animated series. Dousse mentioned the relevance of stealth and strategy in the mechanics of the original game, emphasizing the importance of the remake providing an authentic experience that respects the essence of the original game.

In an interview, Dousse clarified that there were connections with the team working on the remake, and although he could not reveal details, he reaffirmed that there have been discussions about this anticipated project. “I wish I could share more,” he said with a laugh. This leaves fans with very little information beyond the confirmation that the remake is in progress, with no clear timeline for its release.

The director also addressed his desire for the animated series to drive the return of new games within the franchise. Dousse confessed his preference for a remake of the first Splinter Cell, describing it as a memorable experience that deserves to be rediscovered in its entirety, rather than simply improving the resolution. Although he doesn’t know how the animated series could translate into a game, he is eager to see how these ideas develop.

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The showrunner of the Splinter Hell series wants to be clear "it's important to pull the thorn from the source material"

Derek Kolstad, known for his work on the successful John Wick franchise, has become the showrunner of Deathwatch, the animated series based on the popular Splinter Cell video game saga, which will be produced by Netflix. In a recent interview with IGN, Kolstad shared his vision for the series and his approach to the source material, emphasizing the importance of “pulling the thorn from the source material” to provide a fresh and exciting experience, without losing the essence of the Splinter Cell universe. Splinter Hell to the core Deathwatch is set decades after the events of the games […]

Derek Kolstad, known for his work on the successful John Wick franchise, has become the showrunner of Deathwatch, the animated series based on the popular Splinter Cell video game saga, which will be produced by Netflix. In a recent interview with IGN, Kolstad shared his vision for the series and his approach to the source material, emphasizing the importance of “pulling the thorn from the source material” to provide a fresh and exciting experience, without losing the essence of the Splinter Cell universe.

Splinter Hell to the core

Deathwatch is set decades after the events of the original games; however, Kolstad clarified that he is not sure if the series will be considered official canon within Ubisoft’s narrative. Despite this uncertainty, the creator hopes that the series will honor the legacy of the franchise. The timing of the series could be strategic, given that Ubisoft is developing a remake of Splinter Cell, although there have been no significant updates since its announcement in 2022.

One of the most controversial decisions in production has been the choice of Liev Schreiber to portray Sam Fisher, instead of the renowned Michael Ironside, who voiced the character in the games. Kolstad explained that, while he deeply appreciates Ironside’s performance, the team was looking for “a new sound” for the series. Schreiber, who had impressed Kolstad in his role as John Clark in The Sum of All Fears, was considered a perfect fit for the iconic agent of the covert operations division, thus sharing a connection with the Tom Clancy universe.

The Deathwatch series is set to premiere on Netflix on October 14 of this year, while Splinter Cell fans are still waiting for more news about the highly anticipated video game remake.

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Assassin's Creed Shadows receives a new DLC that pleasantly surprises with its narrative and gameplay

Ubisoft has surprised fans of the Assassin’s Creed saga with the expansion of the game Assassin’s Creed Shadows, which presents an unusual approach to storytelling. Instead of typical cutscenes, the DLC content unfolds through a puppet theater, offering a visual experience that recalls the best of classical theater. This change is complemented by side-scrolling gameplay, similar to iconic titles like Rayman and Prince of Persia: The Lost Crown, representing a significant departure from the main entries in the franchise. There are great similarities with recent successes of the company […]

Ubisoft has surprised fans of the Assassin’s Creed saga with the expansion of the game Assassin’s Creed Shadows, which presents an unusual approach to storytelling. Instead of typical cutscenes, the DLC content unfolds through a puppet theater, offering a visual experience that recalls the best of classical theater. This change is complemented by side-scrolling gameplay, similar to iconic titles like Rayman and Prince of Persia: The Lost Crown, representing a significant departure from the main entries in the franchise.

Great similarities with recent successes of the company

The mission called The Claws of Awaji lasts about 20 minutes and allows players to control both a soldier and an assassin, evoking the style of characters like Yasuke and Naoe. During this experience, players can enjoy a varied set of activities, including direct combat, stealth assassinations, parkour, and alternative routes, all in an artistic style reminiscent of period theater. This unexpected proposal has been well received, suggesting that it could be a nod to the underrated Assassin’s Creed Chronicles trilogy, which also aligned with a side-scrolling gameplay style.

The similarities with Prince of Persia: The Lost Crown, Ubisoft’s most successful game in recent years, fuel expectations that a title in this style for Assassin’s Creed could find a warm reception. Some experts suggest that this mission could be an experiment to assess the viability of developing a full game along these lines. Many in the gaming community express a desire for the franchise to return to more concise installments, around 20 to 30 hours, a duration that would resonate with the classics of the series.

The reception of The Claws of Awaji and its similarity to past works could be a sign that Ubisoft is considering an interesting future for the series, sugesting that the time for metroidvanias in the Assassin’s Creed universe might be closer than many think.

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We all thought that the 'Splinter Cell' series for Netflix was canceled. Everyone, except Ubisoft

More than ten years have passed since the release of a new game in the Splinter Cell saga, and almost four years since Ubisoft announced a remake of the original title. Meanwhile, the recent Netflix series, Splinter Cell: Deathwatch, stands out as the most significant activity of the franchise in years, which has rekindled fans’ hopes. Will we see it in the end? Derek Kolstad, the showrunner of Splinter Cell: Deathwatch and creator of the iconic John Wick series, has expressed his desire for the series to be integrated as part of the video game canon. Kolstad […]

It has been more than ten years since the release of a new game in the Splinter Cell saga, and almost four years since Ubisoft announced a remake of the original title. Meanwhile, the recent Netflix series, Splinter Cell: Deathwatch, stands out as the most significant activity of the franchise in years, which has rekindled fans’ hopes.

Will we see her at the end?

Derek Kolstad, the showrunner of Splinter Cell: Deathwatch and creator of the iconic John Wick series, has expressed his desire for the series to be integrated as part of the video game canon. Kolstad revealed that Ubisoft has “other plans” for the franchise, although details about those plans remain shrouded in mystery. “They have a firm grip on their intellectual property because they own some of the best titles”, Kolstad commented during an interview with IGN. However, the future of new games remains uncertain, especially after unmet expectations from a promising announcement by Ubisoft before this year’s Summer Game Fest.

The lack of updates on Splinter Cell games has led some to question Ubisoft’s ability to effectively revive its franchises. The prolonged wait for the remake of Prince of Persia: The Sands of Time has raised doubts about the company’s commitment to managing these releases in a timely manner. Referring to the development of the original game, the director of Splinter Cell: Chaos Theory noted that creating this title was “very difficult” and emphasized how these challenges led Ubisoft to improve in future productions.

The future of the Splinter Cell saga seems to depend on a mix of projects across different media, although fans continue to long for the return of Sam Fisher to the world of video games. Over time, the hope that he will soon return to interactive action persists.

Nobody is interested in NFT-based games, and Ubisoft has paid the price (deservedly)

Ubisoft has tried to consolidate its presence in the world of NFTs through its game Champions Tactics Grimoria Chronicles, a tactical RPG that was released in 2024 and even offered non-fungible tokens for exorbitant prices, reaching up to 63,000 dollars. However, despite this bold proposal, the popularity of the title has drastically decreased since its launch, reflecting a marked lack of public interest in NFT-related games. Recently, Ubisoft introduced a new version of the game for Steam called Champions Tactics Reforged. Although this release […]

Ubisoft has tried to consolidate its presence in the world of NFTs through its game Champions Tactics Grimoria Chronicles, a tactical RPG that was released in 2024 and offered non-fungible tokens at exorbitant prices, reaching as high as $63,000. However, despite this bold proposal, the popularity of the title has drastically decreased since its launch, reflecting a marked lack of public interest in NFT-related games.

No Fate, Team

Recently, Ubisoft announced a new version of the game for Steam called Champions Tactics Reforged. Although this release was announced as free-to-play, its performance on the platform has been quite unsatisfactory. On its first day, the title only recorded 181 concurrent players, and despite experiencing a brief spike to 1,443 users, this increase was short-lived, as 24 hours later the game returned to alarmingly low figures, with fewer than 50 active users.

The statistics are not favorable for Champions Tactics; in the last month, only four NFT sales related to the game have been recorded, highlighting the low activity in its market. Despite the official page still presenting a roadmap with plans for 2025, the audience does not seem to respond to these attempts at revitalization. At this moment, the Reforged version has also seen its number of players drop to critical levels, with only 3 users online at the time of this publication.

The situation suggests that interest in games that incorporate NFT elements is scarce. Everything points to Ubisoft, in its quest to capture the attention of genre fans, could be launching this new version desperately, which raises questions about the future of the Champions Tactics universe and its viability in the competitive video game market.

Predator was hidden for a while in a Ubisoft game, although he returned to his planet in December 2020

Ubisoft has stood out for its creative crossovers in the world of video games, especially in the latest installments of the popular Ghost Recon series. One of the most memorable examples was the inclusion of the iconic character Predator in Ghost Recon Wildlands, where players could face this alien species that hunts for fun in an exciting side mission. A true hunter to be feared The mission in question offered a unique combat experience that combined stealth and strategy mechanics. With the Predator’s ability to become invisible and use guided missiles, players not only challenged their agility and […]

Ubisoft has stood out for its creative crossovers in the world of video games, especially in the latest installments of the popular Ghost Recon series. One of the most memorable examples was the inclusion of the iconic character Predator in Ghost Recon Wildlands, where players could face off against this alien species that hunts for fun in an exciting side mission.

A true hunter to be feared

The mission in question offered a unique combat experience that combined stealth and strategy mechanics. With the Predator’s ability to become invisible and use guided missiles, players not only challenged their agility and knowledge of the terrain, but also had to rely on their detection skills, such as using night vision to locate the feared hunter. The sounds of the vegetation and the distortions caused by its camouflage were crucial clues in this impressive confrontation between man and beast.

Completing this challenging mission rewarded players with the Predator mask, which allowed them to use a heat sensor system, adding an extra layer of strategy to the gameplay. However, new players interested in experiencing this exciting battle will face the discouraging news that Ubisoft permanently removed the mission in December 2020, making it inaccessible today.

Despite the disbelief of some players regarding this decision, those who had the opportunity to participate will remember the adrenaline of hunting the Predator in an environment full of tension and drama. With its ability to combine elements of pop culture with gameplay, Ubisoft has continued to demonstrate its mastery in creating memorable experiences for users. Now, fans of Ghost Recon Wildlands must hold on to the hope of new and exciting missions that keep the spirit of these unforgettable battles alive.

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According to Ubisoft, it's not that they do things wrong, it's that there is a smear campaign against them

Ubisoft is in a complex situation in the current landscape of video games. Although the company has released well-received games in recent years, it has also faced strong criticism due to some of its productions, such as the highly anticipated Star Wars Outlaws, failing to meet player expectations. In a context where quality and content standards are higher than ever, Yves Guillemot, CEO of Ubisoft, has expressed his concern about the growing criticism his company faces, which he has described as a “high” business risk factor. They are bothered that they are […]

Ubisoft is in a complex situation in the current video game landscape. Although the company has released well-received games in recent years, it has also faced strong criticism because some of its productions, such as the highly anticipated Star Wars Outlaws, failed to meet player expectations. In a context where quality and content standards are higher than ever, Yves Guillemot, CEO of Ubisoft, has expressed his concern about the growing criticism his company faces, which he has described as a “high” business risk factor.

They are bothered by being criticized for what they do wrong

During a recent meeting with investors, Guillemot emphasized that the impact of criticism can damage the company’s reputation, as it spreads through social media, distribution platforms, and specialized media, especially after strategic decisions or technical issues. “Ubisoft is exposed to risks of damage to its reputation as a result of online ‘bashing’,” he explained, emphasizing the new reality in which the perception of the video game industry as a cultural medium is influencing how users evaluate games.

This phenomenon has led to criticism focusing not only on gameplay and performance but also on ideological and social considerations, creating a complicated environment for publishers. Interestingly, Guillemot’s statements come at a time when Assassin’s Creed Shadows has reached 5 million players, after facing months of controversy in Japan. Looking ahead, Ubisoft seems ready to revolutionize the Assassin’s Creed series with the upcoming title known as Hexe, which promises an innovative approach to gameplay, although it has been mentioned that it may not be suitable for all players.

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