Tag: YouTube

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YouTube has become an unexpected ally against AI, and no one saw that coming

All companies, absolutely all of them, around the world, are “focusing on AI.” It doesn’t even matter if AI is going to do any good, it’s just to “not fall behind.” And the result, while we wait for all companies to raise prices and it becomes absurd to maintain services, is anything but futuristic. It is, as many of us expected, the shoddiest version of the future that cinema promised us for years, with robots tasked with being our psychologists and consulting what we used to look up on Google. Well, AI is fine The big tech companies, which have spent […]

All companies, absolutely all of them, around the world, are “focusing on AI“. It doesn’t even matter if AI is going to do any good, it’s just about “not being left behind”. And the result, while we wait for all companies to raise prices and it becomes absurd to maintain services, is anything but futuristic. It is, as many of us expected, the shoddiest version of the future that cinema promised us for years, with robots tasked with being our psychologists and consulting what we used to look up on Google.

Well, AI is fine

The big tech companies, which have spent an absolute fortune to keep up, are now announcing that from now on AI will be the center of all their hopes. All except one, which has realized that with this trend it will soon become absolutely useless: YouTube. Yes, to avoid misinformation, it will now require that videos made by artificial intelligence be highlighted. I didn’t see this coming, especially considering the initial turn it took, rowing completely in its favor.

In fact, even if you as a “creator” decide not to label it, YouTube will do it for you, detecting it if it has a significant use of photorealistic AI. “We have continuously heard from our community that they value transparency regarding AI content. These changes have been designed to balance transparency with creative control.”

And what are they going to do with the AI-generated videos so that you know they are? Well, YouTube itself responds: “The goal is to find the context immediately. If it looks real but is made with AI, viewers will know right away.” In other words: there will be a notice at the beginning of the video and not, as until now, in the long description. Note that this will not affect recommendations… nor earning money from what a machine has created. Step by step.



The writer of Half-Life wouldn't want to write Half-Life 3 even if his life depended on it

At Valve, they are busy with the Steam Machine and the newly released Steam Controller, but that doesn’t mean they are not still making games. Deadlock has been in closed alpha since at least August 2024, and any day could be its official launch. But what everyone is waiting for is the third installment of a legendary game. Everyone is waiting for Half-Life 3. Everyone except, apparently, Chet Faliszek, the writer of Half-Life 2, Portal, and Left 4 Dead. It’s hard to write a series with so much baggage. In a recent video posted on YouTube, the writer wanted to reflect on […]

At Valve, they are busy with the Steam Machine and the newly released Steam Controller, but that doesn’t mean they are not still making games. Deadlock has been in closed alpha since at least August 2024, and its official release could happen any day now. But what everyone is waiting for is the third installment of a legendary game. Everyone is waiting for Half-Life 3. Everyone except, apparently, Chet Faliszek, the writer of Half-Life 2, Portal, and Left 4 Dead.

It’s hard to write a series with so much baggage

In a recent video published on YouTube, the screenwriter wanted to reflect on his experience writing about video games. Clarifying that he does not want to imply that Half-Life 3 is being produced, in the video he emphasizes how his perspective on writing video games has changed. Especially, due to the reception that the franchise has had over time.

In that sense, he has stated that the problem he sees in making Half-Life 3 is that it has too much associated story. It has an enormous amount of baggage and he doesn’t believe it will be easy to tackle. In his own words, “I don’t want to touch anything that has a huge backstory”. He shields himself by saying that he doesn’t want to create something that will be scrutinized by fans in a way that any contradiction will be considered a sacrilege and a cause for maximum personal offense.

This is something that Valve itself agrees with. Gabe Newell has stated in the past that if Half-Life 3 does not exist yet, it is because they do not want to make it unless they think they can create something as unique and special as the previous ones. Therefore, if this highly anticipated third installment is ever announced, we will know for sure that a journey like no other awaits us.

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Markiplier's movie will be on YouTube very soon, although not as you expect

No one expected that Iron Lung, the movie made by some random YouTuber for just 3 million dollars, would end up grossing more than 50 million globally. But of course, they underestimated the Markiplier community and a Guinness record that grabs attention: 300,000 liters of fake blood, smashing the previous record (held by the Evil Dead remake with 190,000 liters). Now, as a thank you, the director is not going to play with our feelings and is going to release his movie directly on the platform that gave him success. Blood in abundance! “I am loyal to YouTube,” Markiplier has stated

No one expected that Iron Lung, the movie made by some random YouTuber for just 3 million dollars, would end up grossing more than 50 million globally. But of course, they underestimated the Markiplier community and a Guinness World Record that grabs attention: 300,000 liters of fake blood, smashing the previous record (held by the Evil Dead remake with 190,000 liters).

Now, as a thank you, the director is not going to play with our feelings and is going to release his movie directly on the platform that gave him success.

Blood in torrents!

“I am loyal to YouTube,” Markiplier has stated while announcing that Iron Lung will be available to everyone on May 31. That is, very soon. However, it will break several hearts along the way, as it will be available for purchase and classified as a “YouTube exclusive.” In other words, you will have to pay up anyway.

For now, Markiplier has not revealed what his next project will be, as he needs at least some time to rest between projects, but he will be working on something next year. Something other than enjoying his new and well-earned millions of dollars, of course.

Right now, his channel has over 38 million subscribers and 23 billion views, and he continues to upload videos gradually. Frankly, as long as what he does remains high quality and stays true to his audience, it is likely that he will continue to grow, and we will be talking about one of the most important creators of the future. Make sure to remember his name, because the best horror always came from small directors that no one would bet a dime on.

YouTube raises more money than the rest of the streaming services

YouTube has established itself as the largest media platform in the world and a significant driver of advertising revenue, according to a report from MoffetNathanson cited by The Hollywood Reporter. This analysis highlights the impressive performance of the platform in an increasingly competitive digital landscape, where content options are abundant and diverse. YouTube is making money hand over fist. The data is compelling: YouTube users spend over 11.4 billion minutes on the platform daily. This figure far exceeds the time users spend on other streaming platforms and social networks, […]

YouTube has established itself as the largest media platform in the world and a significant driver of advertising revenue, according to a report by MoffetNathanson cited by The Hollywood Reporter. This analysis highlights the impressive performance of the platform in an increasingly competitive digital landscape, where content options are abundant and diverse.

YouTube pays a lot of money

The data is compelling: YouTube users spend more than 11.4 billion minutes on the platform daily. This figure far exceeds the time users dedicate to other streaming platforms and social networks, such as Netflix, which gathers 10 billion minutes; Facebook, with 5.4 billion; and Instagram, which attracts 4.7 billion. These numbers not only reflect YouTube’s popularity but also the loyalty and engagement of its user base.

The MoffetNathanson report not only highlights viewing time but also YouTube’s ability to capitalize on this massive consumption in terms of advertising revenue. The platform has developed a robust ecosystem that benefits content creators, brands, and advertisers, making it a fundamental pillar in contemporary digital marketing strategies.

Additionally, it is observed that YouTube remains the most popular media platform in the United States. The platform’s ability to attract and retain user attention raises interesting questions about the future of competition in the digital media sector. While other platforms struggle to capture the public’s attention, YouTube seems to be in a privileged position, consolidating its leadership in the market.

These findings open the door to reflections on how media platforms can adapt and evolve in a constantly changing digital environment, and underscore the importance of innovation and diversification in content offerings. The digital age continues its course, and YouTube is setting the pace.

The creators of this incredible game inspired by Romeo and Juliet are already preparing their next work

This week saw the debut of ‘Romeo is a Dead Man’, a new title from the Grasshopper studio, directed by the well-known Goichi ‘Suda51’ Suda. Following its release, the game has begun to generate intense debate among players, who highlight its original premise and frantic combat system, as well as the reflections that arise from its narrative. Although the team is focused on improving the current experience of the game, they are already looking ahead to their next production, which is expected in 2026. The game Shakespeare would play In a recent video […]

This week has seen the debut of ‘Romeo is a Dead Man’, a new title from the Grasshopper studio, directed by the well-known Goichi ‘Suda51’ Suda. Following its release, the game has begun to generate intense debate among players, who highlight its original premise and frantic combat system, as well as the reflections that arise from its narrative. Although the team is focused on improving the current experience of the game, they are already looking ahead to their next production, which is expected in 2026.

The game Shakespeare would play

In a recent YouTube video, Suda51 mentioned that Grasshopper has almost confirmed plans to release a new game within three years. Although not many details were revealed about this mysterious project, Suda51 assured that more information will be available soon. Sooner or later, we will have that big announcement ready for you, the developer commented, suggesting fans follow Grasshopper’s social media to stay updated on the news.

On the other hand, ‘Romeo is a Dead Man’ is now available on platforms such as PC, PS5, and Xbox Series, and will be established in the growing ecosystem of Nintendo Switch 2, for which the team is actively working. Suda51 urged fans to be patient while efforts are made to adapt the game to the new hybrid console.

In addition to the digital version, Grasshopper is in talks to launch a physical edition of the game, as well as an art book and an original soundtrack, which will provide fans with a more complete experience of the title.

YouTube Music surprises users with a radical change that you are not going to like

YouTube Music has recently implemented a significant change that has left many users of its free version unhappy. From now on, these users will only be able to view the lyrics of five songs before being prompted for a Premium subscription, which has generated a flood of criticism on platforms like Reddit. The controversy arose when a user shared in the YouTube Music subreddit that the lyrics were “missing for non-premium users,” accompanied by a screenshot showing a message informing that they have reached their limit. Is it a good strategy to restrict the […]

YouTube Music has recently implemented a significant change that has left many users of its free version dissatisfied.

From now on, these users will only be able to view the lyrics of five songs before being prompted for a Premium subscription, which has generated a flood of criticism on platforms like Reddit.

The controversy arose when a user shared on the YouTube Music subreddit that the lyrics were “missing for non-premium users,” accompanied by a screenshot showing a message informing that they have reached their limit.

Is it a good strategy to restrict access to song lyrics?

This message warns the user that to unlock the lyrics they must subscribe to the Premium service. The limit of lyric views has been set to five, although it is unclear when this count will reset.

This change comes as a result of previous tests conducted by YouTube Music last year, which included new features such as real-time lyrics translation for Premium subscribers. So far, competitors like Spotify and Pandora have offered accessible lyrics to all users, which contrasts with YouTube Music’s restrictive approach.

Despite the discontent, it is important to note that Alphabet, the parent company of YouTube, reported revenues of $400 billion in the fourth quarter of 2025, which suggests that this decision does not necessarily respond to financial needs.

While Spotify tried to hide lyrics behind its paywall in the past, that strategy was unsuccessful, leading the platform to reverse that decision.

The user community is expressing itself on social media and forums, and although there are voices both for and against, it remains uncertain whether this measure will be reviewed by YouTube Music, which will likely make decisions it considers in its own interest.

The situation remains relevant as public opinion continues to grapple between criticism and acceptance of this new model of access to literature.

The BBC and its new content strategy to attract younger audiences

The BBC has confirmed its partnership with YouTube to launch exclusive and live content on the popular video platform, starting with coverage of the Winter Olympics scheduled for February. This agreement reflects the commitment of the British public broadcasting corporation to connect with a younger audience that primarily consumes content online and is therefore moving away from traditional television. Television is no longer what it used to be The BBC’s strategy aims to attract a new generation of creators and producers in the UK. Through […]

The BBC has confirmed its partnership with YouTube to launch exclusive and live content on the popular video platform, starting with coverage of the Winter Olympics scheduled for February. This agreement reflects the commitment of the British public broadcasting corporation to connect with a younger audience that primarily consumes content online and is therefore moving away from traditional television.

Television is not what it used to be

The BBC’s strategy aims to attract a new generation of creators and producers in the United Kingdom. Through dedicated channels, the corporation intends to offer original and fresh programming, especially aimed at children and young audiences. This move is not limited to the production of series but will also include news with innovative formats that foster a deeper connection with fans, as well as collaborations with brands and creators.

The introduction of this content on YouTube also suggests a significant integration with BBC iPlayer, allowing programming created for the video platform to be accessible through the BBC’s streaming service.

However, certain challenges persist regarding the quality of the content that traditional networks can offer on digital platforms. There is an urgent need to innovate and not simply replicate what already works, which can become a significant challenge. The BBC will have to demonstrate that it can provide valuable content that genuinely resonates with the audience in a competitive and constantly evolving landscape.

The new multiplayer game from EA did not have to pay to appear at The Game Awards

The launch of Apex Legends in 2019 surprised the gaming world by taking place without any prior marketing campaign. This strategy, although risky, proved successful, as it allowed the game to speak for itself, avoiding the anxiety that often accompanies the expectations of a launch. The developer Respawn Entertainment was able to bypass the usual resistance caused by excessive promotion, which ultimately favored the reception of the title. Geoff Keighley offered them his spot for free for nothing On the other hand, the recent announcement of Highguard has been received quite negatively. With 2,400 dislikes on YouTube […]

The launch of Apex Legends in 2019 surprised the gaming world by taking place without any prior marketing campaign. This strategy, although risky, proved successful, as it allowed the game to speak for itself, avoiding the anxiety that often accompanies the expectations of a launch. The developer Respawn Entertainment was able to bypass the usual resistance caused by excessive promotion, which ultimately favored the reception of the title.

Geoff Keighley offered them his position for free for nothing

On the other hand, the recent announcement of Highguard has been received quite negatively. With 2,400 dislikes on YouTube compared to just 500 likes, many viewers have expressed their frustration, comparing the game to previous failures like Concord. This reaction has been exacerbated by the high expectations generated by other impactful announcements, such as that of Monster Hunter Wilds. The similarities between Highguard and Concord have fueled the criticism, and some have suggested that the studio behind Highguard had paid for the showcase time at the event, which turned out to be untrue.

According to reports, showrunner Geoff Keighley decided to highlight Highguard due to his personal appreciation for the game, without any financial exchange for the space at the event. Although Highguard is not considered a bad game, it is perceived as common and uninnovative, contributing to its negative criticism. The lack of a distinctive aspect puts it in a complicated position, as players seem to be looking for fresher and more exciting experiences, thus reinforcing the overall sense of disappointment.

Highguard’s initial strategy to take advantage of a prominent promotional space may have been an advantage, but it now faces the challenge of earning the trust of an audience that feels let down. Meanwhile, the industry watches its development closely, considering whether the success of titles that were initially presented without prior commercial pressure will be repeated.

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YouTube knows that you're tired of the shorts

Google has announced a series of modifications to the search functionality of YouTube, which include the addition of new filters and the renaming of some options to increase clarity. These improvements come in response to user feedback, with the aim of optimizing content discovery on the platform. One of the most notable new features is the introduction of a new filter that allows users to choose the type of content they want to include in their results. Many people can no longer stand YouTube Shorts. This option is significant for those who prefer […]

Google has announced a series of modifications to the search functionality of YouTube, which include the addition of new filters and the renaming of some options to increase clarity.

These improvements come in response to user feedback, aiming to optimize content discovery on the platform.

One of the most notable new features is the introduction of a new filter that allows users to choose the type of content they want to include in their results.

Many people can no longer stand YouTube Shorts

This option is significant for those who prefer long-format videos, as they can choose to exclude short videos or YouTube Shorts from their searches. Although Google does not explicitly mention that these changes are implemented to avoid ‘AI-generated content’, it is possible that this is a positive side effect of the modifications.

In addition to the new filter that allows selecting the type of content, Google has renamed several sorting options to improve usability. The company has stated that it aims to simplify and reorganize the filter menu, making it more intuitive and aligned with user expectations.

Among the changes, two filters will be removed: ‘Upload date – Last hour’ and ‘Sort by rating’. However, users will still have the option to access the most recent results through other filters related to the upload date and will be able to explore popular videos through the new ‘Popularity’ option.

The company emphasizes that these adjustments aim to provide users with more effective search tools, thus facilitating the location of the content they wish to see.

Disney+ announces a documentary dedicated to its most profitable creation in history: Disneyland

Disney fans have a new date to mark on their calendars. The documentary titled Disneyland Handcrafted will premiere on January 22 and will be available for streaming on both Disney+ and Disney’s YouTube channel. This exciting new project offers a unique look into the world of Walt Disney, using rare archival footage and original audio recordings that reveal the magic and ingenuity behind the creation of Disneyland. An amusement park that is much more than an amusement park Produced and directed by Leslie Iwerks, known for her work on the […]

Disney fans have a new date to mark on their calendars. The documentary titled Disneyland Handcrafted will premiere on January 22 and will be available for streaming on both Disney+ and Disney’s YouTube channel. This exciting new project offers a unique look into the world of Walt Disney, using rare archival footage and original audio recordings that reveal the magic and ingenuity behind the creation of Disneyland.

An amusement park that is much more than an amusement park

Produced and directed by Leslie Iwerks, known for his work in the Disney universe and his dedication to extending the visual history of the company, Disneyland Handcrafted aims to offer an intimate and nostalgic perspective. Iwerks, who comes from a family with deep roots in Disney history, has used his experience to create a documentary that will combine historical elements with the magic that has made Disneyland a global icon.

The material that will be presented in the documentary includes not only scenes of the park during its construction phase but also historical moments that are crucial for understanding Walt Disney’s legacy. The combination of visual footage with audio recordings provides an immersive experience that promises to capture the attention of both veteran Disney fans and a new generation eager to learn more about the brand’s history.

The announcement of the premiere has generated great enthusiasm in the fan community, who are preparing to explore the intricacies of the creation of one of the most iconic theme parks in the world. With this proposal, Disney continues its tradition of celebrating its rich history and sharing it with the public, making Disneyland Handcrafted an unmissable event for all enthusiasts of the Disney universe.

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