Why autoplay will never die

You see autoplaying videos all over the web. Here’s why.

Autoplaying videos are the bane of the internet.

Maybe it’s just us, but it’s always felt like content playing without our consent felt like a violation. Some of us now live life with computers on mute 24/7 to avoid any public outbursts.

You know how it goes. Sometimes you’re cruising the web, trying to get work done, multiple tabs opened. Suddenly, some poor quality sound starts competing with your music, and you’re frantically clicking around looking for the source of auditory spam.

We all hate autoplay — yet somehow, the much-maligned feature hangs around, providing distractions and noise pollution without warning.

Here’s a look at why autoplay will likely stick around through web 3.0 and beyond.

Why autoplay will never die

autoplay

Why is autoplay still so prevalent?

The answer is obvious — autoplay videos are real money-makers. Why else would something so terrible be a mainstay on the web?

The user, in this case, doesn’t matter. UX might apply to individual sites, but it’s hardly a concern for advertisers.

We’ve seen a rise in autoplay ads over the past decade or so due to faster internet connections and the rise of smartphones. As consumers, we’ve gotten used to watching videos on Facebook, YouTube, streaming Netflix on our phones.

But, where Google and Firefox have made it possible to mute autoplay automatically — the biggest name in streaming is the hardest to outrun.

Netflix claims to have data suggesting that autoplay trailers are worthwhile — they reportedly make us watch even more movies and reruns of “Friends” and “The Office.”

Netflix

Netflix isn’t the only one forcing autoplay on their viewers. Back in December, YouTube announced it would roll out a new feature that would “make it easier to preview videos on the go.” Called Autoplay on Home, YouTube now automatically plays preview videos on the mobile app — you know, for convenience.

This change provides one clear benefit: inflating the number of views. For content creators, autoplay makes it easier to monetize videos.

new autoplay feature for youtube

Still, YouTube has one edge over the Netflix approach — the autoplay function can be muted, with captions for a less disruptive experience.

Are companies trying to do better?

Social media sites like Facebook and Twitter allow you to mute autoplay videos in your account settings. Instagram even mutes videos by default these days

A few months back, both Chrome and Firefox released updates that block the issue. Google’s browser now comes with the ability to mute specific tabs — and if you’re visiting a new site — you can use these options as a safeguard against unwanted noise by muting the site.

Version 64 also allows you to flag autoplay videos, but you’ll need to get into your Chrome settings.

The Firefox update added some options to the preferences section. The Nightly update also offers some tracking protections, too, blocking advertisers from running software that follows your online activity.

Unfortunately, the Chrome update puts HTML5 games at risk. Shortly after the rollout, Google was flooded with complaints from smaller game developers claiming that their games no longer worked in the browser. Other issues with these blockers include things like trouble with video calls.

That said, if you do a lot of reading and research online, muting sites like Forbes, CNN, and others that provide a small news report with every written story, the Chrome add-on is a real boon.

On the verge of a new silent generation?

Because everyone mutes their videos anyway, advertisers are now creating ad content with that in mind. For that, you can thank the Coalition for Better Ads, a group that includes big players like Facebook, Procter & Gamble, and the Washington Post.

The idea behind the coalition is, these brands hope that by making ads less invasive, fewer people will use ad blockers. Because blogs and news outlets are at the mercy of their advertisers, ad blockers pose a threat to their profitability.

AdAge reported that the coalition’s efforts haven’t moved as quickly as expected–the changes were supposed to be a good thing for both advertisers and consumers. The problem is, consumers might not be ready to switch off the ad blockers.

Now, autoplay isn’t going anywhere — but auto-muted videos are certainly a start. According to the New York Times, those companies that use sound-enabled ads may soon go extinct. Standards are changing, slowly, but surely.

Unfortunately, there’s no word from Netflix as to how long they’ll keep autoplay as a key player in its bag of algorithmic tricks.

Academy Awards odds to help you win your 2019 Oscars pool

Here’s who Vegas favors to take home the Oscars.

Planning on having an Oscars Party? If so, it’s worth having a competition to see which of you can guess the most Oscar winners. According to online betting site Bovada, these are the current odds for the major categories. The lower the number, the more likely it is that nominee will win. We’ve also assembled a master list of where to watch movies online, so be sure to hold your movie marathon before the Academy Awards on February 24!

Oscars 2019 Predictions

Best Picture

Roma

(Click each title to watch the movies online.)

“Roma” is the current frontrunner, but will the Academy give a statue to a Netflix movie? “Green Book” is facing controversy over its blurred retelling of history. “Bohemian Rhapsody” is facing headwinds because of a scandal involving its director, Bryan Singer. While “Roma” may be a lock for Best Foreign Film, we think “A Star Is Born” could slip through for the win. Although its director (Bradley Cooper) wasn’t nominated, this year could mirror the 2013 Oscars when “Argo” won Best Picture, even though its director (Ben Affleck) wasn’t nominated.

Also, remember that actors make up the biggest share of the voters and “A Star Is Born” features nominees in three of the four acting categories. Only “Vice” can match that and it has two actors who already have Oscars, so the Academy will likely overlook them.

Best Director

Alfonso Cuarón

Cuarón is the frontrunner here. The possible drag against him is his previous Oscar in 2013 for “Gravity.” The Academy gets stingy with second statuettes. If you’re looking for an upset, put your money on Spike Lee. The Academy sometimes hands out Oscars as “lifetime achievement awards,” and we’d love to hear his acceptance speech.

Best Actress

Glenn Close

  • Yalitza Aparicio (Roma) +4000
  • Glenn Close (The Wife) -550
  • Olivia Colman (The Favourite) +350
  • Lady Gaga (A Star Is Born) +1000
  • Melissa McCarthy (Can You Ever Forgive Me?) +5000

Speaking of “lifetime achievement awards,” this is Glenn Close’s seventh nomination and she’s the odds-on favorite. Lady Gaga could provide the upset, but voters are likely to want her to “pay her dues.” Gaga will pick up an Oscar elsewhere in the telecast (stay tuned).

Best Actor

bohemian rhapsody

Rami Malek’s transformation into Freddie Mercury will likely land him the prize. If you’re looking for an upset, everyone loves Viggo Mortensen. A win for him could give “Green Book” a little love without necessarily honoring the film as a whole.

Best Supporting Actor

Mahershala Ali

As we said, the Academy can be stingy with a second statue, so Ali’s 2017 win for “Moonlight” could rain on his parade here. Richard E. Grant plays the kind of broken down character the Academy loves. But if you’re looking for an upset, Sam Elliott could snag a win as tribute for his long career. This category is often set up to reward the kindly old guy that everyone in Hollywood loves, but the actual Oscar rarely goes that way. Elliott could be the exception.

Best Supporting Actress

Regina King

Regina King leads the way here, and we don’t see much of a threat to her. Amy Adams is beloved and Oscarless, but “Vice” didn’t give her much to do. Be aware that this category frequently throws the biggest curveball of the night.

Best Original Screenplay

  • The Favourite (Deborah Davis and Tony McNamara) -200
  • First Reformed (Paul Schrader) +1400
  • Green Book (Nick Vallelonga & Brian Hayes Currie & Peter Farrelly) +200
  • Roma (Alfonso Cuarón) +750
  • Vice (Adam McKay) +4000

“Green Book” probably had this on lockdown until its scandal flared up. “Vice” had its moments, but it’s not particularly noteworthy. “Roma” felt like it had 12 lines of dialogue. So maybe “The Favourite” really is the favorite.

Best Adapted Screenplay

Planning on having an Oscars Party? If so, it's worth having a competition to see which of you can guess the most Oscar winners. According to online betting site Bovada, these are the current odds for the major categories. The lower the number, the more likely it is that nominee will win. Oscars 2019 Predictions Best Picture Black Panther +3000 BlacKkKlansman +3000 Bohemian Rhapsody +1800 The Favourite +1800 Roma -330 Green Book +360 A Star Is Born +3000 Vice +5000 "Roma" is the current frontrunner, but will the Academy give a statue to a Netflix movie? "Green Book" is facing controversy over its blurred retelling of history. "Bohemian Rhapsody" is facing headwinds because of a scandal involving its director, Bryan Singer. While "Roma" may be a lock for Best Foreign Film, we think "A Star Is Born" could slip through for the win. Although its director (Bradley Cooper) wasn't nominated, this year could mirror the 2013 Oscars when "Argo" won Best Picture, even though its director (Ben Affleck) wasn't nominated. Also, remember that actors make up the biggest share of the voters and "A Star Is Born" features nominees in three of the four acting categories. Only "Vice" can match that and it has two actors who already have Oscars, so the Academy will likely overlook them. Best Director Alfonso Cuarón (Roma) -2000 Yorgos Lanthimos (The Favourite) +3300 Spike Lee (BlacKkKlansman) +550 Adam McKay (Vice) +3300 Pawel Pawlikowski (Cold War) +2500 Cuarón is the frontrunner here. The possible drag against him is his previous Oscar in 2013 for "Gravity." The Academy gets stingy with second statuettes. If you're looking for an upset, put your money on Spike Lee. The Academy sometimes hands out Oscars as "lifetime achievement awards," and we'd love to hear his acceptance speech. Best Actress Yalitza Aparicio (Roma) +4000 Glenn Close (The Wife) -550 Olivia Colman (The Favourite) +350 Lady Gaga (A Star Is Born) +1000 Melissa McCarthy (Can You Ever Forgive Me?) +5000 Speaking of "lifetime achievement awards," this is Glenn Close's seventh nomination and she's the odds-on favorite. Lady Gaga could provide the upset, but voters are likely to want her to "pay her dues." Gaga will pick up an Oscar elsewhere in the telecast (stay tuned). Best Actor Christian Bale (Vice) +250 Bradley Cooper (A Star Is Born) +1400 Willem Dafoe (At Eternity's Gate) +5000 Rami Malek (Bohemian Rhapsody) -400 Viggo Mortensen (Green Book) +3300 Rami Malek's transformation into Freddie Mercury will likely land him the prize. If you're looking for an upset, everyone loves Viggo Mortensen. A win for him could give "Green Book" a little love without necessarily honoring the film as a whole. Best Supporting Actor Mahershala Ali (Green Book) -1400 Adam Driver (BlacKkKlansman) +3300 Sam Elliott (A Star Is Born) +900 Richard E. Grant (Can You Ever Forgive Me?) +700 Sam Rockwell (Vice) +5000 As we said, the Academy can be stingy with a second statue, so Ali's 2017 win for "Moonlight" could rain on his parade here. Richard E. Grant plays the kind of broken down character the Academy loves. But if you're looking for an upset, Sam Elliott could snag a win as tribute for his long career. This category is often set up to reward the kindly old guy that everyone in Hollywood loves, but the actual Oscar rarely goes that way. Elliott could be the exception. Best Supporting Actress Amy Adams (Vice) +300 Marina de Tavira (Roma) +1500 Regina King (If Beale Street Could Talk) -280 Emma Stone (The Favourite) +2000 Rachel Weisz (The Favourite) +800 Regina King leads the way here, and we don't see much of a threat to her. Amy Adams is beloved and Oscarless, but "Vice" didn't give her much to do. Be aware that this category frequently throws the biggest curveball of the night. Best Original Screenplay The Favourite (Deborah Davis and Tony McNamara) -200 First Reformed (Paul Schrader) +1400 Green Book (Nick Vallelonga & Brian Hayes Currie & Peter Farrelly) +200 Roma (Alfonso Cuarón) +750 Vice (Adam McKay) +4000 "Green Book" probably had this on lockdown until its scandal flared up. "Vice" had its moments, but it's not particularly noteworthy. "Roma" felt like it had 12 lines of dialogue. So maybe "The Favourite" really is the favorite. Best Adapted Screenplay A Star Is Born (Eric Roth, Will Fetters & Bradley Cooper) +2000 The Ballad of Buster Scruggs (Joel Coen & Ethan Coen) +5000 BlacKkKlansman (Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee) -250 If Beale Street Could Talk (Barry Jenkins) +600 Can You Ever Forgive Me? (Nicole Holofcener and Jeff Whitty) +275 This category feels fairly wide open. Perhaps it's Spike Lee's time to shine - he and his co-writers are the favorites for "BlacKkKlansman." Best Makeup and Hairstyling Border (Goran Lundstrom and Pamela Goldammer) +1600 Mary Queen of Scots (Jenny Shircore, Marc Pilcher and Jessica Brooks) +700 Vice (Greg Cannom, Kate Biscoe and Patricia DeHaney) -1200 "Vice" is deservedly the frontrunner here. Christian Bale deserves a ton of credit for the weight gain, but there were moments in that film when we could swear we were looking at news footage from 15 years ago. Best Costume Design The Ballad of Buster Scruggs (Mary Zophres) +3300 Black Panther (Ruth E. Carter) +160 The Favourite (Sandy Powell) -240 Mary Poppins Returns (Sandy Powell) +2500 Mary Queen of Scots (Alexandra Byrne) +2000 This category usually goes to the movie with ye olde wardrobe, so "The Favourite" makes sense here. All of these movies had fantastic costumes, though. Perhaps an opening for "Black Panther" to snag a statue. Best Cinematography The Favourite (Robbie Ryan)+1500 Never Look Away (Caleb Deschanel) +4000 Roma (Alfonso Cuarón) -2000 A Star Is Born (Matty Libatique) +1500 Cold War (Lukasz Zal) +900 The first shot of "Roma" sealed this for Alfonso Cuarón. Write it in stone. Best Original Song "All the Stars" (Black Panther) +750 "I'll Fight" (RBG) +2000 "The Place Where Lost Things Go" (Mary Poppins Returns) +2000 "Shallow" (A Star Is Born) -3000 "When a Cowboy Trades His Spurs for Wings" (The Ballad of Buster Scruggs) +4000 Another lock. "Shallow" cannot be topped. Best Original Score Black Panther (Ludwig Goransson) +250 BlacKkKlansman (Terence Blanchard) +1600 If Beale Street Could Talk (Nicholas Britell) -200 Isle of Dogs (Alexandre Desplat) +2500 Mary Poppins Returns (Marc Shaiman) +550 "If Beale Street Could Talk" is the favorite here, but there's a chance voters will go with "Black Panther" and its cacophony of drums. Best Documentary Feature Free Solo (Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill) -200 Hale County This Morning, This Evening (RaMell Ross, Joslyn Barnes and Su Kim) +4000 Minding the Gap (Bing Liu and Diane Quon) +1500 Of Fathers and Sons (Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert) +5000 RBG (Betsy West and Julie Cohen) +130 "Free Solo" will likely win by virtue of the difficulty of filming a man climbing a mountain by himself. "RBG" could sneak in, just as a way for people to let Ruth Bader Ginsburg know they love her. Best Animated Feature Incredibles 2 (Brad Bird, John Walker and Nicole Paradis Grindle) +900 Isle of Dogs (Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson) +900 Mirai (Mamoru Hosoda and Yuichiro Saito) +4000 Ralph Breaks the Internet (Rich Moore, Phil Johnston and Clark Spencer) +2500 Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller) -1500 We've rarely heard praise heaped on an animated film the way it's been doled out to "Spider-Man: Into the Spider-Verse." This seems like the likely winner and the odds agree. Best Foreign-Language Film Capernaum (Lebanon) +2500 Cold War (Poland) +700 Never Look Away (Germany) +3300 Roma (Mexico) -2000 Shoplifters (Japan) +1700 "Roma" will wipe out the competition here and it's not close. Best Sound Mixing Black Panther +3300 Bohemian Rhapsody -120 First Man +800 Roma +5000 A Star Is Born (Even) Two musicals lead the pack here, but if you want to take a flyer, consider "First Man" since the space shuttle stuff is Oscar bait and Damien Chazelle's movies are often an auditory joyride. Check out the unexpected sounds they incorporated to the shuttle launch. Best Sound Editing Black Panther (Benjamin A. Burtt and Steve Boeddeker) +1000 Bohemian Rhapsody (John Warhurst and Nina Hartstone) +600 First Man (Ai-Ling Lee and Mildred Iatrou Morgan) -250 A Quiet Place (Ethan Van der Ryn and Erik Aadahl) +350 Roma (Sergio Diaz and Skip Lievsay) +2500 As mentioned above, "First Man" and its space shuttle sequences probably give it the edge here. "A Quiet Place" could play spoiler, since sound is so integral to the plot. Best Production Design Black Panther (Hannah Beachler and Jay Hart) +200 The Favourite (Fiona Crombie and Alice Felton) -230 First Man (Nathan Crowley and Kathy Lucas)+2500 Mary Poppins Returns (John Myhre and Gordon Sim) +2500 Roma (Eugenio Caballero and Barbara Enriquez) +900 Will voters choose the old-timey look of "The Favourite" or the futuristic visions of "Black Panther"? It's possible that Wakanda feels too computer-generated to earn the Oscar here. Best Visual Effects Avengers: Infinity War -650 Christopher Robin +3500 First Man +400 Ready Player One +1000 Solo: A Star Wars Story +5000 "Infinity War" had a ton of visual effects and a believable animated villain in Thanos. The question is whether voters will honor a comic book movie over something realistic like "First Man," which somehow feels more "Oscar-worthy." Best Film Editing BlacKkKlansman (Barry Alexander Brown) +1000 Bohemian Rhapsody (John Ottman) +275 The Favourite (Yorgos Mavropsaridis) +350 Green Book (Patrick J. Don Vito) +3300 Vice (Hank Corwin) -150 "Vice" may deserve it for the audacity of its mid-movie credits sequence alone. The film covers a sprawling time frame, and the editing helps propel it along. That said, "Bohemian Rhapsody" could slip through since the big concert scenes provide the music video jolt that many voters may respond to. And in case you're wondering, Bovada puts "Gotti" as the favorite to win Worst Picture at the annual Razzie Awards. "Holmes and Watson" is a close second.

  • A Star Is Born (Eric Roth, Will Fetters & Bradley Cooper) +2000
  • The Ballad of Buster Scruggs (Joel Coen & Ethan Coen) +5000
  • BlacKkKlansman (Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee) -250
  • If Beale Street Could Talk (Barry Jenkins) +600
  • Can You Ever Forgive Me? (Nicole Holofcener and Jeff Whitty) +275

This category feels fairly wide open. Perhaps it’s Spike Lee’s time to shine – he and his co-writers are the favorites for “BlacKkKlansman.”

Best Makeup and Hairstyling

Vice

  • Border +1600
  • Mary Queen of Scots +700
  • Vice -1200

“Vice” is deservedly the frontrunner here. Christian Bale deserves a ton of credit for the weight gain, but there were moments in that film when we could swear we were looking at news footage from 15 years ago.

Best Costume Design

The Favourite

This category usually goes to the movie with ye olde wardrobe, so “The Favourite” makes sense here. All of these movies had fantastic costumes, though. Perhaps an opening for “Black Panther” to snag a statue.

Best Cinematography

Roma
The first shot from “Roma” was pretty mind-blowing.
  • The Favourite (Robbie Ryan) +1500
  • Never Look Away (Caleb Deschanel) +4000
  • Roma (Alfonso Cuarón) -2000
  • A Star Is Born (Matty Libatique) +1500
  • Cold War (Lukasz Zal) +900

The first shot of “Roma” sealed this for Alfonso Cuarón. Write it in stone.

Best Original Song

  • “All the Stars” (Black Panther) +750
  • “I’ll Fight” (RBG) +2000
  • “The Place Where Lost Things Go” (Mary Poppins Returns) +2000
  • “Shallow” (A Star Is Born) -3000
  • “When a Cowboy Trades His Spurs for Wings” (The Ballad of Buster Scruggs) +4000

Another lock. “Shallow” cannot be topped.

Best Original Score

“If Beale Street Could Talk” is the favorite here, but there’s a chance voters will go with “Black Panther” and its cacophony of drums.

Best Documentary Feature

  • Free Solo -200
  • Hale County This Morning, This Evening +4000
  • Minding the Gap +1500
  • Of Fathers and Sons +5000
  • RBG +130

“Free Solo” will likely win by virtue of the difficulty of filming a man climbing El Capitan without ropes, harnesses, or other safety equipment. “RBG” could sneak in, just as a way for people to let Ruth Bader Ginsburg know they love her.

Best Animated Feature

Into the Spider-Verse

  • Incredibles 2 +900
  • Isle of Dogs +900
  • Mirai +4000
  • Ralph Breaks the Internet +2500
  • Spider-Man: Into the Spider-Verse -1500

We’ve rarely heard praise heaped on an animated film the way it’s been doled out to “Spider-Man: Into the Spider-Verse.” This seems like the likely winner and the odds agree.

Best Foreign-Language Film

  • Capernaum (Lebanon) +2500
  • Cold War (Poland) +700
  • Never Look Away (Germany) +3300
  • Roma (Mexico) -2000
  • Shoplifters (Japan) +1700

“Roma” will wipe out the competition here and it’s not close.

Best Sound Mixing

Two musicals lead the pack here, but if you want to take a flyer, consider “First Man” since the space shuttle stuff is Oscar bait and Damien Chazelle’s movies are often an auditory joyride. Check out the unexpected sounds they incorporated to the shuttle launch.

Best Sound Editing

As mentioned above, “First Man” and its space shuttle sequences probably give it the edge here. “A Quiet Place” could play spoiler, since sound is so integral to the plot.

Best Production Design

Black Panther

Will voters choose the old-timey look of “The Favourite” or the futuristic visions of “Black Panther”? It’s possible that Wakanda feels too computer-generated to earn the Oscar here.

Best Visual Effects

“Infinity War” had a ton of visual effects and a believable animated villain in Thanos. The question is whether voters will honor a comic book movie over something realistic like “First Man,” which somehow feels more “Oscar-worthy.”

Best Film Editing

“Vice” may deserve it for the audacity of its mid-movie credits sequence alone. The film covers a sprawling time frame, and the editing helps propel it along. That said, “Bohemian Rhapsody” could slip through since the big concert scenes provide the music video jolt that many voters may respond to.

And in case you’re wondering, Bovada puts “Gotti” as the favorite to win Worst Picture at the annual Razzie Awards. “Holmes and Watson” is a close second.

This is the Netflix browser extension you didn’t know you needed

The Netflix Extended Chrome extension adds keyboard shortcuts and removes intros and recaps

netflix

If you ask me, the greatest invention of the new millennium has to be the “Skip Intro” button on Netflix. Don’t get me wrong, it is not like I hate watching the intro to the shows I love, it is just that when I’m binging through a series, I don’t want to have to watch the intro again and again in between episodes. The same goes for recaps. They’re useful if you watched the last episode more than a few days ago but if the last episode just finished, I don’t need a recap. I know I’m not alone in this frustration.

8

OK, so there are skip buttons for these, but having to press them can be annoying, especially if you don’t have a wireless mouse setup. Thankfully, it is now possible to set Skip Intro and Skip Recap to default so that it happens automatically every time you watch a show. You won’t need to get up and tap a button, you’ll be able to stay right where you are and the next episode will begin, intro and recap free. This is the best Netflix Chrome web browser extension.

The Netflix Extended Chrome extension adds keyboard shortcuts and removes intros and recaps

Netflix Extended is a very easy to use Google Chrome extension that will enhance your Netflix experience. Once you’ve added the Extension to Chrome, you’ll notice a green Netflix style “N” next to the other browser extension logos in the top right of Chrome. Whenever you click this N, Netflix will open.

Once the extension is activated and Netflix is open, you’ll see a green dot in the control bar at the bottom of the screen whenever you’re playing a movie or show. Hovering the cursor over the green dot will tell you whether the extension is working properly.

favorite netflix extension

When you first activate Netflix Extended, it will already be set to automatically skip intros and recaps. If you’re not happy with the default settings, however, and you want to change them up, you need to right-click on the green N icon. From there click on the Options button to open the Netflix Extended settings menu.

netflix extended settings

As well as the Skip intros and Skip recaps options, you’ll also be able to set Netflix to automatically mute the trailers it shows at the top of the screen on startup. Another key feature is the ability to block the next episode from starting automatically if you think you might be binging a little too much.

Netflix Extended also has a number of keyboard shortcuts, which you can tailor to your needs via the Options menu. Clicking on the Key bindings tab will open up the shortcut defaults and give you the option to change which keys will do things like play the next episode or exit Netflix altogether.

If you’re a big Netflix fan like me, I recommend checking out Netflix Extended now.

Apple rumored to be developing Netflix-like gaming service

Is Apple about to make a huge splash in the gaming industry?

Rumors are swirling that Apple is in the early stages of developing a subscription-based service for games, similar to Netflix’s model for movies and shows. There are few details about the service beyond this, as we don’t know if this service is being developed for mobile devices, home computers, or both.

Making a gaming service is a puzzling move on Apple’s part for multiple reasons. Even though Apple basically created the mobile gaming market with the App Store, they’ve never really gone all in on the gaming industry. Though Apple has placed tight quality control restrictions on the App Store, for the most part, they’ve been content to lay back and get their (sizable) cut from in-app purchases. Additionally, though Macs have received increased support from game developers over the years, the vast majority of PC gamers play on either Windows or Linux. Apple does not seem to mind this as their core Mac audience usually buy their devices for business or creative purposes. With this in mind, it’s relatively safe to assume that Apple’s upcoming gaming subscription service will focus on mobile gaming.

What would an Apple gaming subscription look like?

A subscription for mobile games wouldn’t make much sense, as the most popular mobile games by far are free titles that heavily utilize microtransactions. Why would anyone pay to play free games?

To make the subscription price worth it, Apple would have to offer some sort of premium content. Games could lock special levels, characters, or power-ups behind the subscription service, incentivizing hardcore players into subscribing. This model would make financial sense, as research has shown that mobile games make their money not from casual players, but from “whales.” Whales are hardcore players who pour tons of money into freemium games. Locking content behind a subscription would encourage whales and completionists to make the dip. There’s also the possibility that instead of locking content, the subscription would give a small amount of money to spend in every game included in the service. This would give players a brief glimpse into the premium side of popular games, encouraging them to spend more money after their subscription credits run out.

Another possibility is that Apple could focus on “premium” iOS games rather than free to play ones. These games are often console quality and cost around $10-$20, but don’t feature additional microtransactions. Examples of these games include Civilization VI and XCOM: Enemy Within. Apple could allow subscribers to play these games at no additional cost, which would encourage people to play these games who would have never before considered them due to their price.

By combining these two ideas, it’s possible that Apple could have a success on their hands. The subscription hinges entirely on how it is embraced by whales. If whales don’t see value in paying for a subscription, the service will fail.

Netflix wants your Instagram followers to know what you’re binging

How to add what you’re watching on Netflix to your Instagram Stories.

netflix

If you’re a big Instagram user, you might have noticed over the last couple of days that some of your friends’ Instagram Stories have included something new. In the last couple of days Netflix has added a new feature for iOS users, which makes it easy to share what you’re watching via Instagram Stories.

Netflix Download Now
8

As well as adding the new Share feature, Netflix has even started rolling out dedicated artwork for some of its best shows and movies. Furthermore, the Netflix update also allows for plenty of customizations to add on top of the Netflix artwork including standard Instagram Stories features like stickers and polls.

Instagram Download Instagram
7

How to add what you’re watching on Netflix to your Instagram Stories

To share what you’re watching on Netflix via Instagram click on what you’re going to watch. Then, before you hit the play or resume button you want to hit the share button next to the like icon. This will open up the sharing options Netflix offers, which includes Messages, Messenger, Copy Link, and now Instagram Stories.

Hitting Instagram Stories will take you over to the Instagram app and line you up with a new story, complete with artwork for the Netflix show or movie you want to share. You can then add all the extras you like, just like you would with a regular Instagram Story. The other cool thing is that all of your Netflix themed Instagram Stories will link back to the show’s page on Netflix, making it easier than ever for your friends to get caught up on what you’re watching. This will, of course, also give Netflix a bit of a traffic boost, which is likely one of the main reasons for the change.

This latest tweak to Instagram’s sharing feature comes on the back of the largest price hike in Netflix’s history. Most subscribers will see their monthly Netflix bill jump $2, although those subscribers on Netflix’s bottom tier will only have to pay an extra $1 a month. The Instagram Stories sharing feature should take the focus off the price and square it solely on the content.

This is, of course, the conversation Netflix wants us to be having as it moves forward into 2019. The recent price hike, which will come into effect for current subscribers over the next three months, will go some way to pay for the supposed $19 billion Netflix has set aside for new content this year. As that new content starts to bolster Netflix’s roster, it makes sense for the company to be giving us as many opportunities as possible to talk about it in as engaging a manner as possible.  That is, as long as it new content is good content.

How your Netflix bill is about to change

The new Netflix prices explained

It isn’t overstating things to say that Netflix has completely revolutionized how we consume TV shows and movies. The online subscription model, which gives access to a vast repository of great shows and movies has enjoyed so much success, it has sparked its own cultural phenomena (“Netflix and Chill,” anyone?) and sparked a wide variety of competitors to also offer their media via the internet. You could even say that the influence has spread to other industries with Amazon looking to start a Netflix for video games sometime next year.

Netflix Download Now
8

As with all other companies, however, the good times can’t last forever and yes, this time, the bad news is true. Netflix has increased prices for its subscriptions, which means it will now cost more to access all of the streaming giant’s TV shows and movies. The news came out of Netflix HQ on Tuesday that all streaming plans will be going up in price. New customers will be faced with the new prices immediately and existing customers will see their bills go up over the next three months.

The new Netflix prices explained

If you are a Netflix subscriber in the U.S., you might want to know how much this is going to cost you. Well, that all depends on what type of Netflix subscription you have. The bad news is that Netflix’s most popular plan has seen the biggest increase. The plan which offers users high-definition streaming on up to two different devices at the same time has seen its price jump from $11 a month to $13. The cheapest Netflix plan has gone up from $8 a month to $9 and the Netflix ultra-high-definition plan now costs $16 a month, up from $14.

There is good news, however, for global Netflix subscribers. Speaking to Digital Spy, Netflix confirmed that “price increases are specific to each country.” This means the U.S. price hikes will not be repeated all around the world. It isn’t all good news, however, as the price increases will affect you if you normally pay in dollars, unless you are a part of key markets like Mexico and Brazil.

Netflix has been investing heavily in new content recently. The streaming giant spent an estimated $3 billion on original content last year and it is believed the company will spend the same amount next year. This is all to be expected though, as the online streaming market becomes increasingly competitive. Alongside the established big players like Amazon Prime and HBO, Disney has recently entered the fray with its new streaming service. This knocked a double blow to Netflix, which saw a number of its most popular titles stripped from its roster just as a powerful competitor began to take it on.

The increased prices may cause a few to turn off, but if the added revenue is put into new content then hopefully, the extra couple of dollars a month will be worth it.

Streaming services to crack down on account sharing

Your days of password sharing might be over.

streaming services

If you’re one of the 117.6 million Netflix subscribers or one of the 20 million US subscribers to Hulu, there may be a change on the wind – particularly if you’re working with a shared account: Synamedia has just announced a new software called the Credentials Sharing Insight which according to their website “identifies, monitors and analyzes credentials sharing activity across streaming accounts.” What does this mean for the many account holders who share their password with friends for free?

Prepare to be flagged and flogged.

Streaming sites crack down on account sharing

The Credentials Sharing Insight

Synamedia announced their new tech on December 17, their goal being to help streaming service providers combat the rise of free account sharing. The software was marketed to streaming sites such as Netflix, HBO, and Hulu and aims to identify instances of fraudulent activity. If such activity is found, it will ask users to upgrade to a premium account that includes sharing. Furthermore, if any passwords are discovered to have been sold for profit, the account will be completely shut down. All at once, the Credentials Sharing Insight offers to transform a chink in the provider’s armor into an opportunity to generate more revenue.

Here’s how it works

The Credentials Sharing Insight uses artificial intelligence to discover and flag any user that appears to be logged in different locations. That information is shared with the provider, and the operator can then apply policies (like the aforementioned premium membership) to any account whose sharing score exceeds a predefined threshold.

Can they tread the line between legal and illegal sharing?
The Credentials Sharing Insight turns account sharing into extra company profit.

The hope is that marketing teams will be able to use this information to find account sharers without harassing customers operating within the parameters of their account.

How many accounts are shared?

At first, most OTT providers didn’t share any concern with casual password sharing. Having more viewers, regardless of whether they’re paying, provides a valuable opportunity to market their product – kind of like a free trial. It widens the net of active users, accrues more viewing data, and allows the provider to better shape their product. After a while, however, the numbers start showing more and more active users who aren’t paying for the service at all.

Maybe not quite like this, but you get the point.
This is how Netflix sees your shared account … sort of.

Providers discovered that this is especially an issue with younger generations of viewers who are accustomed to services such as YouTube, where streaming is largely free.

Netflix Free Download
8

The 2018 Magid Video Entertainment Survey discovered that 26% of millennials share passwords for video streaming services. Parks Associates predicts that if the trend continues $9.9 billion of pay-tv revenues and $1.2 billion of OTT revenues will be lost to credentials sharing by 2021.

“Casual credentials sharing is becoming too expensive to ignore,” said Synamedia Chief Performance Officer Jean Marc Racine. “Our new solution gives operators the ability to take action.” Whether they actually will is yet to be determined. Don’t be too surprised if warring providers use this as an opportunity to offer competitive premium account services to assert their dominance over the market.

Hulu Download
7

As for the customers’ response, Racine is confident that most users will oblige and upgrade their account in exchange for improved service. “Many casual users will be happy to pay an additional fee for a premium shared service with a greater number of concurrent users,” he said. “It’s a great way to keep honest people honest while benefiting from an incremental revenue stream.”

Time will tell whether Racine is correct, or if suddenly asking customers to pay extra money for a service they’re already provided will generate massive backlash. Let us know your thoughts in the comments below, and stay tuned for updates!

 

‘Money Heist’ is the best Netflix show with the worst title you need to watch

Add this to your queue right now. You’ll love it.

Netflix has a problem. For all the ungodly sums of money they throw at content, it’s all scattered across the platform like the Wal-mart DVD bargain bin. This means some of the best stuff doesn’t even appear when you’re scrolling through. The site’s algorithm tries to find shows and movies you’ll like, but that’s a crap shoot. That’s why we’re here to point you in the right direction.

Your next binge-watch should be ‘Money Heist’

Netflix Money Heist

“Money Heist? What a terrible name!” you’re thinking. And you are right. It’s a godawful name. The original title was “La Casa de Papel,” which translates to “The House of Paper.” And maybe that doesn’t have much of a ring to it, either. But try to look past the stupid name and follow us as we explain why you should watch.

It’s like ‘Breaking Bad’ if Walter planned a giant robbery with 8 Jesses

If you haven’t seen “Breaking Bad,” you need to jump on that right now. “Money Heist” can wait. But if you have seen it, you know that part of what made that show great was the criminal mastermind and his erratic accomplice, who sometimes threw a monkey wrench into the plan. That same dynamic is at work in “Money Heist.”

Here’s the trailer. (And don’t panic about the subtitles. We’ll get to those in a moment.)

Here’s the story

A man who calls himself “The Professor” pulls together eight criminals for the heist of a lifetime. They’ll go inside the royal mint of Spain, lock the doors, take hostages, print off more than 2 billion Euros, and make a clean getaway.

The show flashes back and forth between the heist and months of pre-robbery training for the thieves. The Professor appears to have thought through every scenario the team could encounter. For example, the thieves only know each other by their nicknames (“Tokyo,” “Berlin,” “Nairobi,” etc.) so they couldn’t possibly reveal any real identities if caught.

One of the great joys of the show is seeing the police gain the upper hand, only to be thwarted by The Professor’s extraordinary foresight and creativity.

It’s got sex, violence, and money

Netflix Money Heist

Still not convinced? This Spanish import has the tentpoles of a good ol’ American hit.

Sex: Yes, some of the characters have sex. You see lots of characters in their underwear. You’ll see at least one nipple if you’re into that sort of thing. (Probably don’t watch this with your kids.) Characters fall in love, and that love is often a weakness that jeopardizes the mission.

Violence: Holy smokes, there are a lot of guns. The good guys have guns, the bad guys have guns, the hostages are given fake guns, you’ve got plastic explosives, a handful of grenades, a pair of scissors, a big metal pipe, and an especially helpful Browning machine gun that makes life tricky for the cops.

Money: Again, the thieves are literally printing their own money. It makes Walter White’s stash look like pocket change.

Plot twists galore

A game of cat-and-mouse isn’t fun if the mouse always outruns the cat. “Money Heist” cleverly trades off which team has the upper hand. The Professor’s crew usually stays in the lead, but sometimes the police catch a break. Sometimes, the hostages rebel against their captors. Even within the team of thieves, we have defections and infighting. The minute everything is going right in this show, something goes wrong.

At times, you’ll root for Raquel, the brave woman in charge of the police effort. Then you’ll root for The Professor, who spent so long planning this caper. Then you’ll root for the hostages, because they didn’t ask for this. Then you’ll root for one particular thief who hates another thief because that thief is being a jerk. Your allegiance will change throughout the series, and in the final episode, you won’t even know who you want to win.

Nearly every episode ends with a hell of a cliffhanger, making this an easy show to binge. And unlike some shows, the cliffhangers feel natural and earned. There’s no deus ex machina at work. (There are a few head-slapping moments of incredulity, not no more than any other show.)

Great characters

A great story requires great characters, and “Money Heist” has them. We can’t give away too much, but here’s an overview the main players.

The Thieves

Netflix Money Heist Tokyo

The Professor, as we mentioned, is an incredibly smart man who’s been planning this heist for most of his life. He stays on the outside of the mint, running the operation by phone. Whenever a loose end needs tying up, the mild-mannered Professor has to be the one to tie it up, which means a ton of nail-biting motorcycle rides to arrive somewhere before police catch up. (He’s a character so popular, some people on Argentina have tattoos of him.)

Inside the mint, the female thieves are an unpredictable hot-head (Tokyo), and a calm perfectionist (Nairobi). For the men, you’ve got a possible sociopath who veers between brilliance and sadism (Berlin), a big teddy bear with a violent streak (Helsinki), a warm father figure (Moscow), a silent enforcer (Oslo), an impatient tech genius (Rio), and a confused but eager screw-up (Denver). It’s a volatile mixture that turns explosive when the pressure is turned up. Anytime the Professor is running off to save the day, his team begins to unravel without his guidance. And it’s incredibly fun to watch.

The Police

Netflix Money Heist police

Our primary character here is the intense, driven inspector Raquel. She battles the doubts of her colleagues and the Professor’s traps to try to end the heist. Raquel’s life is made more complicated by her abusive ex-husband, who happens to be a forensic investigator crucial to the case, a mother with Alzheimer’s, and a daughter who could end up with the ex-husband if Raquel isn’t careful.

Raquel’s right-hand man is Angel, a warm, intelligent man who becomes an unwitting saboteur to the investigation. Angel’s progress is often thwarted by romantic feelings for Raquel. (This show features a lot of battles between the head and heart.)

The Hostages

Netflix Money Heist hostages

The Professor is smart enough to know that hostages will prevent the police from simply storming the mint. That’s why he chose to stage the heist when an ambassador’s daughter (Alison) happens to be visiting. Alison is feisty and strong-willed, which, as you can imagine, are not great traits for a hostage. Her classmates end up being hostages as well, and that’s all thanks to her father’s position. Sorry, kids!

Arturo is the mint manager and you will haaaaaate him. Remember the reporter from the original “Die Hard”? It’s that degree of hate. But the show is actually made better by having a totally worthless piece of human garbage. No matter who you’re rooting for in any particular episode, you can always root against Arturo. He’s a character you’ll love to hate.

Monica is a weak-willed mint employee who goes through a major transformation as a result of the heist. Her boss (Arturo) puts her in lots of uncomfortable positions. Being a hostage is one thing. Being a hostage while still trying to please your boss is another. After all, if the heist ends, do you still have to show up to work tomorrow? Monica is one of the most interesting characters to watch, as she tries to walk a moral tightrope against a constantly shifting situation.

Aridana is a young hostage who devises a fascinating survival strategy that could end up paying off huge if she plays her cards right.

The language barrier

Netflix Money Heist guns

Here’s where many of you may choose to jump ship on our recommendation. The show is in Spanish. This means you must either watch it dubbed (which is truly awful), or watch with subtitles (which is the correct choice).

We know, we know, we know you don’t want to have to read TV, but we wouldn’t recommend this show if the juice weren’t worth the squeeze. You’re a global citizen now. We encourage you to sample something brilliant from our friends overseas. After all, sex, violence, and money are universal languages. You can do it. We promise. Put your phone away and focus for 44 minutes at a time.

Netflix reports that “Money Heist” is its most-watched non-English show ever. Ever. There’s a reason for that. It’s good.

Add it to your queue right now

“Money Heist” has a godawful name, so whoever came up with that should be fired. And yes, you have to read subtitles to get the full joy of it.

But if you can get past those barriers, you’ll find a carefully woven tapestry of layered characters, intense emotions, thrilling heroics, heartbreaking setbacks, cheerful comedy, painful choices, and mind-boggling plot twists.

The greatest compliment you can pay to a TV series is that you wish you could erase your brain and watch it again without knowing what’s coming next. That’s how we feel about “Money Heist,” and that’s why it should be your next binge. Click here to add “Money Heist” to your queue.

Google declares war on the TV guide

Google is working on a way to help you know what each streaming service is showing.

streaming video

TV is changing. For years, instead of just watching what the TV networks have been serving up, we’ve been able to turn to the internet to find other options. Subsequently, the internet has created a host of big new players in TV, like Netflix, Hulu, and Amazon, while giving us much more choice when it comes to what we watch.

With more choice, however, comes the issue of keeping up to date with what you have to choose from. The old school TV guide can no longer keep up with the huge internet libraries of movies and TV shows we now have competing for our hard-earned dollars. There is, however, a technology firm out there that thinks it is up to this gargantuan task. That firm is Google.

Google is working on a way to help you know what each streaming service is showing

It can be very difficult keeping up to date with what the likes of Netflix are showing this month and what they’ll be showing next month. The contracts that give them access to shows are very complicated and expensive things, which means the rosters of all the streaming services are fluctuating all the time. Even, if you stuck to just one streaming service, it would be hard keeping on top of what you can watch in one country but can’t in another.

To keep on top of all this you either have to subscribe to the press releases from the streaming services themselves or closely monitor social media for updates from trusted sources. The first option offers some dry reading and the second offers a whole world of potential distractions. Both are problematic and offer no guarantee that you’ll successfully stay on top of what you can watch where.

According to the guys over at Quartz, Google is working on a way to make this whole process easier and much less problematic. The report says that a new feature is being tested that will add streaming options to the search results for TV show and movie-related search queries. For a while now, typing something like “Romantic comedy” into Google will open up Google’s movie search box that offers all sorts of useful information about rom-coms.

A Google spokesman tells Quartz, “We’re always experimenting with new ways to help people find relevant information through Search.” Google replied to a question from Quartz after the feature had been spotted while they were running the test. The spokesperson also added, however, that there was nothing to announce at the time.

If this feature does roll out to everybody, it will give us all a new and easy way of seeing what streaming services are showing the content we are searching for. This won’t, however, be a golden bullet that will help us look objectively at what each streaming service offers so we can decide which to subscribe to.

Daredevil canceled – what the hell is going on at Netflix?

Why would Netflix kill its beloved superhero series?

daredevil canceled

While Marvel’s movies have been near-universal home runs, their TV shows have been far more hit-or-miss. The gold standard so far would be Netflix’s “Daredevil.” And now, it seems the superhero has met his most terrible foe: cancellation.

What’s really weird is that “Daredevil’s” team had no idea this was coming.  Expecting bigger things to come, they even planted a tip to the MCU in the most recent season. Check out this tweet from the show’s executive producer:

It seems like the creative team was (pardon the pun) blindsided here. Because Netflix doesn’t release viewership numbers, we don’t know how many people watched “Daredevil.” But anecdotally, we heard far more praise for the show than for many of its Marvel counterparts. Great casting played a role: Charlie Cox, Vincent D’Onofrio, and Deborah Ann Woll were just some of the solid ensemble that kept us glued to Hell’s Kitchen.

Along with great acting, “Daredevil” offered incredible fight choreography. This scene from Season 1 was frequently shared as the oh-my-god-you-have-to-see-this clip that drew many to the show.

“Daredevil” also deserves praise for being one of the rare superhero shows to depict semi-realistic pain for its hero. This io9 essay goes into great detail about why we loved the movie heroes of the 1980s – they all got beat up. Now, it’s unlikely you see the hero suffer (or even bleed) in an action movie. “Daredevil” wisely showed the physical toll of spending your nights battling bad guys. That stuff hurts, and the pain lingers. Hurting your hero is the quickest way to gain an audience’s empathy.

What is Netflix doing?

So why would Netflix kill off one of its most acclaimed shows while ambushing the creative team with the news?

Most likely, this is a preemptive move because of Disney’s upcoming video streaming platform. Disney owns the right to nearly all of the Marvel properties except those airing on Netflix. When Netflix canceled “Iron Fist,” it wasn’t too much of a surprise because of that show’s generally poor reception. “Luke Cage” also got the ax. With “Daredevil,” it seems we’ve got a domino chain that will end up claiming “Jessica Jones” and “The Punisher,” too.

Our guess is that Netflix didn’t want to cancel “Daredevil,” but its hand was likely forced by some kind of impending legal battle. Perhaps it was better to end after a highly regarded third season as opposed to fighting Mickey’s lawyers down the line.

We don’t know if Disney will resurrect the same team for its streaming service when it launches next year. (That would set up a strange scenario where Disney might pay Netflix to share the first three seasons for Disney+, or some kind of soft reboot where no one talks about the old storylines.)

Streaming wars to come

When Netflix began, lots of companies lined up to share their catalogs. The ability to stream old episodes even helped “Breaking Bad” grow its audience every year. The power of the streaming platform became so huge, those companies soon pulled their properties off Netflix to try to monetize them elsewhere.

The result is that Netflix has largely abandoned existing properties to start creating their own. Some estimates suggest Netflix will spend $13 billion on original programming this year alone. (For the record, that amount would be enough to make “Avengers: Infinity War” about 32 times.)

What’s troubling for Netflix, however, is that more than 80% of Netflix streams are for non-Netflix shows like “The Office” or “Shameless.” And 42% of Netflix subscribers watch little or no Netflix originals. Uh-oh.

For Disney’s big streaming leap, they threw down more than $52 billion to buy up Fox, which gets them the rights to the X-Men franchise, “The Simpsons,” and more. Disney is planning its own superhero shows featuring Loki and Scarlet Witch. Disney will have a huge advantage with its library of well-known properties, while Netflix has the edge with existing subscribers and infrastructure, even if they struggle with a fairly abysmal batting average on new series.

It looks like “Daredevil” was simply an innocent bystander in this battle of media titans. When you’re talking about multi-billion dollar media deals, the Kingpins of the world have an unbeatable edge over scrappy blind lawyers from Hell’s Kitchen.